This book proposes a new epistemological and methodological approach to concept formation across human and natural sciences, beyond Eurocentrism and specism. The new method enables global epistemics to cope with multiplex challenges coming from geohistorical as well as epistemological standpoints whose methodological potential remains unexplored.

Developing tools is a crucial aspect of experimental practice, yet most discussions of scientific change traditionally emphasize theoretical over technological change. To elaborate on the role of tools in scientific change, I offer an account that shows how scientists use tools in exploratory experiments to form novel concepts. I apply this account to two cases in neuroscience and show how tool development and concept formation are often intertwined in episodes of tool-driven change. I support this view by proposing (...) common normative principles that specify when exploratory concept formation and tool development succeed to initiate scientific change. (shrink)

Forms and Concepts is the first comprehensive study of the central role of concepts and concept acquisition in the Platonic tradition. It sets up a stimulating dialogue between Plato s innatist approach and Aristotle s much more empirical response. The primary aim is to analyze and assess the strategies with which Platonists responded to Aristotle s (and Alexander of Aphrodisias ) rival theory. The monograph culminates in a careful reconstruction of the elaborate attempt undertaken by the Neoplatonist Proclus (6th (...) century AD) to devise a systematic Platonic theory of concept acquisition.". (shrink)

Based on cultural-historical activity theory (CHAT), this book provides a new theoretical framework for understanding the collective formation of concepts that can guide the course of development in different activities and organizations. It is essential reading for researchers, advanced students and practitioners across human and social sciences.

This paper argues that Weyl's view that scientific objectivity requires that concepts be freely created, i.e., introduced via Hilbert-style axiomatizations, led him to abandon the phenomenological view of objectivity.

Recently Carrie S. Jenkins formulated an epistemology of mathematics, or rather arithmetic, respecting apriorism, empiricism, and realism. Central is an idea of concept grounding. The adequacy of this idea has been questioned e.g. concerning the grounding of the mathematically central concept of set (or class), and of composite concepts. In this paper we present a view of concept formation in mathematics, based on ideas from Carnap, leading to modifications of Jenkins’s epistemology that may solve some problematic (...) issues with her ideas. But we also present some further problems with her view, concerning the role of proof for mathematical knowledge. (shrink)

Concept formation is complex cognitive phenomenon which has been only partially modelIed in Cognitive Psychology and AI. Following a detailed and critical evaluation of such models we conclude that their main shortcoming of not being able to explain the nature of the semantics of concepts is because they fail to take into account the role of learning in concept formation. As a radical alternative it is proposed that a more (semantically) complete model would necessarily have to (...) give an account of how concepts are formed as a result of agent-environment interaction, that is mediated by an agents action in its environment and feedback from it. Such a shift in focus renders the investigation of the nature of concept formation as a complex and dynamic adaptive system. In accordance with this shift in perspective we propose and describe a novel methodological approach and a computational model that would support simple concept formation in an autonomous agent, which enables us to investigate concept formation in a more comprehensive manner. Overall we provide a compelling justification of the efficacy of such an ecological approach to the study of concept formation. (shrink)

First published in 1983, this book examines the problems of concept formation in the social sciences, and in particular sociology, from the standpoint of a realistic philosophy of science. Beginning with a discussion of positivistic, hermeneutic, rationalist and realistic philosophies of science, Dr Outhwaite argues that realism is best able to furnish rational criteria for the choice and specification of social scientific concepts. A realistic philosophy of science therefore acts as his reference point for the dialectical presentation of (...) alternative accounts. (shrink)

Much of the scholarship on Kant’s theory of concept formation has focused on the question of whether his theory suffers from circularity, i. e., whether it presupposes the very concepts whose origin it should explain. In this article, I defend Kant against a well-known objection raised by Hannah Ginsborg. Ginsborg, I argue, overlooks the relatively narrow aim of Kant’s theory of concept formation. Kant explicitly frames it as an account of a concept’s inherent generality, or (...) form. However, Ginsborg’s objection is not about a concept’s form; it concerns the concept’s content. Moreover, Kant addresses the issue that she raises in his theory of definitions, which explains how a concept’s content can be revised and perfected. Kant considered all empirical concepts to be incomplete and imprecise. For this reason, he denied that they can be properly defined. Kant also did not regard the content of empirical concepts as fixed or permanent. Indeed, he expected that we would continually expand and revise their content on the basis of experience. I argue that these facts, along with the narrow scope of Kant’s theory of concept formation, effectively defuse Ginsborg’s objection. (shrink)

What is art? What constitutes great art? Why do we value art so much and why has it been such a conspicuous feature of all human societies? These questions have been discussed at length though without satisfactory resolution. This is not surprising. Such discussions are usually held without reference to the brain, through which all art is conceived, executed and appreciated. Art has a biological basis. It is a human activity and, like all human activities, including morality, law and religion, (...) depends upon, and obeys, the laws of the brain. To understand the biological foundations of art, we must enquire into the biological foundations of knowledge, for art constitutes a form of knowledge; indeed is knowledge. We are still far from knowing the neural basis of the laws that dictate artistic creativity, achievement and appreciation, but spectacular advances in our knowledge of the visual brain allow us to make a beginning in trying to formulate neural laws of art and aesthetics; in short, to study neuroaesthetics. In this essay, I try to discuss the art of three Titanic figures in Western culture — Dante, Michelangelo and Wagner — in neurological terms. I try to show that we can trace the origins of their art to a fundamental characteristic of the brain, namely its capacity to form concepts. This capacity is itself the by-product of an essential characteristic of the brain. That characteristic is abstraction, and is imposed upon the brain by one of its chief functions, namely the acquisition of knowledge. (shrink)

This article will consider the claim that the possession of concepts is innate rather than learned. Innatism about concept learning is explained through consideration of the work of Fodor and Chomsky. First, an account of concept formation is developed. Second the argument against the claim that concepts are learned through the construction of a learning paradox developed by Fodor is considered. It is argued that, despite initial plausibility, the learning paradox is not, in fact, a paradox at (...) all as it rests on eliding the distinction between recognising something and recognising it as a something. The plausibility of eliding this distinction rests, in turn, on begging the question as to whether concept possession is a necessary condition for recognition of objects, events, properties etc. Fodor's positive arguments for innatism, as set out in LOT2 are considered and parallels with his account of stereotype formation and associationist accounts of concept formation are considered. The explanatory persuasiveness of this revised account of concept activation through the generation of stereotypes is weak. The article then examines the distinction between concept possession and concept mastery in greater detail, arguing that innatists have difficulty in accounting for the phenomenon of concept mastery, including within the contexts of formal and professional education. (shrink)

Botha notes that metaphors are pervasive both in thought and in language and in human subjective experience in general: in conceptual metaphor theory metaphors are analyzed as stable and systematic relation- ships between two conceptual domains. Mittelberg explores the semiotic work gestures perform in visualizing abstract concepts and structures, insisting on the different types of iconic modes discernable in gestural representations of the metaphorically conceptualized domain of grammar. Evans considers the cognitive preadaptations that may have paved the way for the (...) emergence of semantic knowledge. (shrink)

Starting from the Humboldtian characterization of Chinese writing as a "script of thoughts," this article makes an attempt to show that notwithstanding the important role played by phonetic elements, the Chinese script also relies on visual-graphical means in its constitution of meaning. In point of structure, Chinese characters are made up predominantly of components that are sensible or even tangible in nature. Out of these sensible components, not only physical objects or empirical states of affairs can be expressed, but also (...) the most subtle and abstract concepts, such as 萬, 它, 言, 災, 仁, 義, 思, 念, 法, 律, 善, 考, 莫, 瞏, and 幾, attesting to what Humboldt says about the Chinese script as having "embraced philosophical work within itself." Humboldt's idea of "analogy of script" throws light on the mechanism behind this structure to stimulate new reflections on the traditional theory of the "Six Ways" (六書) of character formation to provide a productive platform for interpretation. (shrink)

Heinrich Rickert (1863-1936) was One of the leading neo-Kantian philosophers in Germany and a crucial figure in the discussions of the foundations of the social sciences in the first quarter of the twentieth century. His views were extremely influential, most significantly on Max Weber. The Limits of Concept Formation in Natural Science is Rickert's most important work, and it is here translated into English for the first time. It presents his systematic theory of knowledge and philosophy of science, (...) and deals particularly with historical knowledge and the problem of demarcating the natural from the human sciences. The theory Rickert develops is carefully argued and of great intrinsic interest. It departs from both positivism and neo-Hegelian idealism and is worked out by contrast to the views of others, particularly Dilthey and the early phenomenologists. (shrink)

This article has two aims. First, I offer a philological analysis of a key passage from Kant’s Logic: § 6. § 6 is widely regarded as the locus classicus for Kant’s theory of concept formation. However, I show that the part of this section that is most cited and discussed by scholars should not be attributed to Kant, as it is not corroborated by any of his Reflexionen. Second, I attempt to identify Jäsche’s source for this unsupported passage. (...) Ultimately, I conclude that the unsupported passage in § 6 was based on a set of student notes that was similar to the Wiener and Warschauer logic notebooks. However, I also argue that it would be a mistake to regard this passage as the final or definitive statement of Kant’s views about concept formation. (shrink)

In "A Danger of Definition: Polar Predicates in Metaethics," Mark Alfano (2009) concludes that the response-dependence theory of Prinz and others and the fitting-attitudes theory first articulated by Brentano are false because they imply empirically false statements. He further concludes that these statements cannot be avoided by revising the definitions of the terms 'good' and 'bad' used in the two theories. I strengthen Alfano's first conclusion by arguing that the two theories are false even if they imply empirically true but (...) conceptually contingent statements, and show how, contrary to his second conclusion, the theories can avoid both empirically false and conceptually contingent implications. (shrink)

This chapter outlines Kant’s account of empirical concept formation and discusses two objections that have been advanced against it. Kant holds that we form empirical concepts, such as colour concepts, by comparing sensory representations of individuals, identifying shared features, and abstracting from the differences between them. According to the first objection, we cannot acquire colour concepts in this way because there is no feature that all and only the instances of a given colour share and the boundary between (...) colours is conventional. According to the second objection, assuming that all instances of a given colour share certain features, we can identify them only if we already possess a concept of that colour. None of the two objections is convincing as it stands. Kant can offer replies to both objections that are consistent with his views and with empirical evidence concerning the perception and representation of colours. (shrink)

In philosophy of science concept formation and reduction is usually discussed with respect to definability. In the paper at hand this discussion is slightly expanded to an investigation of concept formation and reduction by analogies. It is argued that many kinds of such analogies bear some important features of partial contextual definitions. -/- With the help of a detailed investigation of the so-called gene-meme-analogy it is then demonstrated how the meme-concept is introduced via analogies into (...) an expanded theory of (cultural) evolution. As a consequence it is shown that the diversity of meanings of the meme-concept fits into the current state of establishing this analogy. (shrink)

We analyze two problems in mathematics – the first (stated in our title) is extracted from Wittgenstein’s “Philosophy for Mathematicians”; the second (“What set of numbers is non-denumerable?”) is taken from Cantor. We then consider, by way of comparison, a problem in musical aesthetics concerning a Brahms variation on a theme by Haydn. Our aim is to bring out and elucidate the essentially riddle-like character of these problems.

Philosophers and social scientists will welcome this highly original discussion of Max Weber's analysis of the objectivity of social science. Guy Oakes traces the vital connection between Weber's methodology and the work of philosopher Heinrich Rickert, reconstructing Rickert's notoriously difficult concepts in order to isolate the important, and until now poorly understood, roots of problems in Weber's own work.Guy Oakes teaches social philosophy at Monmouth College and sociology at the New School for Social Research.

S.J. Cyril Barrett; VI—Concepts and Concept Formation, Proceedings of the Aristotelian Society, Volume 63, Issue 1, 1 June 1963, Pages 127–144, https://doi.org/.

In his paper, 'Neural Concept Formation and Art: Dante, Michelangelo, Wagner' Semir Zeki writes 'we can trace the origins of art to a fundamental characteristic of the brain, namely its capacity to form concepts' . He proposes that 'this capacity is itself the by-product of an essential characteristic of the brain. That characteristic is abstraction, and is imposed upon the brain by one of its chief functions, namely the acquisition of knowledge.' . Then, centring his argument around 'the (...) ideal of love', he claims that Dante, Michelangelo and Wagner 'had created in their brains', he further asserts that 'none of the three found that ideal in real life, and each was impelled in a different way to create works of art in response to that gap'. (shrink)