Results for 'Contour Wrinkle'

167 found
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  1.  6
    Strain Relaxation in the Epitaxy of La2/3Sr1/3MnO3grown by Pulsed-Laser Deposition on SrTiO3.J. -L. Maurice††, F. Pailloux‡‡, A. Barthélémy, O. Durand, D. Imhoff, R. Lyonnet, A. Rocher & J. -P. Contour - 2003 - Philosophical Magazine 83 (28):3201-3224.
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  2.  11
    Interfaces in {100} Epitaxial Heterostructures of Perovskite Oxides.J. -L. Maurice, D. Imhoff, J. -P. Contour & C. Colliex - 2006 - Philosophical Magazine 86 (15):2127-2146.
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  3.  13
    Area, Surface, and Contour: Psychophysical Correlates of Three Classes of Pictorial Completion.Birgitta Dresp - 1998 - Behavioral and Brain Sciences 21 (6):755-756.
    A simple working taxonomy with three classes of pictorial completion is proposed as an alternative to Pessoa et al.'s classification: area, surface, and contour completion. The classification is based on psychophysical evidence, not on the different phenomenal attributes of the stimuli, showing that pictorial completion is likely to involve mechanistic interactions in the visual system at different levels of processing. Whether the concept of “filling-in” is an appropriate metaphor for the visual mechanisms that may underlie perceptual completion is questioned.
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  4.  6
    Some Effects of Contour on Simultaneous Brightness Contrast.Phyllis W. Berman & H. W. Leibowitz - 1965 - Journal of Experimental Psychology 69 (3):251.
  5.  17
    Visual Perceptual Latency as a Function of Stimulus Brightness and Contour Shape.Paul G. Cheatham - 1952 - Journal of Experimental Psychology 43 (5):369.
  6.  11
    A Figural Aftereffect Produced by a Phenomenal Dichotomy in a Uniform Contour.Bernard Weitzman - 1963 - Journal of Experimental Psychology 66 (2):195.
  7.  13
    Dynamic Contour Perception.W. M. Smith & W. L. Gulick - 1957 - Journal of Experimental Psychology 53 (2):145.
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  8.  11
    Effects of Matrix Elements on Steropsis and Anomalous Contour.R. B. Lawson & R. J. Pandina - 1969 - Journal of Experimental Psychology 81 (2):322.
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  9.  8
    The Recognition, Naming, and Reconstruction of Visual Figures as a Function of Contour Redundancy.Nancy S. Anderson & J. Alfred Leonard - 1958 - Journal of Experimental Psychology 56 (3):262.
  10.  5
    Contour Interactions in Visual Masking.Kevin Houlihan & Robert W. Sekuler - 1968 - Journal of Experimental Psychology 77 (2):281.
  11.  15
    The Recognition of Emotions in Music and Landscapes: Extending Contour Theory.Marta Benenti & Cristina Meini - 2018 - Philosophia 46 (3):647-664.
    While inanimate objects can neither experience nor express emotions, in principle they can be expressive of emotions. In particular, music is a paradigmatic example of something expressive of emotions that surely cannot feel anything at all. The Contour theory accounts for music expressiveness in terms of those resemblances that hold between its external and perceivable properties and the typical contour of human emotional behavior. Provided that some critical aspects are emended – notably, the stress on the perception of (...)
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  12.  6
    Perceptual Learning of Intonation Contour Categories in Adults and 9‐ to 11‐Year‐Old Children: Adults Are More Narrow‐Minded.Vsevolod Kapatsinski, Paul Olejarczuk & Melissa A. Redford - 2017 - Cognitive Science 41 (2):383-415.
    We report on rapid perceptual learning of intonation contour categories in adults and 9- to 11-year-old children. Intonation contours are temporally extended patterns, whose perception requires temporal integration and therefore poses significant working memory challenges. Both children and adults form relatively abstract representations of intonation contours: Previously encountered and novel exemplars are categorized together equally often, as long as distance from the prototype is controlled. However, age-related differences in categorization performance also exist. Given the same experience, adults form narrower (...)
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  13.  46
    Scope Inversion Under the Rise-Fall Contour in German.Manfred Krifka - unknown
    This article1 deals with a well-known but still ill-explained fact about German, namely scope inversion under a particular accent contour, as illustrated with the following examples, where “/” and “\” stand for rising and falling accent: (a) Mindestens ein Stu- dent hat jeden Roman gelesen, lit. ‘at least one student has every novel read’, with the reading “For at least one student x: x read every book”, and (b) Mindestens /EIN Student hat \JEDen Roman gelesen, with the additional reading (...)
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  14.  3
    Active Contour Models Based on Block Similarity for Multiple Objects Segmentation.Guoqi Liu & Jinjin Wei - 2019 - Complexity 2019:1-17.
    For the model of active contours with group similarity, a rank constraint for a group of evolving contours is defined to keep the shape similarity. ACGS obtains robust results in extracting a single object with missing or misleading features. However, with one initial contour, it could not extent to multiple objects segmentation because low-rank property will not hold in some image sequences. Besides, ACGS is affected by nontarget objects. In this paper, an active contour model based on block (...)
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  15.  38
    Ups and Downs in Auditory Development: Preschoolers’ Sensitivity to Pitch Contour and Timbre.Sarah C. Creel - 2016 - Cognitive Science 40 (2):373-403.
    Much research has explored developing sound representations in language, but less work addresses developing representations of other sound patterns. This study examined preschool children's musical representations using two different tasks: discrimination and sound–picture association. Melodic contour—a musically relevant property—and instrumental timbre, which is less musically relevant, were tested. In Experiment 1, children failed to associate cartoon characters to melodies with maximally different pitch contours, with no advantage for melody preexposure. Experiment 2 also used different-contour melodies and found good (...)
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  16.  7
    Sustained Perceptual Invisibility of Solid Shapes Following Contour Adaptation to Partial Outlines.M. A. Cox, K. A. Lowe, R. Blake & A. Maier - 2014 - Consciousness and Cognition 26:37-50.
    Contour adaptation is a recently described paradigm that renders otherwise salient visual stimuli temporarily perceptually invisible. Here we investigate whether this illusion can be exploited to study visual awareness. We found that CA can induce seconds of sustained invisibility following similarly long periods of uninterrupted adaptation. Furthermore, even fragmented adaptors are capable of producing CA, with the strength of CA increasing monotonically as the adaptors encompass a greater fraction of the stimulus outline. However, different types of adaptor patterns, such (...)
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  17.  9
    Scale and Contour: Two Components of a Theory of Memory for Melodies.W. Jay Dowling - 1978 - Psychological Review 85 (4):341-354.
  18.  17
    An Event-Related Potential Examination of Contour Integration Deficits in Schizophrenia.Pamela D. Butler, Ilana Y. Abeles, Steven M. Silverstein, Elisa C. Dias, Nicole G. Weiskopf, Daniel J. Calderone & Pejman Sehatpour - 2013 - Frontiers in Psychology 4.
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  19.  7
    Collinear Facilitation and Contour Integration in Autism: Evidence for Atypical Visual Integration.Stephen Jachim, Paul A. Warren, Niall McLoughlin & Emma Gowen - 2015 - Frontiers in Human Neuroscience 9.
  20.  11
    Brain Networks Supporting Perceptual Grouping and Contour Selection.Gregor Volberg & Mark W. Greenlee - 2014 - Frontiers in Psychology 5.
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  21.  7
    The Demise of the Identity Hypothesis and the Insufficiency and Nonnecessity of Contour Relatability in Predicting Object Interpolation: Comment on Kellman, Garrigan, and Shipley.Barton L. Anderson - 2007 - Psychological Review 114 (2):470-487.
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  22.  17
    The Representation of Hebrew Words: Evidence From the Obligatory Contour Principle.Iris Berent & Joseph Shimron - 1997 - Cognition 64 (1):39-72.
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  23.  5
    A Theoretical Analysis of Illusory Contour Formation in Stereopsis.Barton L. Anderson & Bela Julesz - 1995 - Psychological Review 102 (4):705-743.
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  24.  3
    Production and Perception of Contrast: The Case of the Rise-Fall Contour in German.Frank Kügler & Anja Gollrad - 2015 - Frontiers in Psychology 6.
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  25.  15
    Afterimage Watercolors: An Exploration of Contour-Based Afterimage Filling-In.Simon J. Hazenberg & Rob van Lier - 2013 - Frontiers in Psychology 4.
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  26.  6
    Inter-Element Orientation and Distance Influence the Duration of Persistent Contour Integration.Lars Strother & Danila Alferov - 2014 - Frontiers in Psychology 5.
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  27.  5
    The Development of Contour Processing: Evidence From Physiology and Psychophysics.Gemma Taylor, Daniel Hipp, Alecia Moser, Kelly Dickerson & Peter Gerhardstein - 2014 - Frontiers in Psychology 5.
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  28.  10
    Principles of Contour Information: Reply to Lim and Leek.Manish Singh & Jacob Feldman - 2012 - Psychological Review 119 (3):678-683.
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  29.  12
    Local Contour Symmetry Facilitates Scene Categorization.John Wilder, Morteza Rezanejad, Sven Dickinson, Kaleem Siddiqi, Allan Jepson & Dirk B. Walther - 2019 - Cognition 182:307-317.
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  30.  9
    Attentional Processing and the Subjective Contour Illusion.Walter S. Pritchard & Joel S. Warm - 1983 - Journal of Experimental Psychology: General 112 (2):145-175.
  31.  8
    A Contour Propagation Approach to Surface Filling-in and Volume Formation.Peter Ulric Tse - 2002 - Psychological Review 109 (1):91-115.
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  32.  4
    Regional Variation in the Inversion Effect for Faces: Differential Effects for Feature Shape, Feature Configuration, and External Contour.George L. Malcolm, Connie Leung & Jason Js Barton - 2004 - In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell.
  33.  12
    Contour Interpolation: A Case Study in Modularity of Mind.Brian P. Keane - 2018 - Cognition 174:1-18.
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  34.  5
    The Perception of Natural Contour.David L. Gilden, Mark A. Schmuckler & Keith Clayton - 1993 - Psychological Review 100 (3):460-478.
  35.  20
    Non-Classical Receptive-Field Inhibition and its Relation to Orientation-Contrast Pop-Out and Line and Contour Salience: A Computational Approach.Nicolai Petkov & Michel A. Westenberg - 2004 - In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell. pp. 68-68.
  36. The Visual Contour in Depth.A. J. van Doorn, J. J. Koenderink, A. M. L. Kappers & J. Todd - 1996 - In Enrique Villanueva (ed.), Perception. Ridgeview. pp. 39-40.
     
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  37.  22
    Orbital Contour: Videos by Craig Dongoski.Paul Boshears - 2011 - Continent 1 (2):125-128.
    continent. 1.2 (2011): 125-128. What is the nature of sound? What is the nature of volume? William James, in attempting to address these simple questions wrote, “ The voluminousness of the feeling seems to bear very little relation to the size of the ocean that yields it . The ear and eye are comparatively minute organs, yet they give us feelings of great volume” (203-­4, itals. original). This subtle extensivity of sensation finds its peer in the subtle yet significant influence (...)
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  38.  9
    Depth in Objective and Subjective Contour Patterns.Clare Porac - 1978 - Bulletin of the Psychonomic Society 11 (2):103-105.
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  39.  23
    Subjective Contour: The Inadequacy of Brightness Contrast as an Explanation.Stanley Coren & Leonard H. Theodor - 1975 - Bulletin of the Psychonomic Society 6 (1):87-89.
  40. Melodic Contour and Musical Style : A Quantitative Study.Zohar Eitan - 1993 - In M. G. Boroda (ed.), Fundamentals of Musical Language: An Interdisciplinary Approach. Universitätsverlag Dr. N. Brockmeyer. pp. 1--68.
     
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  41.  7
    The Role of Contour and Location Mechanisms in the Mueller-Lyer Illusion.Roger B. Howard & Michael Wagner - 1973 - Bulletin of the Psychonomic Society 2 (4):235-236.
  42.  16
    Contour Repulsion Vs. Adaptation-Level Interpretations of the Baldwin Illusion.Christopher J. Skellett & Colin V. Newman - 1976 - Bulletin of the Psychonomic Society 8 (6):428-430.
  43.  14
    A New Wrinkle in Ethical Entrepreneurship.Carl Frankel - 1997 - Business Ethics: The Magazine of Corporate Responsibility 11 (6):6-6.
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  44.  18
    Surface Strategies And Constructive Line-Preferential Planes, Contour, Phenomenal Body In The Work Of Bacon, Chalayan, Kawakubo.Dagmar Reinhardt - 2005 - Colloquy 9:49-70.
    The paper investigates Maurice Merleau-Ponty’s discussion of body and space and Gilles Deleuze’s reading of Francis Bacon’s work, in order to derive a renegotiated interrelation between habitual body, phenomenal space, preferential plane and constructive line. The resulting system is ap- plied as a filter to understand the sartorial fashion of Rei Kawakubo and Hussein Chalayan and their potential as a spatial prosthesis: the operative third skin. If the evolutionary nature of culture demands a constant change, how does the surface of (...)
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  45.  17
    Metacontrast as a Function of Internal Contour and Target Width.Patti L. Kelly & Robert H. Pollack - 1981 - Bulletin of the Psychonomic Society 17 (5):227-230.
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  46.  13
    A Wrinkle in Historical Time.William Egginton - 1996 - Substance 25 (3):30.
  47.  1
    Contour Integration in Dynamic Scenes: Impaired Detection Performance in Extended Presentations.Axel Grzymisch, Cathleen Grimsen & Udo A. Ernst - 2017 - Frontiers in Psychology 8.
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  48.  7
    Contour Plowing on East Slope: A New Reading of Su ShiThe Road to East Slope: The Development of Su Shi's Poetic Voice.Jonathan Pease & Michael A. Fuller - 1992 - Journal of the American Oriental Society 112 (3):470.
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  49.  11
    A New Wrinkle in Ethical Entrepreneurship.Carl Frankel - 1997 - Business Ethics 11 (6):6-6.
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  50.  4
    Des arts décoratifs au cinéma : incidences heuristiques du contour, de l’ornement et de l’arabesque dans l’esthétique d’Étienne Souriau.Isabelle Rieusset-Lemarié - 2017 - Nouvelle Revue D’Esthétique 19 (1):107.
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