v. 1 Saggi sulla teoria della conoscenza. t.1.Saggio primo: Sui limiti e l'oggetto della conoscenza a priori.--t.2 Filosofia della metafisica parte prima - La causa efficiente.

, from Stanford Encyclopaedia of Philosophy.

All’interno del dialogo _Della Dignità e Nobiltà delle Donne _(1622), Cristoforo Bronzini afferma con decisione che numerose donne nel corso della storia si sono distinte nell’ambito della scrittura, a dispetto di obsoleti pregiudizi: l’articolo si propone di indagare le modalità con le quali Bronzini declina il paradigma della differenza di genere, offrendo nello specifico una breve panoramica sulle scrittrici umanistico-rinascimentali che l’autore propone come massimi _exempla_ _virtutis_.

Cornelio Lanci si avvale di sei trattati degli _Esempi della virtù delle donne_ per testimoniare l’_humanitas_ _ante litteram_ di Zenobia, sovrana dell’impero d’Oriente ai tempi di Aureliano. L’articolo si propone di indagare le possibili fonti cui l’urbinate attinse per approntare le sue personali riscritture delle gloriose imprese della regina di Palmira.

The Standard View is that, other things equal, speakers’ judgments about the meanings of sentences of their language are correct. After all, we make the meanings, so how wrong can we be about them? The Standard View underlies the Elicitation Method, a typical method in semantic fieldwork, according to which we should work out the truth-conditions of a sentence by eliciting speakers’ judgments about its truth-value in different situations. I put pressure on the Standard View and therefore on the Elicitation (...) Method: for quite straightforward reasons, speakers can be radically mistaken about meanings. -/- Lewis gave a theory of convention in a game-theoretic framework. He showed how conventions could arise from repeated coordination games, and, as a special case, how meanings could arise from repeated signaling games. I put pressure on the Standard View by building on Lewis’s framework. I construct coordination games in which the players can be wrong about their conventions, and signaling games in which the players can be wrong about their messages’ meanings. The key idea is straightforward: knowing your own strategy and payoff needn’t determine what the others do, so leaves room for false beliefs about the convention and meanings. The examples are simple, explicit, new in kind, and based on an independently plausible meta-semantic story. (shrink)

Tarski asked whether the arithmetic identities taught in high school are complete for showing all arithmetic equations valid for the natural numbers. The answer to this question for the language of arithmetic expressions using a constant for the number one and the operations of product and exponentiation is affirmative, and the complete equational theory also characterises isomorphism in the typed lambda calculus, where the constant for one and the operations of product and exponentiation respectively correspond to the unit type and (...) the product and arrow type constructors. This paper studies isomorphisms in typed lambda calculi with empty and sum types from this viewpoint. Our main contribution is to show that a family of so-called Wilkie–Gurevič identities, that plays a pivotal role in the study of Tarski’s high school algebra problem, arises from type-theoretic isomorphisms. We thus close an open problem by establishing that the theory of type isomorphisms in the presence of product, arrow, and sum types is not finitely axiomatisable. Further, we observe that for type theories with arrow, empty and sum types the correspondence between isomorphism and arithmetic equality generally breaks down, but that it still holds in some particular cases including that of type isomorphism with the empty type and equality with zero. (shrink)

Over the last two decades, many philosophers have been increasingly inclined to consider science fiction films as philosophical exercises that center on the nature of human consciousness and existence. Albert Camus' philosophy of the absurd, however, has almost never been employed as a constructive perspective that can illumine unexplored aspects of these films. This is surprising, since science fiction films seem to be packed with visions and dialogues that echo the Sisyphean universe. Cosmos and Camus endeavors to set foot (...) on this uncharted terrain. Its first part aims to introduce the main components of Camus' absurdity in such a way that it can be easily applied to the analysis of the films later. Equipped with these Camusean essentials, it delves into an in-depth analysis of two first-encounter films (Contact and Arrival) and two AI films (A.I. and Her). These analyses yield more than an insightful reflection of the absurd contents in science-fiction film. Indeed, imaginative collisions with nonhumans seem to tell us a lot about the nature of the absurd in the human condition, as well as raising the question of whether absurdity is exclusively a human matter. Ultimately, the interpretation of the films illuminates the films themselves just as much as it illuminates, challenges, and expands Camus' concept of absurdity, thus contributing to our current understanding of what the absurd reality is and how we can either live with it or transcend it. (shrink)

The six studies comprising this volume deal with some fundamental issues in early Greek thought: cosmic evaluation in Anaximander, the theory of opposites from the Pre-Socratics to Plato and Aristotle, thought experimentation in Pre-Socratic thought, the origins of Greek Scepticism among the Sophisists, the prehistory of "Buridan's Ass" speculation, and the role of esthesis in Aristotle's theory of science. In each case the early discussion seeks to show how certain ideas bore unexpected fruit during the subsequent development of philosophical thought.

Cosmo-nationalism interrogates the rise of national philosophies and their impact on cosmopolitanism and nationalism. -/- The idea of national philosophy carries in it a strange contradiction. We talk about 'German philosophy' or 'American philosophy'. But philosophy has always pictured itself to be the project of universality. It presents itself as something that takes place outside or beyond the national – detachable from language, culture and history. -/- So why do we assign nationalities to philosophies? Building on Jacques Derrida's unpublished seminars (...) on philosophical nationalism, Oisín Keohane claims that national philosophies are a variant of some form of cosmo-nationalism: a strain of nationalism that uses, rather than opposes, ideas in cosmopolitanism to advance the aims of one nation. -/- Key Features Opens up new exciting areas of exploration between nationalism and cosmopolitanism through the concept of the cosmo-national Examines Derrida’s unpublished seminars on philosophical nationalism, showing him to be much more interested in the intersection of philosophy and the social sciences than previously thought Explores three cases: German Philosophy through Kant and Fichte, French Philosophy through Tocqueville and American Philosophy through Emerson. (shrink)

The book has a twofold content and aim: on the one hand, it offers a radical critique of the modern world, and on the other, it seeks to expound timeless wisdom. And the second end presupposes the first: for so long as we have not "broken through the barrier of scientistic belief" as the subtitle has it, that timeless wisdom-that veritable sophia perennis-remains inaccessible.

Despite their tensions and contradictions, the various discourses about globalization reveal a desire to build the space and time of the encounter between worlds and cultures, through the persistence of a dialogue that approximates distances, but respects differences. A considerable part of the political, cultural, urban, linguistic formation of the Western world has given rise to motives and solutions of the institution of the poles and cosmopolis of the Ancient World. On the other hand, mobility can even be considered a (...) characteristic trait of Luso-Brazilian culture, from the Portuguese discoveries and their cultural production, in the first steps of the Jesuit literature in Brazil, especially in José de Anchieta, passing by António Vieira, Machado de Assis, Guimarães Rosa, among others. For this reason, the presence and the different nuances of the theme of mobility and the cosmopolis of old in the reception of Classical Antiquity in the Portuguese language literature are also a central theme of the volume... https://books.google.be/books/about/Cosmópolis.html?id=4C3ODQAAQBAJ&redir_esc=y. (shrink)

This volume contains essays by some of the leading scholars in the study of the Jewish religious ideas in the Second Temple period, that led up to the development of early forms of Rabbinic Judaism and Christianity. Close attention is paid to the cosmological ideas to be found in the Ancient Near East and in the Hebrew Bible and to the manner in which the translators of the Hebrew Bible into Greek reflected the creativity with which Judaism engaged Hellenistic ideas (...) about the cosmos and the creation. The concepts of heaven and divine power, human mortality, the forces of nature, combat myths, and the philosophy of wisdom, as they occur in 2 Maccabees, Ben Sira, Wisdom of Solomon and Tobit, are carefully analysed and compared with Greek and Roman world-views. There are also critical examinations of Dead Sea scroll texts, early Jewish prayers and Hebrew liturgical poetry and how they these adopt, adapt and alter earlier ideas. The editors have included appreciations of two major figures who played important roles in the study of the Second Temple period and in the history and development of the ISDCL, namely, Otto Kaiser and Alexander Di Lella, who died recently and are greatly missed by those in the field."--Provided by publisher. (shrink)

L'expérience esthétique est la voie de la phénoménologie ; c'est du moins ce qu'établit Dufrenne avec une profondeur inégalée. Cette expérience est décrite de façon novatrice selon une phénoménologie du sentiment, qui est le fil conducteur de cette philosophie. La réduction - devenue dès lors réduction esthétique - conduit à l'essence de la manifestation et se prolonge en une réduction cosmologique : le monde se trouve conquis en sa figure originaire, la Nature, qui est pensée comme source ou matrice universelle. (...) L'esthétique enveloppe en outre une réflexion sur l'imagination, l'image et l'imaginaire, comme sur la beauté, marquant l'une des originalités de la perspective dufrennienne. Les percées ontologiques réalisées débouchent alors sur une cosmo-esthétique qui se prolonge en une cosmopoétique. Il s'agit à la fois de concevoir l'appartenance de l'homme au monde, qui le précède et l'excède, ainsi que la différence subjective, puisqu'il est capable de le percevoir. Cette philosophie définit la Nature comme Infini expressif - esthétique et poétique -, et montre que l'homme est appelé à vivre poétiquement, les exigences éthiques et politiques étant nouées à l'esthétique, où le sens de l'humain s'atteste."--Page 4 of cover. (shrink)

Ce livre propose de relire la philosophie de Walter Benjamin à partir de sa cosmologie. Le cosmos de Benjamin n'est pas un univers ordonné, composé de corps célestes identifiables, mais l'occasion d'une expérience fulgurante: dans l'univers post-copernicien de Benjamin, l'intériorité du désir et l'extériorité des étoiles, le politique et le théologique, le présent et le distant passé se rencontrent sans fusionner. Situant Benjamin dans la tradition philosophique (G. W. Leibniz, K. Marx, F. Hegel) tout en s'appuyant sur des pensées (...) contemporaines (J. Butler, S. Hartmann, M. Löwy), ce livre crée une 'correspondance' entre Benjamin et notre actualité. Dans un monde soumis aux replis nationalistes, aux virus destructeurs d'altérité et à l'intrusion technologique, le lointain semble s'évanouir. En prise avec l'histoire la plus récente, celle du New Space et de la Sixième Extinction, de Black Lives Matter et des Communes éphémères, ce livre soutient qu'aucune transformation politique radicale, aucune émancipation, aucun communisme n'est possible, et souhaitable, sans relation avec un lointain telle l'Étoile du Nord que les esclaves en fuite suivaient dans le ciel nocturne pour les guider vers la liberté."--Page 4 of cover. (shrink)

The modern materialist approach to life has conspicuously failed to explain such central mind-related features of our world as consciousness, intentionality, meaning, and value. This failure to account for something so integral to nature as mind, argues philosopher Thomas Nagel, is a major problem, threatening to unravel the entire naturalistic world picture, extending to biology, evolutionary theory, and cosmology. Since minds are features of biological systems that have developed through evolution, the standard materialist version of evolutionary biology is fundamentally incomplete. (...) And the cosmological history that led to the origin of life and the coming into existence of the conditions for evolution cannot be a merely materialist history, either. An adequate conception of nature would have to explain the appearance in the universe of materially irreducible conscious minds, as such. Nagel's skepticism is not based on religious belief or on a belief in any definite alternative. In Mind and Cosmos, he does suggest that if the materialist account is wrong, then principles of a different kind may also be at work in the history of nature, principles of the growth of order that are in their logical form teleological rather than mechanistic. In spite of the great achievements of the physical sciences, reductive materialism is a world view ripe for displacement. Nagel shows that to recognize its limits is the first step in looking for alternatives, or at least in being open to their possibility. (shrink)

The essay aims to illuminate the current crisis, as it has been diagnosed by important currents of contemporary European thought, from the baroque remarkably the Hispanic perspective. The author argues that one of the fundamental figures of the Baroque is what he calls an infinite aporethic difference. According to this, Baroque understands the world as a set of differences that bind aporethically tending to infinity. This figure is, at the same time, shown as a critical operator with regard to reality, (...) which has lost its pre-modern configuration as Cosmos. The author also holds that in its present projection, the figure of the infinite aporethic difference takes the form of a new normativity, namely, that of the Chaosmos, which is particularly visible in post-structuralism and in the Ibero-American Neo-baroque. By its virtue, it is possible to distinguish two ways of coping with the current crisis. The chaosmotic one would be characteristic of a compromised strong trans-modernity, which contrasts with the evasive weak postmodernity. This problem is finally investigated from the point of view of the subtle baroque heroism and its shadow in the present. (shrink)

I shall defend Augustine’s holistic aesthetic response to the problem of evil by considering the variety of ways in which our vision of the cosmos is limited and how this is similar to the kinds of limitations on viewing a work of art that would make negative criticism unreasonable. At the same time, I identify an interesting asymmetry: we may be justified in making positive, but not negative, judgments about the creator’s skill on the basis of a mere partial (...) perception. (shrink)

Richard Tarnas’s The Passion of the Western Mind —acclaimed by leading voices in philosophy, religion, psychology, and history—sets the stage for this major work, thirty years in the making, that dramatically reframes our understanding of the universe in the light of extraordinary new evidence. Cosmos and Psyche is the first book by a widely respected scholar to demonstrate the existence of a consistent correspondence between planetary movements and the unfolding drama of human history. A vast and impressive body of (...) evidence illuminates patterns of meaning and precise correlations between the universe and the world of human endeavor. With meticulous detail, Richard Tarnas takes us on a journey that begins with the ancient Greeks and culminates in our own era and its transformative potential, putting into perspective these chaotic, tumultuous times—from the sixties to September 11, 2001—and pointing the way towards the future. In terms of planetary cycles, our present moment in history is most comparable to the period five hundred years ago—that era of “extraordinary turbulence and creativity,” the High Renaissance. Not since Copernicus conceived the heliocentric theory has the human community faced such a profound realignment of the way we think. Readers of every persuasion will be impressed by the vast canvas here, the wealth of research and analysis, and the profound conclusions that may be drawn—conclusions that reunite religion and science, and restore a transcendent dimension to the universe. (shrink)