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Dahlia W. Zaidel [15]D. Zaidel [1]D. W. Zaidel [1]
  1.  27
    Creativity, Brain, and Art: Biological and Neurological Considerations.Dahlia W. Zaidel - 2014 - Frontiers in Human Neuroscience 8.
  2.  15
    Neuroesthetics is Not Just About Art.Dahlia W. Zaidel - 2015 - Frontiers in Human Neuroscience 9.
  3.  47
    Brain Intersections of Aesthetics and Morals: Perspectives From Biology, Neuroscience, and Evolution.D. W. Zaidel & M. Nadal - 2011 - Perspectives in Biology and Medicine 54 (3):367-380.
    Human aesthetic experiences are pervasive; they are triggered by faces, art, natural scenery, foods, ideas, theories, and decision-making situations, among many sources, and seem to be a distinctive trait of our species. Our moral sense, understood as our capacity to judge events, actions, or people as good or bad, appropriate or inappropriate, also seems to be an exclusively human endowment (Ayala 2010). As part of the scientific efforts to characterize the biological foundations of our human uniqueness, recently there has been (...)
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  4.  60
    Hemispheric Memory for Surrealistic Versus Realistic Paintings.Dahlia W. Zaidel & Asa Kasher - unknown
    The issue of hemispheric processing of art works, either alone or in relation to a certain aspect of language, was investigated in normal subjects. Three experiments were performed. In the first, memory for surrealistic versus realistic pictures was investigated. In the second, memory for metaphoric versus literal titles of these pictures was measured. In the third, memory for the paintings was determined as a function of the same titles. The results of the first experiment showed a right visual field (RVF) (...)
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  5. Amy Ione. Art and the Brain: Plasticity, Embodiment, and the Unclosed Circle.Dahlia W. Zaidel - 2017 - Evolutionary Studies in Imaginative Culture 1 (2):139-140.
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  6. Art in Early Human Evolution: Socially Driven Art Forms Versus Material Art.Dahlia W. Zaidel - 2017 - Evolutionary Studies in Imaginative Culture 1 (1):149-158.
    Art is a human communicative system that relies on referential cognition of thoughts, emotions, and experiences through symbolic meanings, which explains why only humans have art and why it is ubiquitously present throughout human societies. Archaeological evidence for early material art signals presence of symbolic and abstract cognition. In early human life in Africa the symbolism afforded by group dance formation would have been more advantageous for survival than individual artistic expression, but it would not leave archaeological physical traces. Slipping (...)
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  7. Ione, Amy. 2016. Art and the Brain: Plasticity, Embodiment, and the Unclosed Circle. [REVIEW]Dahlia W. Zaidel - 2017 - Evolutionary Studies in Imaginative Culture 1 (2):138-140.
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  8. Paleoaesthetics.Dahlia W. Zaidel - 2021 - Evolutionary Studies in Imaginative Culture 5 (1):141-144.
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  9. Paleoaesthetics.Dahlia W. Zaidel - 2021 - Evolutionary Studies in Imaginative Culture 5 (2):153-154.
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  10. Paleoaesthetics.Dahlia W. Zaidel - 2022 - Evolutionary Studies in Imaginative Culture 6 (1):143-146.
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  11.  26
    Overall Intelligence and Localized Brain Damage.Dahlia W. Zaidel - 2007 - Behavioral and Brain Sciences 30 (2):173-174.
    Overall mean performance on intelligence tests by brain-damaged patients with focal lesions can be misleading in regard to localization of intelligence. The widely used WAIS has many subtests that together recruit spatially distant neural but individually the subtests reveal localized functions. Moreover, there are kinds of intelligence that defy the localizationist approach inferred from brain damage.
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  12.  11
    Neuronal Connectivity, Regional Differentiation, and Brain Damage in Humans.Dahlia W. Zaidel - 1999 - Behavioral and Brain Sciences 22 (5):854-855.
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  13.  6
    Evolution in Visual Art.Dahlia W. Zaidel - 2011 - In Elisabeth Schellekens & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford University Press. pp. 44.
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