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Dabney Townsend [46]Dabney Townsend Jr [2]Dabney W. Townsend Jr [1]Dabney Winston Townsend [1]
  1. Hume's Aesthetic Theory: Sentiment and Taste in the History of Aesthetics.Dabney Townsend - 2014 - Routledge.
    Hume's Aesthetic Theory examines the neglected area of the development of aesthetics in empiricist thinking, exploring the link between the empiricist background of aesthetics in the eighteenth century and the work of David Hume. This is a major contribution to our understanding of Hume's general philosophy and provides fresh insights into the history of aesthetics.
     
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  2.  35
    Dugald Stewart on Beauty and Taste.Dabney Townsend - 2007 - The Monist 90 (2):271-286.
  3.  29
    Thomas Reid and the Theory of Taste.Dabney Townsend - 2003 - Journal of Aesthetics and Art Criticism 61 (4):341–351.
  4.  32
    The Picturesque.Dabney Townsend - 1997 - Journal of Aesthetics and Art Criticism 55 (4):365-376.
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  5.  12
    From Shaftesbury To Kant: The Development Of The Concept Of Aesthetic Experience.Dabney Townsend - 1987 - Journal of the History of Ideas 48 (April-June):287-305.
  6.  59
    Archibald Alison: Aesthetic Experience and Emotion.Dabney Townsend - 1988 - British Journal of Aesthetics 28 (2):132-144.
  7.  21
    Art and Enlightenment.Dabney Townsend - 2005 - Hume Studies 31 (1):184-186.
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  8.  20
    Hume's Aesthetic Move: The Legitimization of Sentiment.Dabney Townsend - 2013 - The European Legacy 18 (5):552-562.
    Hume consistently treats all of the passions, emotions, and feelings, so called, as sentiments in the tradition of Shaftesbury. Further, for Hume, sentiment is the epistemic basis of a disciplined form of thinking, and, as such, it implies both a moral and an aesthetic epistemology (though ?aesthetic? is anachronistic when applied to Hume). When sentiment is understood in this way, it becomes the primary evidence for knowledge. Properly disciplined, sentiment can play the role that clear and distinct ideas played for (...)
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  9.  2
    BATTEUX, CHARLES. The Fine Arts Reduced to a Single Principle. Trans. James O. Young. Oxford University Press, 2015, Lxxx + 151 Pp., $70.00 Cloth. [REVIEW]Dabney Townsend - 2016 - Journal of Aesthetics and Art Criticism 74 (4):413-415.
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  10.  33
    Shaftesbury's Aesthetic Theory.Dabney Townsend - 1982 - Journal of Aesthetics and Art Criticism 41 (2):205-213.
  11. Book Review: Art and Desire: A Study of the Aesthetics of Fiction. [REVIEW]Dabney Townsend - 1989 - Journal of Aesthetics and Art Criticism 47 (4):389-390.
  12.  14
    Phenomenology and the Definition of Art.Dabney Townsend - 1977 - Southwestern Journal of Philosophy 8 (2):133-139.
  13.  5
    The Metaphysics of Edmund Burke.Dabney Townsend - 1994 - Review of Metaphysics 48 (2):421-422.
  14.  17
    The Genealogy of Aesthetics.Dabney Townsend - 2004 - European Journal of Philosophy 12 (1):152–156.
  15. David Spadafora, The Idea of Progress in Eighteenth-Century Britain. [REVIEW]Dabney Townsend - 1991 - Philosophy in Review 11 (4):298-300.
     
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  16.  13
    Values of Beauty: Historical Essays in Aesthetics (Review).Dabney Townsend - 2007 - Philosophy and Literature 31 (2):422-425.
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  17.  14
    Cohen on Kant's Aesthetic Judgements.Dabney Townsend - 2003 - British Journal of Aesthetics 43 (1):75-79.
    This commentary argues that Ted Cohen's claim that Kant confuses logical and aesthetic judgements (in ‘Three Problems in Kant's Aesthetics’, British Journal of Aesthetics, vol. 42 [2002], pp. 1–12) can be countered by a somewhat different reading of Kant's argument in 8 of the Critique of Judgement. Cohen construes Kant's argument as an inductive generalization based on common properties. I suggest, instead, that Kant distinguishes between judgements of taste, which do not require concepts, and logical generalizations that are based directly (...)
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  18.  14
    Lockean Aesthetics.Dabney Townsend - 1991 - Journal of Aesthetics and Art Criticism 49 (4):349-361.
  19.  9
    The Aesthetic Object as a Phenomenologically Natural Object.Dabney Townsend - 1978 - Southwestern Journal of Philosophy 9 (1):97-103.
  20.  13
    Hutcheson and Complex Ideas: A Reply to Peter Kivy.Dabney Townsend - 1993 - Journal of Aesthetics and Art Criticism 51 (1):72-74.
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  21.  4
    The Aesthetics of Joseph Priestley.Dabney Townsend - 1993 - Journal of Aesthetics and Art Criticism 51 (4):561-571.
  22. Raman Selden, Criticism and Objectivity Reviewed By.Dabney Townsend - 1985 - Philosophy in Review 5 (4):178-180.
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  23. Francis Hutcheson, On Human Nature, Thomas Mautner, Ed. Reviewed By.Dabney Townsend - 1995 - Philosophy in Review 15 (2):111-113.
     
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  24. Taste: Early History.Dabney Townsend - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 4--4.
     
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  25.  2
    Hume's Aesthetic Theory.Dabney Townsend - 2002 - Mind 111 (444):916-919.
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  26. Roger D. Gallie, Thomas Reid: Ethics, Aesthetics and the Anatomy of the Self Reviewed By.Dabney Townsend - 2000 - Philosophy in Review 20 (1):29-31.
     
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  27.  7
    :The Seventh Sense: Francis Hutcheson and Eighteenth-Century British Aesthetics.Dabney Townsend - 2004 - Journal of Scottish Philosophy 2 (2):203-208.
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  28.  4
    Phenomenology and the Form of the Novel: Toward an Expanded Critical Method.Dabney W. Townsend Jr - 1974 - Philosophy and Phenomenological Research 34 (3):331-338.
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  29.  1
    Aesthetic Objects and Works of Art.Dabney Townsend - 1991 - Journal of Aesthetics and Art Criticism 49 (3):263-265.
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  30.  3
    Review of Peter Kivy: The Seventh Sense: Francis Hutcheson and Eighteenth-Century British Aesthetics[REVIEW]Dabney Townsend - 2004 - Journal of Scottish Philosophy 2 (2):203-208.
  31. Art and Enlightenment: Scottish Aesthetics in the Eighteenth Century. [REVIEW]Dabney Townsend - 2005 - Hume Studies 31 (1):184-186.
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  32. Aesthetics Classic Readings From the Western Tradition.Dabney Townsend - 2001
     
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  33.  49
    An Introduction to Aesthetics.Dabney Townsend - 1997 - Wiley-Blackwell.
    This volume is a fascinating introduction to the core themes and basic methods of aesthetics and the philosophy of art. Providing an analytic and historical treatment of the issues, and including many illustrative examples to both motivate and reinforce theoretical discussion, An Introduction to Aesthetics is the ideal course book for the philosophical novice. It includes an Appendix, a comprehensive Glossary and further reading suggestions to help the student reader develop a deeper comprehension of the field.
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  34. Dugald Stewart on Beauty and Taste.Dabney Townsend - 2007 - The Monist 90 (2):271-286.
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  35. Eighteenth-Century British Aesthetics.Dabney Townsend - 1999
     
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  36.  55
    Hume's Aesthetic Theory: Taste and Sentiment.Dabney Townsend - 2001 - Routledge.
    Hume's Aesthetic Theory examines the neglected area of the development of aesthetics in empiricist thinking, exploring the link between the empiricist background of aesthetics in the eighteenth century and the work of David Hume.
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  37. Hume's Aesthetic Theory: Sentiment and Taste in the History of Aesthetics.Dabney Townsend - 2013 - Routledge.
    _Hume's Aesthetic Theory_ examines the neglected area of the development of aesthetics in empiricist thinking, exploring the link between the empiricist background of aesthetics in the eighteenth century and the work of David Hume. This is a major contribution to our understanding of Hume's general philosophy and provides fresh insights into the history of aesthetics.
     
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  38. Hume's Aesthetic Theory: Sentiment and Taste in the History of Aesthetics.Dabney Townsend - 2001 - Routledge.
    _Hume's Aesthetic Theory_ examines the neglected area of the development of aesthetics in empiricist thinking, exploring the link between the empiricist background of aesthetics in the eighteenth century and the work of David Hume. This is a major contribution to our understanding of Hume's general philosophy and provides fresh insights into the history of aesthetics.
     
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  39. Hume's Aesthetic Theory: Taste and Sentiment.Dabney Townsend - 2003 - Journal of Aesthetics and Art Criticism 61 (4):403-404.
     
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  40. Humes Aesthetic Theory. Taste and Sentiment.Dabney Townsend - 2004 - Tijdschrift Voor Filosofie 66 (3):581-583.
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  41. Historical Dictionary of Aesthetics.Dabney Townsend - 2006 - Scarecrow Press.
    Aesthetics is not a "factual" discipline; there are no aesthetic facts. The word itself is derived from the Greek word for "feeling" and the discipline arises because of the need to find a place for the passions within epistemology—the branch of philosophy that investigates our beliefs. Aesthetics is more than just the study of beauty; it is a study of that which appeals to our senses, most often in connection with the classification, analysis, appreciation, and understanding of art. The Historical (...)
     
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  42. Leone Vivante, Essays on Art and Ontology Reviewed By.Dabney Townsend Jr - 1981 - Philosophy in Review 1 (5):237-240.
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  43. Leone Vivante, Essays on Art and Ontology. [REVIEW]Dabney Townsend Jr - 1981 - Philosophy in Review 1:237-240.
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  44. On Experience.Dabney Townsend - 1987 - Journal of Speculative Philosophy 1 (4):304 - 317.
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  45. Raman Selden, Criticism and Objectivity. [REVIEW]Dabney Townsend - 1985 - Philosophy in Review 5:178-180.
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  46. Review: The Seventh Sense: Francis Hutcheson and Eighteenth-Century British Aesthetics. Second Edition: Revised and Enlarged. [REVIEW]Dabney Townsend - 2004 - Journal of Scottish Philosophy 2 (2):203-208.
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  47.  1
    The a to Z of Aesthetics.Dabney Townsend - 2010 - Scarecrow Press.
    The A to Z of Aesthetics covers its history from Classical Greece to the present, including entries on non-western aesthetics. The book contains a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the main concepts, terminology, important persons , and the rules and criteria we apply in making judgments on art. By providing concise information on aesthetics, this dictionary is not only accessible to students, but it provides details and facts to specialists in the field.
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  48. Terence Cuneo and René van Woudenberg, The Cambridge Companion to Thomas Reid Reviewed By.Dabney Townsend - 2004 - Philosophy in Review 24 (5):316-319.
     
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  49. Tom Huhn, Imitation and Society: The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant Reviewed By.Dabney Townsend - 2005 - Philosophy in Review 25 (1):31-33.