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Dabney Townsend [50]Dabney Townsend Jr [2]Dabney W. Townsend [1]Dabney Winston Townsend [1]
  1.  26
    From Shaftesbury To Kant: The Development Of The Concept Of Aesthetic Experience.Dabney Townsend - 1987 - Journal of the History of Ideas 48 (April-June):287-305.
  2.  22
    The Author, Art, and the Market: Rereading the History of Aesthetics.Dabney Townsend - 1995 - Journal of Aesthetics and Art Criticism 53 (1):85-87.
  3. Hume's Aesthetic Theory: Taste and Sentiment.Dabney Townsend - 2001 - Journal of Aesthetics and Art Criticism 61 (4):403-404.
     
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  4. Hume's Aesthetic Theory: Taste and Sentiment.Dabney Townsend - 2001 - Tijdschrift Voor Filosofie 66 (3):581-583.
     
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  5.  23
    Lockean Aesthetics.Dabney Townsend - 1991 - Journal of Aesthetics and Art Criticism 49 (4):349-361.
  6.  75
    Hume's Aesthetic Theory: Taste and Sentiment.Dabney Townsend - 2000 - Routledge.
    Hume's Aesthetic Theory examines the neglected area of the development of aesthetics in empiricist thinking, exploring the link between the empiricist background of aesthetics in the eighteenth century and the work of David Hume.
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  7.  19
    The Century of Taste: The Philosophical Odyssey of Taste in the Eighteenth Century.Dabney Townsend - 1998 - Journal of Aesthetics and Art Criticism 56 (4):417-419.
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  8.  8
    The Beautiful Soul: Aesthetic Morality in the Eighteenth Century.Dabney Townsend & Robert E. Norton - 1997 - Journal of Aesthetics and Art Criticism 55 (1):62.
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  9.  41
    Thomas Reid and the Theory of Taste.Dabney Townsend - 2003 - Journal of Aesthetics and Art Criticism 61 (4):341–351.
  10.  43
    Shaftesbury's Aesthetic Theory.Dabney Townsend - 1982 - Journal of Aesthetics and Art Criticism 41 (2):205-213.
  11.  36
    Hume’s Aesthetic Move: The Legitimization of Sentiment.Dabney Townsend - 2013 - The European Legacy 18 (5):552-562.
    Hume consistently treats all of the passions, emotions, and feelings, so called, as sentiments in the tradition of Shaftesbury. Further, for Hume, sentiment is the epistemic basis of a disciplined form of thinking, and, as such, it implies both a moral and an aesthetic epistemology (though ?aesthetic? is anachronistic when applied to Hume). When sentiment is understood in this way, it becomes the primary evidence for knowledge. Properly disciplined, sentiment can play the role that clear and distinct ideas played for (...)
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  12.  97
    Art and Enlightenment: Scottish Aesthetics in the Eighteenth Century.Dabney Townsend - 2005 - Hume Studies 31 (1):184-186.
    This volume is the third in a series intended to make the writings of Scottish philosophers more widely available to modern readers. The series is under the general editorship of Gordon Graham. Presumably the editorial decisions set out in the Series Editor’s Note at the beginning of the volume are his and are intended to be uniform throughout the series. Some, given the intent of the series, are reasonable decisions to modernize spelling and punctuation and to transliterate Greek passages. On (...)
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  13.  38
    Review of Peter Kivy: The Seventh Sense: Francis Hutcheson and Eighteenth-Century British Aesthetics[REVIEW]Dabney Townsend - 2004 - Journal of Scottish Philosophy 2 (2):203-208.
  14.  51
    Dugald Stewart on Beauty and Taste.Dabney Townsend - 2007 - The Monist 90 (2):271-286.
  15.  3
    Aesthetics: Classic Readings From the Western Tradition.Dabney Townsend - 2001 - Wadsworth Publishing Company.
    This anthology is a collection of basic readings for beginning students, chosen to illustrate the major movements in the history, development and nature of aesthetics. Selections of major importance are drawn from the period of the Greeks to the mid-twentieth century. Every section introduction includes an historical overview of each period, biographical information, and a brief analysis of key concepts. The editor designed this anthology to be of sufficient length for use as the sole text in a one quarter course, (...)
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  16.  2
    Hume's Aesthetic Theory: Sentiment and Taste in the History of Aesthetics.Dabney Townsend - 2000 - Routledge.
    _Hume's Aesthetic Theory_ examines the neglected area of the development of aesthetics in empiricist thinking, exploring the link between the empiricist background of aesthetics in the eighteenth century and the work of David Hume. This is a major contribution to our understanding of Hume's general philosophy and provides fresh insights into the history of aesthetics.
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  17. Leone Vivante, Essays on Art and Ontology Reviewed By.Dabney Townsend Jr - 1981 - Philosophy in Review 1 (5):237-240.
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  18. Leone Vivante, Essays on Art and Ontology. [REVIEW]Dabney Townsend Jr - 1981 - Philosophy in Review 1:237-240.
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  19. Paulson' Ronald. Breaking and Remaking: Aesthetic Practice in England, 1700-1820.Dabney Townsend - 1991 - Journal of Aesthetics and Art Criticism 49 (3):271-272.
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  20. Raman Selden, Criticism and Objectivity. [REVIEW]Dabney Townsend - 1985 - Philosophy in Review 5:178-180.
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  21. Taste and Experience in Eighteenth-Century British Aesthetics: The Move Toward Empiricism.Dabney Townsend - 2022 - New York: Bloomsbury Academic.
    Taste and Experience in Eighteenth Century Aesthetics acknowledges theories of taste, beauty, the fine arts, genius, expression, the sublime and the picturesque in their own right, distinct from later theories of an exclusively aesthetic kind of experience. By drawing on a wealth of thinkers, including several marginalised philosophers, Dabney Townsend presents a novel reading of the century to challenge our understanding of art and move towards a unique way of thinking about aesthetics. Speaking of a proto-aesthetic, Townsend surveys theories of (...)
     
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  22.  10
    The a to Z of Aesthetics.Dabney Townsend - 2010 - Scarecrow Press.
    The A to Z of Aesthetics covers its history from Classical Greece to the present, including entries on non-western aesthetics. The book contains a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the main concepts, terminology, important persons , and the rules and criteria we apply in making judgments on art. By providing concise information on aesthetics, this dictionary is not only accessible to students, but it provides details and facts to specialists in the field.
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  23. Terence Cuneo and René van Woudenberg, The Cambridge Companion to Thomas Reid Reviewed By.Dabney Townsend - 2004 - Philosophy in Review 24 (5):316-319.
     
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  24. Tom Huhn, Imitation and Society: The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant Reviewed By. [REVIEW]Dabney Townsend - 2005 - Philosophy in Review 25 (1):31-33.
  25.  18
    BATTEUX, CHARLES. The Fine Arts Reduced to a Single Principle. Trans. James O. Young. Oxford University Press, 2015, Lxxx + 151 Pp., $70.00 Cloth. [REVIEW]Dabney Townsend - 2016 - Journal of Aesthetics and Art Criticism 74 (4):413-415.
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  26.  1
    Historical Dictionary of Aesthetics.Dabney Townsend - 2006 - Scarecrow Press.
    Aesthetics is not a "factual" discipline; there are no aesthetic facts. The word itself is derived from the Greek word for "feeling" and the discipline arises because of the need to find a place for the passions within epistemology—the branch of philosophy that investigates our beliefs. Aesthetics is more than just the study of beauty; it is a study of that which appeals to our senses, most often in connection with the classification, analysis, appreciation, and understanding of art. The Historical (...)
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  27.  36
    The Genealogy of Aesthetics.Dabney Townsend - 2004 - European Journal of Philosophy 12 (1):152–156.
  28.  29
    Phenomenology and the Definition of Art.Dabney Townsend - 1977 - Southwestern Journal of Philosophy 8 (2):133-139.
  29.  17
    The Metaphysics of Edmund Burke.Dabney Townsend - 1994 - Review of Metaphysics 48 (2):421-422.
    Joseph Pappin attempts to find in Edmund Burke's political writings a consistent metaphysical foundation. Pappin understands metaphysics as a search for knowledge of some suprasensible source. It is an exact science which supplies the ends for which politics is the inexact means. Burke, however, is a practical politician who writes for the occasion. This has led many to take Burke's evident distaste for speculation and theory and preference for prudence as evidence for an anti-metaphysical position. Pappin argues that, on the (...)
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  30.  18
    The Aesthetics of Joseph Priestley.Dabney Townsend - 1993 - Journal of Aesthetics and Art Criticism 51 (4):561-571.
  31.  7
    On Genius: The Development of a Philosophical Concept of Genius in Eighteenth-Century Britain.Dabney Townsend - 2019 - Journal of the History of Ideas 80 (4):555-574.
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  32. David Spadafora, The Idea of Progress in Eighteenth-Century Britain. [REVIEW]Dabney Townsend - 1991 - Philosophy in Review 11 (4):298-300.
  33.  22
    The Aesthetic Object as a Phenomenologically Natural Object.Dabney Townsend - 1978 - Southwestern Journal of Philosophy 9 (1):97-103.
  34.  22
    Values of Beauty: Historical Essays in Aesthetics (Review).Dabney Townsend - 2007 - Philosophy and Literature 31 (2):422-425.
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  35.  20
    Hutcheson and Complex Ideas: A Reply to Peter Kivy.Dabney Townsend - 1993 - Journal of Aesthetics and Art Criticism 51 (1):72-74.
  36. Raman Selden, Criticism and Objectivity Reviewed By.Dabney Townsend - 1985 - Philosophy in Review 5 (4):178-180.
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  37.  70
    Archibald Alison: Aesthetic Experience and Emotion.Dabney Townsend - 1988 - British Journal of Aesthetics 28 (2):132-144.
  38.  8
    Art and Enlightenment: Scottish Aesthetics in the Eighteenth Century. [REVIEW]Dabney Townsend - 2005 - Hume Studies 31 (1):184-186.
    This volume is the third in a series intended to make the writings of Scottish philosophers more widely available to modern readers. The series is under the general editorship of Gordon Graham. Presumably the editorial decisions set out in the Series Editor’s Note at the beginning of the volume are his and are intended to be uniform throughout the series. Some, given the intent of the series, are reasonable decisions to modernize spelling and punctuation and to transliterate Greek passages. On (...)
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  39.  16
    Phenomenology and the Form of the Novel: Toward an Expanded Critical Method.Dabney W. Townsend - 1974 - Philosophy and Phenomenological Research 34 (3):331-338.
  40. Francis Hutcheson, On Human Nature, Thomas Mautner, Ed. Reviewed By.Dabney Townsend - 1995 - Philosophy in Review 15 (2):111-113.
     
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  41. Roger D. Gallie, Thomas Reid: Ethics, Aesthetics and the Anatomy of the Self Reviewed By.Dabney Townsend - 2000 - Philosophy in Review 20 (1):29-31.
     
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  42.  5
    Artists, Critics, and Conferring Status.Dabney Townsend - 1983 - Journal of Aesthetic Education 17 (1):99.
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  43.  6
    The Nature of Aesthetic Value.Dabney Townsend - 1987 - Journal of Aesthetics and Art Criticism 45 (3):305-307.
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  44.  7
    On Experience.Dabney Townsend - 1987 - Journal of Speculative Philosophy 1 (4):304 - 317.
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  45. An Introduction to Aesthetics.Dabney Townsend - 1997 - Wiley-Blackwell.
    This volume is a fascinating introduction to the core themes and basic methods of aesthetics and the philosophy of art. Providing an analytic and historical treatment of the issues, and including many illustrative examples to both motivate and reinforce theoretical discussion, An Introduction to Aesthetics is the ideal course book for the philosophical novice. It includes an Appendix, a comprehensive Glossary and further reading suggestions to help the student reader develop a deeper comprehension of the field.
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  46.  3
    Eighteenth-Century British Aesthetics.Dabney Townsend - 1999
    In "Eighteenth Century British Aesthetics", editor Dabney Townsend has brought together the work of such well-known writers as John Dryden, Joshua Reynolds, David Hume, and Samuel Johnson with the more obscure works of aestheticians such as Uvedale Price, Daniel Webb, John Baillie, and James Harris, whose work is difficult to find, but is nonetheless important, informative, and interesting. These twenty-two selections, accompanied by Dabney Townsend's historical essay on the development of eighteenth century aesthetics, make the history of aesthetics accessible to (...)
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  47.  47
    The Picturesque.Dabney Townsend - 1997 - Journal of Aesthetics and Art Criticism 55 (4):365-376.
  48.  4
    Eighteenth-Century Aesthetics and the Reconstruction of Art.Dabney Townsend - 1995 - Philosophical Quarterly 45 (180):412-415.
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  49.  4
    The Genealogy of Aesthetics.Dabney Townsend - 2004 - European Journal of Philosophy 12 (1):152-156.
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  50.  4
    Dugald Stewart on Beauty and Taste.Dabney Townsend - 2007 - The Monist 90 (2):271-286.
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1 — 50 / 53