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Dan Flory [15]Daniel Dean Flory [1]
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  1. Philosophy, Black Film, Film Noir.Dan Flory - 2008 - Pennsylvania State University Press.
    In the past two decades, African American filmmakers like Spike Lee have made significant contributions to the dialogue about race in the United States by adapting techniques from classic _film noir _to black American cinema. This book is the first to examine these artistic innovations in detail from a philosophical perspective informed by both cognitive film theory and critical race theory. Dan Flory explores the techniques and themes that are used in black _film noir _to orchestrate the audience’s emotions of (...)
     
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  2.  69
    Spike Lee and the Sympathetic Racist.Dan Flory - 2006 - Journal of Aesthetics and Art Criticism 64 (1):67–79.
  3.  45
    Black on White: Film Noir and the Epistemology of Race in Recent African American Cinema.Dan Flory - 2000 - Journal of Social Philosophy 31 (1):82–116.
  4.  21
    Author Meets Readers.Dan Flory, Leah Kalmanson, Peter K. J. Park, Mark Larrimore & Sonia Sikka - 2017 - Journal of World Philosophies 2 (2).
    The exchange between Peter Park, Dan Flory and Leah Kalmanson on Park’s book Africa, Asia and the History of Philosophy: Racism in the Formation of the Philosophical Canon took place during the APA’s 2016 Central Division meeting on a panel sponsored by the Committee on Asian and Asian-American Philosophers and Philosophies. After having peer-reviewed the exchange, JWP invited Sonia Sikka and Mark Larrimore to engage with these papers. All the five papers are being published together in this issue.
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  5.  13
    Race, Rationality, and Melodrama: Aesthetic Response and the Case of Oscar Micheaux.Dan Flory - 2005 - Journal of Aesthetics and Art Criticism 63 (4):327–338.
  6.  33
    Cinematic Presupposition, Race, and Epistemological Twist Films.Dan Flory - 2010 - Journal of Aesthetics and Art Criticism 68 (4):379-387.
  7.  18
    1 Imaginative Resistance and the White Gaze in Machete and The Help.Dan Flory - 2013 - In Dan Flory & Mary Bloodsworth-Lugo (eds.), Race, Philosophy, and Film. Routledge. pp. 50--17.
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  8.  13
    Black Noir Signifies More Than Just a 'Simple Parallel': A Response to Brian E. Butler.Dan Flory - 2015 - Film-Philosophy 19 (1):16-23.
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    The Society for the Philosophic Study of the Contemporary Visual Arts at the Twentieth World Congress of Philosophy.Dan Flory - 1999 - Journal of Value Inquiry 33 (3):411-415.
  10. Race, Philosophy, and Film.Mary K. Bloodsworth-Lugo & Dan Flory (eds.) - 2013 - Routledge.
    This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center? The collection’s contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays’ theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, (...)
     
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  11. Hitchcock and Deductive Reasoning: Moving Step by Step in Vertigo.Dan Flory - forthcoming - Film and Philosophy.
     
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  12. Philosophy, Black Film, Film Noir.Dan Flory - 2009 - Pennsylvania State University Press.
    In the past two decades, African American filmmakers like Spike Lee have made significant contributions to the dialogue about race in the United States by adapting techniques from classic _film noir _to black American cinema. This book is the first to examine these artistic innovations in detail from a philosophical perspective informed by both cognitive film theory and critical race theory. Dan Flory explores the techniques and themes that are used in black _film noir _to orchestrate the audience’s emotions of (...)
     
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  13. Racism, Black Athena, and the Historiography of Ancient Philosophy.Dan Flory - 1997 - Philosophical Forum 28 (3):183-208.
  14.  6
    Stoic Psychology, Classical Rhetoric, and Theories of Imagination in Western Philosophy.Dan Flory - 1996 - Philosophy and Rhetoric 29 (2):147 - 167.
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