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Daniel Herwitz [52]Daniel Alan Herwitz [1]Daniel A. Herwitz [1]
  1.  20
    Understanding Pictures.Daniel Herwitz - 1999 - Journal of Aesthetics and Art Criticism 57 (3):385-388.
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  2.  65
    Aesthetics: Key Concepts in Philosophy.Daniel Herwitz - 2008 - Continuum.
    Introduction and the birth of aesthetics -- Taste and judgment -- Art and experience -- Modern definitions of art and the problem of new media -- Conclusion: Art and truth.
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  3.  13
    Sustaining Loss: Art and Mournful Life.Daniel Herwitz - 2004 - Journal of Aesthetics and Art Criticism 62 (1):51-55.
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  4.  36
    The Don Giovanni Moment: Essays on the Legacy of an Opera.Lydia Goehr & Daniel Herwitz (eds.) - 2006 - Columbia University Press.
    Mozart's _Don Giovanni_ is an operatic masterpiece full of iconic and mythical tensions that still resonate today. The work redefines the terms of power, seduction, and morality, and the resulting conflict between the aesthetic and the ethical is deeply rooted in the Enlightenment and romanticism. _The_ Don Giovanni _Moment_ is the first book to examine the aesthetic and moral legacy of Mozart's opera in the literature, philosophy, and culture of the nineteenth century. The prominent scholars in this collection address the (...)
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  5.  11
    Action, Art, History: Engagements with Arthur C. Danto.Daniel Herwitz & Michael Kelly (eds.) - 2007 - Columbia University Press.
    Arthur C. Danto is unique among philosophers for the breadth of his philosophical mind, his eloquent writing style, and the generous spirit embodied in all his work. Any collection of essays on his philosophy has to engage him on all these levels, because this is how he has always engaged the world, as a philosopher and person. In this volume, renowned philosophers and art historians revisit Danto's theories of art, action, and history, and the depth of his innovation as a (...)
  6. The future of the past in South Africa: On the legacy of the TRC.Daniel Herwitz - 2005 - Social Research: An International Quarterly 72 (3):531-548.
     
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  7.  24
    The consolations of art Gregg M. Horowitz, sustaining loss: Art and mournful life.Daniel Herwitz - 2004 - Journal of Aesthetics and Art Criticism 62 (1):51–55.
  8.  18
    The journal of aesthetics and Danto's philosophical criticism.Daniel Herwitz - 1993 - Journal of Aesthetics and Art Criticism 51 (2):261-270.
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  9. Andy Warhol. by danto, arthur c.Daniel Herwitz - 2010 - Journal of Aesthetics and Art Criticism 68 (3):303-305.
     
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  10.  6
    Introduction: Five Pieces for Arthur Danto (1924–2013) In memoriam.Lydia Goehr, Daniel Herwitz, Fred Rush & Jonathan Gilmore - 2022 - In Jonathan Gilmore & Lydia Goehr (eds.), A Companion to Arthur C. Danto. Hoboken, NJ, USA: Wiley. pp. 1–14.
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  11.  4
    Introduction.Lydia Goehr & Daniel Herwitz - 2006 - In Lydia Goehr & Daniel Herwitz (eds.), The Don Giovanni Moment: Essays on the Legacy of an Opera. Columbia University Press.
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  12.  2
    Arthur and Andy.Daniel Herwitz - 2022 - In Jonathan Gilmore & Lydia Goehr (eds.), A Companion to Arthur C. Danto. Hoboken, NJ, USA: Wiley. pp. 389–396.
    Arthur Danto once stood next to Andy Warhol at a gallery opening while Warhol autographed his wife's brochure. For Danto, Warhol embodied the age and its aspirations: a philosophical artist in gel. Danto was also writing autobiographically in describing Warhol's before and after. The before and after made them alike: each became a modernist figure of unparalleled boldness, audacity, and brilliance. A number of critics understood that Warhol was pushing against the limits of art in a way that forced abstract (...)
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  13.  12
    Art and Ethical Criticism edited by garry l. hagberg.Daniel Herwitz - 2009 - Journal of Aesthetics and Art Criticism 67 (4):426-427.
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  14.  5
    Bann' Stephen and William Allen, Eds. Interpreting Contemporary Art.Daniel Herwitz - 1992 - Journal of Aesthetics and Art Criticism 50 (3):265-268.
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  15.  12
    Cage, John. I-Vi. The Charles Eliot Norton Lectures, 1988-89.Daniel Herwitz - 1991 - Journal of Aesthetics and Art Criticism 49 (4):384-385.
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  16.  66
    Comedies of Mastery and Reconciliation: South Africa's Taxi, America's Rib.Daniel Herwitz - 2002 - Common Knowledge 8 (1):80-101.
  17.  1
    David Carrier, Poussin'S Paintings: A Study in Art-Historical Methodology.Daniel Herwitz - 1995 - Journal of Aesthetics and Art Criticism 53 (3):326-327.
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  18. David Jones, Moral Responsibility in the Holocaust: A Study in the Ethics of Character Reviewed by.Daniel Herwitz - 2000 - Philosophy in Review 20 (3):190-192.
     
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  19. Emmanuel Levinas, Discovering Existence with Husserl Reviewed by.Daniel Herwitz - 1999 - Philosophy in Review 19 (3):200-204.
     
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  20. Emmanuel Levinas, entre nous: Thinking of the Other Reviewed by.Daniel Herwitz - 1999 - Philosophy in Review 19 (3):200-204.
     
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  21. Emmanuel Levinas, Of God Who Comes to Mind Reviewed by.Daniel Herwitz - 1999 - Philosophy in Review 19 (3):200-204.
     
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  22. Emmanuel Levinas, Proper Names Reviewed by.Daniel Herwitz - 1998 - Philosophy in Review 18 (3):200-202.
     
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  23.  1
    Erwin Panofsky, Three Essays on Style.Daniel Herwitz - 1997 - Journal of Aesthetics and Art Criticism 55 (1):66-67.
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  24.  39
    Francis Fukuyama and the End of History.Daniel Herwitz - 2000 - South African Journal of Philosophy 19 (3):222-234.
    Francis Fukuyama has argued that history has come to an end. His argument is a philosophical reading of history which derives philosophical implications from empirical views about human economy, society, recent history and the human conditions for self-realization and flourishing. It is this movement between empirical description and philosophical conceptualization that my paper explores, a movement which is both fascinating and problematical. The paper does not seek to “refute” Fukuyama, whose ideas have great currency with significant reason and assumes that (...)
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  25.  9
    Gary Shapiro, Earthwards: Robert Smithson and Art After Babel.Daniel Herwitz - 1998 - Journal of Aesthetics and Art Criticism 56 (1):78-79.
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  26.  15
    Heritage, Culture, and Politics in the Postcolony.Daniel Herwitz - 2012 - Cambridge University Press.
    The act of remaking one's history into a heritage, a conscientiously crafted narrative placed over the past, is a thriving industry in almost every postcolonial culture. This is surprising, given the tainted role of heritage in so much of colonialism's history. Yet the postcolonial state, like its European predecessor of the eighteenth and nineteenth centuries, deploys heritage institutions and instruments, museums, courts of law, and universities to empower itself with unity, longevity, exaltation of value, origin, and destiny. Bringing the eye (...)
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  27.  10
    Hal Foster, Compulsive Beauty.Daniel Herwitz - 1995 - Journal of Aesthetics and Art Criticism 53 (4):433-435.
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  28.  4
    Jonathan Crary and Sanford Kwinter, Eds., Incorporation.Daniel Herwitz - 1994 - Journal of Aesthetics and Art Criticism 52 (3):362-363.
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  29.  1
    Kierkegaard Writes His Opera.Daniel Herwitz - 2006 - In Lydia Goehr & Daniel Herwitz (eds.), The Don Giovanni Moment: Essays on the Legacy of an Opera. Columbia University Press. pp. 119-136.
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  30.  41
    Making theory/constructing art: on the authority of the avant-garde.Daniel Alan Herwitz - 1993 - Chicago: University of Chicago Press.
    Artists and critics regularly enlist theory in the creation and assessment of artworks, but few have scrutinized the art theories themselves. Here, Daniel examines and critiques the norms, assumptions, historical conditions, and institutions that have framed the development and uses of art theory. Spurred by the theoretical claims of Arthur Danto, a leader in the philosophy of the avant-garde, Herwitz reexamines the art and theory of major figures in the avant-garde movement including John Cage, Jean-François Lyotard, Jean Baudrillard, and Andy (...)
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  31. Making Theory/Constructing Art.Daniel Herwitz - 1997 - Philosophical Quarterly 47 (187):248-250.
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  32.  20
    Neo-Natal: On Thinking New Times Philosophically.Daniel Herwitz - 1997 - Theoria 44 (90):77-92.
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  33.  9
    Neo-Natal: On Thinking New Times Philosophically.Daniel Herwitz - 1997 - Theoria 44:77-92.
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  34.  9
    Race and Reconciliation: Essays From the New South Africa.Daniel Herwitz - 2003 - Univ of Minnesota Press.
    A meditation on the lessons to be learned from South Africa's transformation in the wake of apartheid. Justice, truth, and identity; race, society, and law--all come into dramatic play as South Africa makes the tumultuous transition to a post-apartheid democracy. Seeking the timeless through the timely and trying to find the deeper meaning in the sweep of events, Daniel Herwitz brings the vast resources of the philosophical essay to bear on the new realities of post-apartheid South Africa--from racial identity to (...)
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  35.  2
    Screening The 'I' of the Camera.Daniel Herwitz - 1995 - Film and Philosophy 2:20-32.
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  36.  4
    The Beginning of the End.Daniel Herwitz - 1993 - In Mark Rollins (ed.), Danto and His Critics. Malden, MA: Wiley-Blackwell. pp. 215–231.
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  37.  34
    The Defence of Extreme Realities.Daniel Herwitz - 2002 - Film-Philosophy 6 (3).
    Rex Butler _Jean Baudrillard: The Defense of the Real_ London and New Delhi: Sage Publications and Thousand Oaks, 1999 ISBN 0-7619-5833-9 vii + 181 pp.
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  38.  21
    The Star as Icon: Celebrity in the Age of Mass Consumption.Daniel Herwitz - 2008 - Columbia University Press.
    Princess Diana, Jackie O, Grace Kelly—the star icon is the most talked about yet least understood persona. The object of adoration, fantasy, and cult obsession, the star icon is a celebrity, yet she is also something more: a dazzling figure at the center of a media pantomime that is at once voyeuristic and zealously guarded. With skill and humor, Daniel Herwitz pokes at the gears of the celebrity-making machine, recruiting a philosopher's interest in the media, an eye for society, and (...)
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  39.  16
    The Security of the Obvious: On John Cage's Musical Radicalism.Daniel A. Herwitz - 1988 - Critical Inquiry 14 (4):784-804.
    That [John] Cage’s challenge to our musical beliefs, attitudes, and practices is posed from the difficult perspective of a Zen master has often been discussed. What has been neglected both by Cage himself and by others is another equally potent challenge to the ordinary which Cage formulates in a related but distinct voice: that of the philosopher. Through his relentless inquiry into new music, Cage had defined certain radical possibilities for musical change. What is in effect his skepticism about music (...)
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  40.  41
    The work of art as psychoanalytical object: Wollheim on manet.Daniel Herwitz - 1991 - Journal of Aesthetics and Art Criticism 49 (2):137-153.
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  41.  42
    Peace and Mind: Seriatim Symposium on Dispute, Conflict, and Enmity.Alick Isaacs, Randall Collins, Bruno Latour, Peter Burke, G. Thomas Tanselle, Alexander Goehr, Anne Carson, Marcel Detienne, Daniel Herwitz, Frank R. Ankersmit, Vicki Hearne, Jeffrey M. Perl & Elizabeth Key Fowden - 2002 - Common Knowledge 8 (1):20-23.
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  42.  3
    Review: The Consolations of Art. [REVIEW]Daniel Herwitz - 2004 - Journal of Aesthetics and Art Criticism 62 (1):51 - 55.
  43.  11
    Auxier, Randall E. and Hahn, Lewis Edwin, eds. The philosophy of Arthur C. Danto. Chicago, il: Open court publishing company, 2013, XXXII + 796 pp., 31 b&w illus., $99.95 cloth. [REVIEW]Daniel Herwitz - 2015 - Journal of Aesthetics and Art Criticism 73 (2):203-207.
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  44.  38
    David Grubbs. Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording. Durham, N.C.: Duke University Press, 2014. 248 pp. [REVIEW]Daniel Herwitz - 2015 - Critical Inquiry 41 (4):898-900.
  45. Emmanuel Levinas, Discovering Existence with Husserl. [REVIEW]Daniel Herwitz - 1999 - Philosophy in Review 19:200-204.
     
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  46. Emmanuel Levinas, Entre Nous: Thinking of the Other. [REVIEW]Daniel Herwitz - 1999 - Philosophy in Review 19:200-204.
     
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  47. Emmanuel Levinas, Of God Who Comes to Mind. [REVIEW]Daniel Herwitz - 1999 - Philosophy in Review 19:200-204.
     
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  48. Emmanuel Levinas, Proper Names. [REVIEW]Daniel Herwitz - 1998 - Philosophy in Review 18:200-202.
     
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  49.  28
    Kant after Duchamp. [REVIEW]Daniel Herwitz - 1998 - Journal of Philosophy 95 (3):142-148.
  50.  32
    Review of The Cambridge Companion to Nelson MandelaThe Cambridge Companion to Nelson Mandela. Ed. by Rita Barnard. New York: Cambridge University Press, 2014. 349 pp. [REVIEW]Daniel Herwitz - 2015 - Critical Inquiry 41 (3):707-709.
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