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Daniel L. Tate [12]Daniel Lisle Tate [1]
  1. Art as Cognitio Imaginativa: Gadamer on Intuition and Imagination in Kant's Aesthetic Theory.Daniel L. Tate - 2009 - Journal of the British Society for Phenomenology 40 (3):279-299.
  2.  43
    In the Fullness of Time: Gadamer on the Temporal Dimension of the Work of Art.Daniel L. Tate - 2012 - Research in Phenomenology 42 (1):92-113.
    Abstract In Gadamer's later writings on art, his investigation into the being of the work exploits the temporal resonance of the concept of performative enactment ( Vollzug ), which displaces the priority of play ( Spiel ) in his earlier account. Drawing upon Heidegger, Gadamer deploys the concepts of tarrying ( Verweilen ) and the while ( die Weile ) to elucidate the temporality of the work of art as an event of being. On the one hand, tarrying describes the (...)
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  3.  30
    The Speechless Image: Gadamer and the Claim of Modern Painting.Daniel L. Tate - 2001 - Philosophy Today 45 (1):56-68.
  4.  11
    Hermeneutics and Truth.Daniel L. Tate - 1996 - Review of Metaphysics 49 (3):682-684.
    The twelve essays contained in this important volume address the fundamental, but elusive, topic of hermeneutic truth. To their credit, these authors succeed in illuminating and developing what Gadamer leaves largely unthematized in Truth and Method. Refusing to accept the disjunction of truth and interpretation, they share the conviction that there is, as Wachterhauser's introduction says, "truth after interpretation".
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  5.  9
    Nietzsche's Philosophy of Art.Daniel L. Tate - 1996 - Review of Metaphysics 49 (3):689-690.
    Given the centrality of art for Nietzsche it is surprising that Julian Young's book is the first to address its import for Nietzsche's philosophy as a whole. For this reason alone Nietzsche's Philosophy of Art is a welcome addition to the growing literature on Nietzsche in English. More than that, this study contains a comprehensive, yet concise, account of this topic that soberly elucidates and evaluates Nietzsche's shifting arguments and positions.
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  6.  19
    Renewing the Question of Beauty.Daniel L. Tate - 2015 - Epoché: A Journal for the History of Philosophy 20 (1):21-41.
    Posing the question of beauty anew, Gadamer pursues a hermeneutic remembrance of the original relation of beauty and truth forgotten by modern aesthetics. For Gadamer, the essential relation of kalos and aletheia is preserved, above all, in Plato. This essay elaborates his retrieval of Plato, re-thinking the splendor of beauty and the illumination of truth from being as an event of coming-to-presence. After discussing his engagement with Heidegger the essay reconstructs Gadamer’s interpretative argument, showing how he interprets the transcendence, radiance, (...)
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  7.  34
    Transforming Mimesis.Daniel L. Tate - 2008 - Epoché: A Journal for the History of Philosophy 13 (1):185-208.
    This essay traces the trajectory of Gadamer’s retrieval of mimesis by reconstructing his interpretation of Aristotle’s Poetics. Mimesis names the transformationthat takes place when the work constitutes a structure that offers a presentation in which the spectator participates. The reconstructiontreats Gadamer’s interpretation of mythos, mimesis, and katharsis as he appropriates them to his understanding of the work as a “transformation into structure” which is a “transformation into the true” that effects a self-transformation in the spectator. By transforming mimesis Gadamer retrieves (...)
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  8.  16
    The Verge of Silence.Daniel L. Tate - 2019 - Research in Phenomenology 49 (2):163-182.
    Gadamer’s question “Are Poets Falling Silent?” is motivated by the “linguistic need” of modern lyric indicative of the “forgetfulness of language” that prevails today. In Paul Celan’s late work, Gadamer finds poetry that, bordering on the cryptic, stands on the verge of silence. Nevertheless, he insists that these poems do speak and that the title of Celan’s poem series, Breath-crystal, figures the truth of the poetic word. From this standpoint the paper discusses Gadamer’s hermeneutic understanding of the poetic word treating (...)
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  9.  22
    'Unappropriable' Freedom Santoni, Sartre and the Question of Authenticity - a Response to Karsten Harries.Daniel L. Tate - 2004 - Sartre Studies International 10 (1):39-43.
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