The European Legacy, Volume 17, Issue 2, Page 233-239, April 2012.

This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics to explore human self-understanding through film in the new era. The classical figure of Janus, looking both to the future and the past, serves as a guide throughout the study. Both feature and documentary films are considered.

Rampley's Nietzsche, Aesthetics, and Modernity offers a valuable understanding of Nietzsche's Will to Power as the Will to Form and of the Overman as an artist inspired by the sublime who has overcome the reactive mentality of cultural pessimism by means of "active nihilism." Rampley argues that Nietzsche is a post metaphysical dialectician, building an aesthetic practice based on the productive play of transfigurative immanence that makes and affirms forms. Nietzsche differs from Lyotard and Derrida, Rampley argues, in his commitment (...) to the Dionysian struggle to create. Nevertheless, Rampley's account is based on a problematic derivation, first, of Nietzsche's alleged dialectics from Hegel's and, second, of the Overman's creativity from the limited aestheticism of the sublime. (shrink)

The Solitary Following and leading are hateful to me. Obey? No! But lead? No way! Who's not himself a terror frightens no one. And only the terror-maker can lead others. To me it's hateful even to lead myself! I love it, like creatures of wood and sea, For a good little while to lose myself, In lovely madness meditatively sit, From the distance homeward entice myself, Me myself to me myself—seducing.1.

'The greatest book of philosophy I have ever read, on a par with Nietzsche himself.' Michel Foucault.

THE LOGIC OF TERROR AND SYNTAX OF EMPIRE In The Birth of Tragedy Nietzsche presents a critique of the intellectual development of the Socratic intellect as it generates an inevitable downward spiral from epistemic optimism, based on logic, to pessimism based on an acceptance of logicés limits, and.nally to the tragic wisdom of an irreducibly fractured consciousness. He begins with the expansion of Socratic knowledge into the European tradition and thence to the world.