What does the open-carried gun tell us about the contemporary political structure of whiteness, and how do such objects operate to reinforce this structure? To work through these questions, this article brings together political theories of racialized democracy and political theoretical analyses of gun-rights debates with insights from interdisciplinary scholarship on guns to generate a political theoretical account of the relationship between guns and white democracy. To do so, we analyze two open-carry spectacles: recurring Second Amendment protests featuring the prominent (...) display of open-carried weapons, and open-carrying protestors in Michigan demonstrating against stay-at-home orders in response to COVID-19 in 2020. Our analysis of these two cases illuminates our central arguments about guns and white democracy. We argue that guns operate to politically align white bodies amid the ongoing constitution of political whiteness: open-carried firearms work to reinforce and reproduce white democracy. We further claim that the force of open-carried guns in sustaining white democracy works through two linked dynamics: first, guns extend, generate, and secure the wages of whiteness; second, they protect and assert white dominion. Taken together, these dynamics explain how guns uphold white democracy, but also illuminate, we argue, the contingency of that political power. It is that contingency which suggests that the open-carried firearm might also help contest it in turn, a point illustrated by turning to scholarship on the relation of firearms to the civil rights movement. (shrink)

What drives bodies together? What inclines them towards one another? What keeps these bodies inclined towards each other as the world around them continues to fall apart? In this article, I argue that the circulation of grief and anger produces a choral inclination, a relationality forged through our emotional responses to loss. Coming together through this choral inclination allows us to acknowledge loss, confront its conditions, and enact a collective response to it. I engage with feminist philosopher Adriana Cavarero’s concept (...) of inclination and its further development by political theorist Bonnie Honig to theorize the posture and politics of togetherness. Both thinkers turn to prefabricated relationships – between mother and child or sisters – and in proposing an alternative, I offer choral inclination to help theorize the dynamics that bring people together when neither these prefigured relationships nor access to care is readily available. I turn to grief and anger as emotions that circulate in the context of loss, and pluralize the affective responses through which our bodies incline and thus politicize one another. I develop these claims through a novel reading of Euripides’ Hecuba. In the final section, I briefly explore the motivations and leadership structure found within the Movement for Black Lives to link develop the implications for choral inclination for feminist and democratic politics. In contrast to commonplace frameworks that consider tragedy in primarily its historical context, I mobilize ancient tragedy to help theorize and enact feminist responses to the contemporary context. (shrink)