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  1.  3
    Arthur Coleman Danto (1981). The Transfiguration of the Commonplace: A Philosophy of Art. Harvard University Press.
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  2.  9
    Arthur C. Danto (1983). Science as an International System. Behavioral and Brain Sciences 6 (3):359.
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  3. Arthur C. Danto (2013). What Art Is. Yale University Press.
    What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, _What Art Is _challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: (...)
     
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  4.  4
    Arthur C. Danto (1985). Consciousness and Motor Control. Behavioral and Brain Sciences 8 (4):540.
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  5.  8
    Arthur Coleman Danto (1986). The Philosophical Disenfranchisement of Art. Columbia University Press.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of (...)
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  6. Arthur Coleman Danto (1985). Narration and Knowledge: Including the Integral Text of Analytical Philosophy of History. Columbia University Press.
     
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  7. Arthur Danto (1964). The Artworld. Journal of Philosophy 61 (19):571-584.
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  8.  13
    Arthur C. Danto (1998). After the End of Art: Contemporary Art and the Pale of History. Princeton University Press.
    Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a (...)
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  9. Arthur C. Danto (1965). Basic Actions. American Philosophical Quarterly 2 (2):141 - 148.
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  10.  8
    Arthur Coleman Danto (1965). Nietzsche as Philosopher. Columbia University Press.
    " The essays also consider specific works by Nietzsche, including Human, All Too Humanand The Genealogy of Morals, as well as the philosopher's artistic metaphysics and semantical nihilism.
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  11.  41
    Arthur Coleman Danto (1965). Analytical Philosophy of History. Cambridge: Cambridge University Press.
  12.  68
    Arthur C. Danto (2001). Seeing and Showing. Journal of Aesthetics and Art Criticism 59 (1):1-9.
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  13.  3
    Arthur Coleman Danto (1988). Mysticism and Morality: Oriental Thought and Moral Philosophy. Columbia University Press.
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  14. Arthur Coleman Danto (1991). Sartre. Fontana Press.
     
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  15. Arthur C. Danto (1973). Artworks and Real Things. Theoria 39 (1-3):1-17.
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  16. Arthur Danto (1963). What We Can Do. Journal of Philosophy 60 (15):435-445.
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  17. Arthur C. Danto (2005). Nietzsche as Philosopher: Expanded Edition. Columbia University Press.
    Few philosophers are as widely read or as widely misunderstood as Friedrich Nietzsche. When Danto's classic study was first published in 1965, many regarded Nietzsche as a brilliant but somewhat erratic thinker. Danto, however, presented a radically different picture, arguing that Nietzsche offered a systematic and coherent philosophy that anticipated many of the questions that define contemporary philosophy. Danto's clear and insightful commentaries helped canonize Nietzsche as a philosopher and continue to illuminate subtleties in Nietzsche's work as well as his (...)
     
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  18.  23
    Arthur C. Danto (2001). The Pigeon Within Us All: A Reply to Three Critics. Journal of Aesthetics and Art Criticism 59 (1):39-44.
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  19.  15
    Arthur Coleman Danto (1992). Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective. Farrar Straus Giroux.
    In Danto's view, Andy Warhol's Brillo Box was not only a radical attack on traditional definitions of the art work; it brought the history of Western art to a close. In this collection of interconnected essays, he grapples with this and many more of the most challenging issues in art today, from the problems of contemporary pluralism to the dilemmas of censorship and state support for artists.
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  20.  78
    Arthur C. Danto (1998). The End of Art: A Philosophical Defense. History and Theory 37 (4):127–143.
    This essay constructs philosophical defenses against criticisms of my theory of the end of art. These have to do with the definition of art; the concept of artistic quality; the role of aesthetics; the relationship between philosophy and art; how to answer the question "But is it art?"; the difference between the end of art and "the death of painting"; historical imagination and the future; the method of using indiscernible counterparts, like Warhol's Brillo Box and the Brillo cartons it resembles; (...)
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  21.  16
    Arthur C. Danto (1997). Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe. Journal of Aesthetics and Art Criticism 55 (1):74-77.
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  22.  26
    Arthur C. Danto (1955). Democracy and Marxism. [REVIEW] Journal of Philosophy 52 (23):696-698.
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  23. Arthur Danto (1966). Freedom and Forbearance. In Keith Lehrer (ed.), Freedom and Determinism. Random House. pp. 45--63.
     
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  24. Arthur C. Danto (1999). Indiscernibility and Perception: A Reply to Joseph Margolis. British Journal of Aesthetics 39 (4):321-329.
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  25.  29
    Arthur C. Danto (1982). Narration and Knowledge. Philosophy and Literature 6 (1-2):17-32.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist (...)
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  26. Arthur C. Danto (1981). Deep Interpretation. Journal of Philosophy 78 (11):691-706.
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  27.  35
    Arthur C. Danto (2008). Philosophers and the Ritual of Marriage. Think 6 (17-18):7-14.
    A philosophical inquiry into whether, and, if so, why, marriage is good.
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  28. Arthur C. Danto & Jonathan Gilmore (2004). The Philosophical Disenfranchisement of Art. Cambridge University Press.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, (...)
     
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  29.  85
    Arthur C. Danto (1974). The Transfiguration of the Commonplace. Journal of Aesthetics and Art Criticism 33 (2):139-148.
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  30.  33
    Arthur C. Danto (1973). Language and the Tao: Some Reflections on Ineffability. Journal of Chinese Philosophy 1 (1):45-55.
  31.  49
    Arthur C. Danto (1979). Causality, Representations, and the Explanation of Actions. Tulane Studies in Philosophy 28:1-19.
  32.  60
    Arthur C. Danto (1991). Narrative and Style. Journal of Aesthetics and Art Criticism 49 (3):201-209.
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  33.  35
    Arthur C. Danto (1979). Basic Actions and Basic Concepts. Review of Metaphysics 32 (3):471 - 485.
  34.  51
    Arthur C. Danto (1996). From Aesthetics to Art Criticism and Back. Journal of Aesthetics and Art Criticism 54 (2):105-115.
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  35.  16
    Arthur C. Danto (1954). Introduction to Symbolic Logic. [REVIEW] Journal of Philosophy 51 (8):250-252.
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  36.  16
    Arthur C. Danto (1956). La Quarta Critica Kantiana. [REVIEW] Journal of Philosophy 53 (14):450-453.
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  37.  94
    Arthur C. Danto (2007). Embodied Meanings, Isotypes, and Aesthetical Ideas. Journal of Aesthetics and Art Criticism 65 (1):121–129.
  38.  65
    Arthur C. Danto (1982). Depiction and Description. Philosophy and Phenomenological Research 43 (1):1-19.
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  39. Arthur Coleman Danto (1968). What Philosophy Is. New York: Harper & Row.
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  40. Arthur Coleman Danto & Berel Lang (1984). The Death of Art.
     
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  41.  15
    A. C. Danto (1953). Introduction to Logic. [REVIEW] Journal of Philosophy 50 (22):673-676.
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  42.  36
    Arthur C. Danto (1984). Philosophy as/and/of Literature. Proceedings and Addresses of the American Philosophical Association 58 (1):5 - 20.
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  43. Arthur C. Danto (1999). The Body/Body Problem Selected Essays.
    The overall subject of the essays in _The Body/Body Problem_ is the traditional one of what our ultimate makeup is, as creatures with minds and bodies. The central thesis is that we are beings who represent—and misrepresent—actual and possible worlds. Addressing philosophical questions of mental representation, Danto presents his distinctive approach to some of the most enduring topics in philosophy. He is concerned with the nature of description, the status of the external world, action theory, the philosophy of history, and (...)
     
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  44.  43
    Arthur C. Danto (1993). A Future for Aesthetics. Journal of Aesthetics and Art Criticism 51 (2):271-277.
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  45.  16
    A. Danto (2005). Embodiment, Art History, Theodicy, and The Abuse of Beauty: A Response to My Critics. Inquiry 48 (2):189-200.
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  46.  35
    Arthur Coleman Danto (1960). Philosophy of Science. New York: Meridian Books.
    Now it is of the utmost importance to observe that expressions peculiar to a science will possess meanings that are fixed by its own procedures, and that are therefore intelligible in terms of its own rules of usage, whether or not the science has ...
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  47.  13
    Arthur C. Danto (1957). Logic and Knowledge; Essays, 1901-1950. [REVIEW] Journal of Philosophy 54 (11):360-362.
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  48.  48
    Arthur Coleman Danto (1997). Connections to the World: The Basic Concepts of Philosophy. University of California Press.
    Arthur C. Danto's lucid introduction to the central topics of Western philosophical thought remains an unparalleled guide to problems in metaphysics and epistemology that have engaged philosophers for several millennia. Examining the work of Plato, Berkeley, Descartes, Hume, and Wittgenstein, Danto explores debates about empiricism, the mind/body problem, the nature of matter, and the status of language, consciousness, and scientific explanation. In a new preface to this edition he considers the current relationship between philosophy and the humanities.
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  49. Arthur C. Danto (1993). Responses and Replies. In Mark Rollins (ed.), Danto and His Critics. Blackwell. pp. 193--216.
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  50.  53
    Arthur C. Danto (1959). The Paradigm Case Argument and the Free-Will Problem. Ethics 69 (2):120-124.
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