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  1. Of Birds, Whales, and Other Musicians: An Introduction to Zoomusicology.Dario Martinelli - 2009 - University of Scranton Press.
    Dario Martinelli’s compact and enjoyable treatise on zoömusicology, _Of Birds, Whales and Other Musicians_ introduces musicologists, biologists, social scientists, and philosophers to a new theoretical model for studying how animal behavioral patterns relate to sound communication. Organized by musical trait rather than animal species, and drawing upon the work of such esteemed philosophers as Umberto Eco, Charles Sanders Peirce, and Thomas Sebeok, Martinelli’s analyses redefine the boundaries surrounding music and help readers—scholars and amateurs alike—to appreciate the relationship between animals and (...)
     
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  2.  21
    Methodologies and Problems in Zoomusicology.Dario Martinelli - 2001 - Sign Systems Studies 29 (1):341-352.
    The article sketches an introductory outline of zoomusicology as a discipline closely related to zoosemiotics, focusing on the existing results and formulating few further problems. The analysis addresses the limitations and potentials of zoomusicological research, problematic topics, a basic framework of possible methodologies, and an attempt to situate the discipline in relation to other fields, ethnomusicology in particular.
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  3.  7
    Bankov’s Razor Versus Martinelli’s Canon. A Confrontation Around Biosemiotics.Dario Martinelli & Kristian Bankov - 2008 - Biosemiotics 1 (3):397-418.
    This article is a discussion of the critical remarks raised by Kristian Bankov in a notion called Bankov’s razor, about some foundational elements of the biosemiotic paradigm. The elaborated form of the “razor” includes three main questions on biosemiotic ideas, namely: 1) the philosophical grounds of the biosemiotic discourse, 2) the scientific output of biosemiotics, and 3) the ethical consequences of some biosemiotic presumptions (this latter, given its scopes and extension, is left for a future occasion). Such questions are commented (...)
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  4.  13
    Музыкальный круг.Dario Martinelli - 2004 - Sign Systems Studies 32 (1-2):251-251.
    The purpose of the present article is to illustrate the crucial role played by the Umwelt theory in zoomusicological studies. Too much, in fact too little, has been written on the relationship between non-human animals and music. Most of these writings do not explicitly aim at contributing to the actual problem. Some are, so to speak, a little folkloristic, quite a few broach the problem in strictly scientific terms, and very few take a clearly zoomusicological approach. In an attempt to (...)
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  5.  11
    Let’s Get Physical!—On the Zoosemiotics of Corporeality.Dario Martinelli - 2011 - Biosemiotics 4 (2):259-279.
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  6.  14
    Liars, Players, and Artists: A Zoösemiotic Approach to Aesthetics.Dario Martinelli - 2004 - Semiotica 2004 (150).
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  7.  15
    Metodoloogiad ja probleemid zoomusikoloogias. Kokkuvõte.Dario Martinelli - 2001 - Sign Systems Studies 29 (1):352-352.
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  8.  2
    Four Ages of Underrating: Philosophy and Zoösemiotic Issues.Dario Martinelli - 2010 - Semiotica 2010 (178):275-301.
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  9.  13
    Introduction.Dario Martinelli - 2009 - Sign Systems Studies 37 (3/4):353-368.
    Realism has been a central object of attention among analytical philosophers for some decades. Starting from analytical philosophy, the return of realism has spread into other contemporary philosophical traditions and given birth to new trends in current discussions, as for example in the debates about “new realism.” Discussions about realism focused on linguistic meaning, epistemology, metaphysics, theory of action and ethics. The implications for politics of discussion about realism in action theory and in ethics, however, are not much discussed.
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  10.  18
    Introduction—A Manifesto For “New Humanities”.Dario Martinelli - 2017 - American Journal of Semiotics 33 (1/2):1-25.
    The professional profile of a performer does not only consist of mere music playing, but calls into question a number of variables of private and public, musical and extra-musical articulation. Performers have their own personality and inclinations; they are exposed to different forms of education and influences; they develop certain technical and stylistic abilities; they find certain repertoires more suitable than others; they confront themselves with composers and their requests/indications; they have to take into account social demands to given repertoires; (...)
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  11. Liars, Players and Artists: A Triadic Zoosemiotic Relation.Dario Martinelli - 2004 - Semiotica 150 (1/4):77-118.
     
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  12.  5
    Muusikaline ring.Dario Martinelli - 2004 - Sign Systems Studies 32 (1-2):252-252.
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  13.  22
    The Musical Circle.Dario Martinelli - 2004 - Sign Systems Studies 32 (1-2):229-251.
    The purpose of the present article is to illustrate the crucial role played by the Umwelt theory in zoomusicological (and, more generally, zoosemiotic) studies. Too much, in fact too little, has been written on the relationship between non-human animals and music. Most of these writings do not explicitly aim at contributing to the actual problem (a good example being the reflections on birdsong contained in John Locke’s Essay Concerning Human Understanding). Some are, so to speak, a little folkloristic, quite a (...)
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  14.  38
    The Politics and the Demographics of Veganism: Notes for a Critical Analysis.Dario Martinelli & Aušra Berkmanienė - 2018 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 31 (3):501-530.
    The present essay aims to offer some reflections concerning the cultural and political aspects of veganism, on the basis of the available surveys and statistics, plus some more gathered by the authors—with the tools of different methodologies, including the semiotic one. After an introduction to veganism as phenomenon and movement, with general reflections and also a number of specific data, the essay proceeds to focus on the more political aspects, with an emphasis on some of the most intriguing and multifaceted (...)
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  15.  30
    The Paradox of Oppositions: King Kong and the Question of Anthrozoomorphic Hybrids in Cinema.Dario Martinelli - 2014 - Semiotics:293-307.
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