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David Bordwell [15]David Bordwell [1]
  1. Narration in the Fiction Film.David Bordwell - 1985 - University of Wisconsin Press.
    In this study, David Bordwell offers the first comprehensive account of how movies use fundamental principles of narrative representation, unique features of ...
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  2. Film Art an Introduction.David Bordwell & Kristin Thompson - 1986
     
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  3. Convention, construction, and cinematic vision.David Bordwell - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press. pp. 87--107.
     
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  4. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema.David Bordwell - 1989 - Harvard University Press.
    David Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast (...)
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  5. Film Futures.David Bordwell - 2002 - Substance 31 (1):88-104.
  6.  12
    Making Meaning: Inference and Rhetoric in the Interpretation of Cinema.David Bordwell - 1991 - Journal of Aesthetics and Art Criticism 49 (2):172-173.
  7. A case for cognitivism.David Bordwell - 1989 - Iris 9 (1989):11-40.
     
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  8.  3
    On the History of Film Style.David Bordwell & Professor David Bordwell - 1997 - Harvard University Press.
    Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
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  9.  26
    Ozu and the Poetics of Cinema.David Bordwell - 1989 - Journal of Aesthetics and Art Criticism 47 (4):397-397.
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  10. Classical Hollywood cinema: Narrational principles and procedures.David Bordwell - 1986 - In Philip Rosen (ed.), Narrative, Apparatus, Ideology: A Film Theory Reader. Columbia University Press. pp. 17--34.
     
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  11. Chinese-language film: historiography, poetics, politics.Chris Berry, David Bordwell, Stephen Yiu-wai Chu, Shuqin Cui, Darrell W. Davis, David Desser, Mary Farquhar, Xiaoping Lin, Sheldon H. Lu & Thomas Luk - 2013 - Philosophy East and West 63 (2).
  12.  52
    Book review:Post-theory: Reconstructing film studies. [REVIEW]ed Bordwell, David & Noël Carroll - 1997 - Philosophy and Literature 21 (2).
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  13.  23
    Narration in the Fiction FilmPoint of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film.Charles O'Brien, David Bordwell & Edward Branigan - 1986 - Substance 15 (3):96.
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  14.  9
    Filmguide to "The General"Filmguide to "La Passion de Jeanne d'Arc"Filmguide to "The Rules of the Game"Filmguide to "The Grapes of Wrath"Filmguide to "Henry V"Filmguide to "Psycho"Filmguide to "The Battle of Algiers"Filmguide to "2001: A Space Odyssey".S. A. Selby, E. Rubinstein, David Bordwell, Gerald Mast, Warren French, Harry M. Geduld, James Naremore, Joan Mellen & Carolyn Geduld - 1975 - Journal of Aesthetic Education 9 (2):123.
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  15.  6
    Wölfflin and Film Style: Some Thoughts on a Poetics of Pictures.David Bordwell - 2015 - Journal of Aesthetics and Art Criticism 73 (2):178-188.
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    Post-Theory: Reconstructing FilmOn the Edge of America: California Modernist Art, 1900-1950.Allen Casebier, David Bordwell, Noel Carroll & Paul Karlstrom - 1998 - Journal of Aesthetics and Art Criticism 56 (3):313.
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