8 found
Order:
Disambiguations
David Brubaker [8]David Adam Brubaker [3]
  1.  49
    André Bazin on Automatically Made Images.David Brubaker - 1993 - Journal of Aesthetics and Art Criticism 51 (1):59-67.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  2.  32
    Merleau-Ponty's Three Intertwinings.David Brubaker - 2000 - Journal of Value Inquiry 34 (1):89-101.
  3. Merleau-Ponty and Buddhism.Michael P. Berman, David Brubaker, Gerald Cipriani, Jay Goulding, Hyong-hyo Kim, Gereon Kopf, Glen A. Mazis, Shigenori Nagatomo, Carl Olson, Bernard Stevens, Funaki Toru & Brook Ziporyn (eds.) - 2009 - Lexington Books.
    Merleau-Ponty and Buddhism explores a new mode of philosophizing through a comparative study of Maurice Merleau-Ponty's phenomenology and philosophies of major Buddhist thinkers including Nagarjuna, Chinul, Dogen, Shinran, and Nishida Kitaro. The book offers an intercultural philosophy in which opposites intermingle in a chiasmic relationship, and which brings new understanding regarding the self and the self's relation with others in a globalized and multicultural world.
     
    Export citation  
     
    Bookmark  
  4.  19
    Chen, Wangheng, Chinese Environmental Aesthetics, Translated by Feng Su, Edited by Gerald Cipriani: London: Routledge, 2015, Xviii + 212 Pages.David Brubaker - 2017 - Dao: A Journal of Comparative Philosophy 16 (2):281-285.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  5.  1
    Documentary Images and Shared Encounters.David Brubaker - 1996 - Film and Philosophy 3:77-86.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  6. Place of Nothingness and the Dimension of Visibility : Nishida, Merleau-Ponty, and Huineng.David Brubaker - 2009 - In Jin Y. Park & Gereon Kopf (eds.), Merleau-Ponty and Buddhism. Lexington Books.
  7.  12
    The Beauty of Literati Strokes: Shi Tao, Merleau-Ponty and Communion with Nature.David Brubaker - 2008 - Proceedings of the Xxii World Congress of Philosophy 1:6-13.
    How is the painter’s body related to the process of making a beautiful brush stroke? Those interested in this question will benefit from Jianping Gao’s findings, in The Expressive Act in Chinese Painting, a book that presents the aesthetic ideas of Chinese literati painters and art critics. Gao’s assigns five features to the actual practice of painting that results in the making of brush strokes that literati audiences would call “naturally beautiful.” These five are the interaction of idea and body, (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  8. Women Making Art: History, Subjectivity, Aesthetics, by Marsha Meskimmon. [REVIEW]David Brubaker - 2006 - Journal of Aesthetics and Art Criticism 64 (3):384-387.
     
    Export citation  
     
    Bookmark