8 found
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  1.  34
    A Sketch is Not Enough: Dynamic External Support Increases Creative Insight on a Guided Synthesis Task.David G. Pearson & Robert H. Logie - 2015 - Thinking and Reasoning 21 (1):97-112.
    Although external representations, such as sketches, are regarded as facilitating insight during creative synthesis and design tasks, previous empirical studies have provided conflicting evidence in support of this role. Here, we argue sketches are static representations that fail to fully externalise mental imagery processes involved during creative synthesis tasks. An experiment is reported in which participants manipulate simple alpha-numeric and geometric shapes into patterns depicting familiar objects or symbols. Trials were performed using either mental imagery alone, drawing manipulations in the (...)
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  2.  13
    Flow, Affect and Visual Creativity.Genevieve M. Cseh, Louise H. Phillips & David G. Pearson - 2015 - Cognition and Emotion 29 (2):281-291.
  3.  14
    Oculomotor Preparation as a Rehearsal Mechanism in Spatial Working Memory.David G. Pearson, Keira Ball & Daniel T. Smith - 2014 - Cognition 132 (3):416-428.
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  4.  12
    Oculomotor Involvement in Spatial Working Memory is Task-Specific.Keira Ball, David G. Pearson & Daniel T. Smith - 2013 - Cognition 129 (2):439-446.
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  5. 2 Imagery and the Visuo-Spatial Sketchpad.David G. Pearson - 2001 - In Jackie Andrade (ed.), Working Memory in Perspective. Psychology Press. pp. 33.
     
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  6.  11
    Einstein’s Jacket: Evidence for Long-Term Perceptual Specificity in Mental Imagery.David G. Pearson & James Hollings - 2013 - Consciousness and Cognition 22 (1):148-154.
    To what extent are visual fantasies constrained by our perceptual experience of the real world? Our study exploits the fact that people’s knowledge of the appearance of individuals from the early 20th Century derives predominantly from viewing black-and-white media images. An initial experiment shows that mental imagery for individuals from this period are experienced as significantly less colourful than imagery for individuals from the era of colour media. A second experiment manipulated whether participants were instructed to explicitly imagine using colour (...)
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  7.  5
    Mental and Perceptual Feedback in the Development of Creative Flow.Genevieve M. Cseh, Louise H. Phillips & David G. Pearson - 2016 - Consciousness and Cognition 42:150-161.
  8.  4
    Visuospatial Rehearsal Processes in Working Memory.David G. Pearson - 2007 - In Naoyuki Osaka, Robert H. Logie & Mark D'Esposito (eds.), The Cognitive Neuroscience of Working Memory. Oxford University Press. pp. 231.