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  1. Color Constancy.David H. Foster - 2011 - Vision Research 51:674-700.
    A quarter of a century ago, the first systematic behavioral experiments were performed to clarify the nature of color constancy—the effect whereby the perceived color of a surface remains constant despite changes in the spectrum of the illumination. At about the same time, new models of color constancy appeared, along with physiological data on cortical mechanisms and photographic colorimetric measurements of natural scenes. Since then, as this review shows, there have been many advances. The theoretical requirements for constancy have been (...)
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  2. Does colour constancy exist?David H. Foster - 2003 - Trends in Cognitive Sciences 7 (10):439-443.
    For a stable visual world, the colours of objects should appear the same under different lights. This property of colour constancy has been assumed to be fundamental to vision, and many experimental attempts have been made to quantify it. I contend here, however, that the usual methods of measurement are either too coarse or concentrate not on colour constancy itself, but on other, complementary aspects of scene perception. Whether colour constancy exists other than in nominal terms remains unclear.
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  3. Color constancy: Phenomenal or projective?Adam J. Reeves, Kinjiro Amano & David H. Foster - 2008 - Perception and Psychophysics 70:219-228.
    Naive observers viewed a sequence of colored Mondrian patterns, simulated on a color monitor. Each pattern was presented twice in succession, first under one daylight illuminant with a correlated color temperature of either 16,000 or 4,000 K and then under the other, to test for color constancy. The observers compared the central square of the pattern across illuminants, either rating it for sameness of material appearance or sameness of hue and saturation or judging an objective property—that is, whether its change (...)
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  4. Fluctuating environmental light limits number of surfaces visually recognizable by colour.David H. Foster - 2021 - Scientific Reports 11:2102.
    Small changes in daylight in the environment can produce large changes in reflected light, even over short intervals of time. Do these changes limit the visual recognition of surfaces by their colour? To address this question, information-theoretic methods were used to estimate computationally the maximum number of surfaces in a sample that can be identified as the same after an interval. Scene data were taken from successive hyperspectral radiance images. With no illumination change, the average number of surfaces distinguishable by (...)
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    Experimental test of a network theory of vision.David H. Foster - 1983 - Behavioral and Brain Sciences 6 (4):664.
  6.  47
    Natural groups of transformations underlying apparent motion and perceived object shape and color.David H. Foster - 2001 - Behavioral and Brain Sciences 24 (4):665-668.
    Shepard's analysis of how shape, motion, and color are perceptually represented can be generalized. Apparent motion and shape may be associated with a group of spatial transformations, accounting for rigid and plastic motion, and perceived object color may be associated with a group of illuminant transformations, accounting for the discriminability of surface-reflectance changes and illuminant changes beyond daylight. The phenomenological and mathematical parallels between these perceptual domains may indicate common organizational rules, rather than specific ecological adaptations. [Barlow; Hecht; Kubovy & (...)
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    Qualitative cues in the discrimination of affine-transformed minimal patterns.Helja T. Kukkonen, David H. Foster, Jonathan R. Wood, Johan Wagemans & Luc Van Gool - 1996 - In Enrique Villanueva (ed.), Perception. Ridgeview Pub. Co. pp. 195-206.
    An important factor in judging whether two retinal images arise from the same object viewed from different positions may be the presence of certain properties or cues that are 'qualitative invariants' with respect to the natural transformations, particularly affine transformations, associated with changes in viewpoint. To test whether observers use certain affine qualitative cues such as concavity, convexity, collinearity, and parallelism of the image elements, a 'same-different' discrimination experiment was carried out with planar patterns that were defined by four points (...)
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