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David Roberts [90]David D. Roberts [21]David E. Roberts [2]David Alan Roberts [1]
David W. Roberts [1]David Everett Roberts [1]David Lindsay Roberts [1]David Lindsay Roberts [1]

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David Roberts
University of Sussex
David Roberts
University of Georgia
  1.  17
    The Total Work of Art in European Modernism.David Roberts - 2011 - Cornell University Library.
    In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution.
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  2. The Work of Art and the Seff-Reproduction of Art.Niklas Luhmann & David Roberts - 1985 - Thesis Eleven 12 (1):4-27.
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  3. Philosophy and Geography Iii: Philosophies of Place.Philip Brey, Lee Caragata, James Dickinson, David Glidden, Sara Gottlieb, Bruce Hannon, Ian Howard, Jeff Malpas, Katya Mandoki, Jonathan Maskit, Bryan G. Norton, Roger Paden, David Roberts, Holmes Rolston Iii, Izhak Schnell, Jonathon M. Smith, David Wasserman & Mick Womersley (eds.) - 1998 - Rowman & Littlefield Publishers.
    A growing literature testifies to the persistence of place as an incorrigible aspect of human experience, identity, and morality. Place is a common ground for thought and action, a community of experienced particulars that avoids solipsism and universalism. It draws us into the philosophy of the ordinary, into familiarity as a form of knowledge, into the wisdom of proximity. Each of these essays offers a philosophy of place, and reminds us that such philosophies ultimately decide how we make, use, and (...)
     
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  4. Nothing but History: Reconstruction and Extremity After Metaphysics.David D. Roberts - 1995 - University of California Press.
    What is the role of history in our "postmetaphysical" age? Surveying two centuries of philosophical writing, David Roberts offers a thoughtful guide to the philosophy of history _before_ the recent challenges associated with deconstructive postmodernism. He then argues for a moderate intellectual tradition in which historical knowledge, although freed from transcendent values, continues to play a crucial role in the conduct of human affairs. Roberts's careful account of historicism explores the ideas of its major nineteenth-century representatives and foils, including Hegel, (...)
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  5. Introduction.David Roberts, Karl Smith, Simon Marginson & Peter Beilharz - 2008 - Thesis Eleven 94 (1):3-5.
  6. Dialectic of Romanticism: A Critique of Modernism.David Roberts & Peter Murphy - unknown
  7. Foucault and Adorno: Two Forms of the Critique of Modernity.Axel Honneth & David Roberts - 1986 - Thesis Eleven 15 (1):48-59.
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  8.  99
    Technology and Modernity: Spengler, Jünger, Heidegger, Cassirer.David Roberts - 2012 - Thesis Eleven 111 (1):19-35.
    In the crisis scenarios of modernity which flourished in the Weimar Republic, technology is typically seen as destiny or fate. Thus Oswald Spengler and Ernst Jünger both construe the coming struggle for world power in terms of the integration of production and technology in the industrial-military complex. Martin Heidegger’s critique of Jünger’s blueprint for total mobilization in Der Arbeiter springs from his reading of modernity as nihilism. Just as the crisis of Western history is reaching completion in modernity, so equally (...)
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  9.  73
    Illusion Only is Sacred: From the Culture Industry to the Aesthetic Economy.David Roberts - 2003 - Thesis Eleven 73 (1):83-95.
    Integral to the modern paradigm of cultural critique is an entropic vision of the `completion' of modernity reaching from Heidegger and Adorno to Debord and Baudrillard. Are contemporary cultural developments to be grasped in terms of this `completion' or do we need a more open-ended account of capitalism and culture? The article examines two key aspects of contemporary culture, both tied to processes of aestheticization and commodification since the 18th century: the progression from the culture industry to the aesthetic economy, (...)
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  10.  15
    Oscillation Phase Locking and Late ERP Components of Intracranial Hippocampal Recordings Correlate to Patient Performance in a Working Memory Task.Jonathan K. Kleen, Markus E. Testorf, David W. Roberts, Rod C. Scott, Barbara J. Jobst, Gregory L. Holmes & Pierre-Pascal Lenck-Santini - 2016 - Frontiers in Human Neuroscience 10.
  11.  55
    Paradox Preserved: From Ontology to Autology. Reflections on Niklas Luhmann's the Art of Society.David Roberts - 1987 - Thesis Eleven 51 (1):53-74.
    As a universal theory Luhmann's systems theory of society includes art in its ambit. The Art of Society (1995) reconstructs the formal and the social-historical conditions of the functional differentiation of a system of art since the Renaissance. The methodological focus of the reconstruction - Luhmann's theory of form (perception, first and second order observation, medium and form) and of systemic differentiation (social function, self-organization, codes and programmes, evolution and self-description of art) - are analysed in the first part of (...)
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  12.  44
    Towards a Genealogy and Typology of Spectacle: Some Comments on Debord.David Roberts - 2003 - Thesis Eleven 75 (1):54-68.
    Debord’s influential theory of the spectacle is vitiated by its lack of historical and analytical differentiation. This article draws on Debord’s own undeveloped distinction between the concentrated spectacle and the diffuse spectacle in order to propose a double genealogy and a fourfold typology of the spectacle since the French Revolution.
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  13.  4
    Postmodernism, Social Science, and History: Returning to an Unfinished Agenda.David D. Roberts - 2017 - History and Theory 56 (1):114-126.
  14.  17
    Moral Managers and Business Sanctuaries.David Roberts - 1986 - Journal of Business Ethics 5 (3):203 - 208.
    Richard Konrad claims that businessmen are guilty of adhering to a vicious form of ethical relativism. In practice, the relativism takes the form of doing an act which ordinarily would be called wrong and then claiming that the act is right or justified because it falls under a special set of codes (business ethics) which preempt ordinary ones. These codes or business ethics establish moral sanctuaries for businessmen. Konrad examines three versions of the sanctuary position, argues that they fail, and (...)
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  15.  10
    György Markus: On the Constitution of Cultural Modernity.John Rundell & David Roberts - 2017 - Thesis Eleven 138 (1):114-120.
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  16.  13
    Art and Enlightenment: Aesthetic Theory After Adorno.David Roberts - 1992 - Journal of Aesthetics and Art Criticism 50 (3):262-263.
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  17. Book Review: The Total Work of Art. [REVIEW]David Roberts - 2005 - Thesis Eleven 83 (1):104-121.
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  18.  17
    Introduction.David Roberts - 2011 - Thesis Eleven 106 (1):3-4.
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  19.  75
    From the Cultural Contradictions of Capitalism to the Creative Economy.David Roberts - 2012 - Thesis Eleven 110 (1):83-97.
    The geography of contemporary bohemia is integral to Richard Florida’s thesis of the rise of a new creative class in the USA. The strong correlation between the presence of bohemians and innovative high-tech industries in a number of American cities stands in sharp contrast to the historical image of a bohemian subculture of artists and intellectuals, defined by their antagonistic relationship to bourgeois society. Rather than a sign of social marginality, bohemian life-styles have now become a marker of the ‘new (...)
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  20.  63
    Introduction: Weimar Social Theory: The ‘Crisis of Classical Modernity’ Revisited.Austin Harrington & David Roberts - 2012 - Thesis Eleven 111 (1):3-8.
    The collapse of the Weimar Republic remains central to the history of the 20th century and to contemporary debates on 'classical modernity' and its Europe-wide crisis in the wake of the First World War. The present issue of Thesis Eleven focuses on three dimensions of the Weimar crisis: the experience of fundamental societal crisis and closure and its diagnostic power in relation to the rise of fascist movements; the cognitive and normative resources that sought to work against this crisis-ridden sense (...)
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  21. Introduction.David Roberts - 2009 - Thesis Eleven 98 (1):3-4.
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  22. Without Subject, Without Reason: Reflections on Niklas Luhmann's Social Systems.Klaus Podak & David Roberts - 1986 - Thesis Eleven 13 (1):54-66.
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  23. Review: The Seduction of Culture in German History. [REVIEW]David Roberts - 2007 - Thesis Eleven 91 (1):145-148.
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  24. Review: The Rape of Clarissa. [REVIEW]David Roberts - 1986 - Thesis Eleven 15 (1):140-144.
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  25. The Charismatic Novel: Reflexions On Russell Berman's Rise Of The Modern German Novel.David Roberts - 1988 - Thesis Eleven 20 (1):129-136.
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  26. Introduction.David Roberts & Peter Beilharz - 2003 - Thesis Eleven 75 (1):3-6.
  27. Reviews: Reappraisals: Shifting Alignments in Postwar Critical Theory; Notes to Literature: Volume One. [REVIEW]David Roberts - 1994 - Thesis Eleven 38 (1):187-190.
    Reviews : Peter Uwe Hohendahl, Reappraisals: Shifting Alignments in Postwar Critical Theory ; Theodor W. Adorno, Notes to Literature: Volume One, ed. Rolf Tiedermann, trans. Shierry Weber Nicholsen.
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  28. Introduction.Peter Murphy & David Roberts - 1999 - Thesis Eleven 56 (1):3-4.
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  29. Introduction.David Roberts & Julian Triado - 1985 - Thesis Eleven 12 (1):2-3.
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  30. Review: Mikhail Bakhtin: Creation of a Prosaics. [REVIEW]David Roberts - 1993 - Thesis Eleven 34 (1):186-191.
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  31. Democracy and Culture: The Janus Face of the Postmodern in Ferenc Feher's Writings On Aesthetics.David Roberts - 1995 - Thesis Eleven 42 (1):41-51.
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  32. Review: Marx's Lost Aesthetic: Karl Marx and the Visual Arts. [REVIEW]David Roberts - 1985 - Thesis Eleven 12 (1):169-171.
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  33. Review: Aesthetic Life: The Past and Present of Artistic Cultures. [REVIEW]David Roberts - 2011 - Thesis Eleven 104 (1):114-117.
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  34. Questioning the Modern and Revolutionary Credentials of European Fascism.David D. Roberts - 2012 - European Journal of Political Theory 11 (4):459-473.
  35. The Medium of Art.Niklas Luhmann & David Roberts - 1987 - Thesis Eleven 18 (1):101-113.
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  36. Aura and Aesthetics of Nature.David Roberts - 1993 - Thesis Eleven 36 (1):127-137.
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  37. Reviews : Peter and Christa Bürger, The Institutions of Art, Translated by Loren Kruger, Introduction by Russell A. Berman, (University of Nebraska Press, 1992).David Roberts - 1994 - Thesis Eleven 39 (1):119-121.
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  38. Brecht : Epic Form and Realism a Reconsideration.David Roberts - 1982 - Thesis Eleven 5 (1):32-58.
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  39. Introduction.David Roberts & Trevor Hogan - 2000 - Thesis Eleven 61 (1):3-4.
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  40. The Postmodernity of Art: Beyond Hegel and Adorno.David Roberts - 1987 - Thesis Eleven 18 (1):114-123.
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  41. Georg Simmel's Philosophy of Money: Reflexions on the Relation Between Philosophy and History.David Roberts - 1996 - Thesis Eleven 44 (1):12-27.
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  42. Introduction.David Roberts - 1997 - Thesis Eleven 51 (1):3-4.
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  43. Singular Histories And Plural Rationality.Gérard Raulet & David Roberts - 1987 - Thesis Eleven 18 (1):85-100.
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  44. Marxism, Modernism, Postmodernism.David Roberts - 1985 - Thesis Eleven 12 (1):53-63.
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  45. Reviews : Kieren Flanagan, Sociology and Liturgy: Re-Presentations of the Holy (London, Macmillan, 1991).David Roberts - 1994 - Thesis Eleven 37 (1):157-159.
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  46. Book Review: Walter Benjamin and Romanticism. [REVIEW]David Roberts - 2005 - Thesis Eleven 80 (1):117-121.
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  47. Overtures of Reconciliation in a Forgotten Conflict.Roger Griffin & David D. Roberts - 2012 - European Journal of Political Theory 11 (4):354-361.
  48. The Historikerstreit the Self-Understanding of the Federal Republic and the Self-Understanding of a Generation: Jürgen Habermas and Günter Grass.David Roberts - 1991 - Thesis Eleven 30 (1):33-55.
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  49. Intellectuals And Modernity: A Post-Modern Perspective.David Roberts - 1989 - Thesis Eleven 24 (1):142-149.
  50.  33
    Book Review: The Fleeting Promise of Art: Adorno’s ‘Aesthetic Theory’ RevisitedHohendahlPeter UweThe Fleeting Promise of Art: Adorno’s ‘Aesthetic Theory’ Revisited. [REVIEW]David Roberts - 2016 - Thesis Eleven 132 (1):115-118.
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1 — 50 / 112