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David Shulman [29]David Dean Shulman [2]
  1.  12
    From Hire to Liar: The Role of Deception in the Workplace.David Shulman - 2007 - Ilr Press.
    Private detectives and deception as official work -- Building believable lies -- Justifying work-related deceptions -- The shadow world of unofficial deception -- Subterranean education and training -- Deception as social currency -- Goofing off and getting along -- The everyday ethics of workplace lies -- Appreciating deception in thinking about organizations.
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  2.  5
    The Hungry God: Hindu Tales of Filicide and Devotion.Paula Richman & David Shulman - 1994 - Journal of the American Oriental Society 114 (4):655.
  3.  3
    Self and Self-Transformation in the History of Religions.Stephanie W. Jamison, David Shulman & Guy G. Stroumsa - 2003 - Journal of the American Oriental Society 123 (3):709.
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  4.  41
    On Being Human in the Sanskrit Epic: The Riddle of Nala. [REVIEW]David Shulman - 1994 - Journal of Indian Philosophy 22 (1):1-29.
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  5.  11
    The King and the Clown in South Indian Myth and Poetry.Susan S. Bean & David Dean Shulman - 1987 - Journal of the American Oriental Society 107 (3):516.
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  6.  17
    Symbols of Substance: Court and State in Nayaka Period Tamilnadu.E. G., Velcheru Narayana Rao, David Shulman & Sanjay Subrahmanyam - 2002 - Journal of the American Oriental Society 122 (1):196.
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  7.  10
    Syllables of Sky: Studies in South Indian Civilization in Honour of Velcheru Narayana Rao.Norman Cutler & David Shulman - 1998 - Journal of the American Oriental Society 118 (4):547.
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  8. Forgetting.Giovanni Galizia & David Shulman (eds.) - forthcoming - Magnes Press.
     
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  9.  10
    When God Is a Customer: Telugu Courtesan Songs by Kṣetrayya and OthersWhen God Is a Customer: Telugu Courtesan Songs by Ksetrayya and Others.David L. Haberman, A. K. Ramanujan, Velcheru Narayana Rao & David Shulman - 1996 - Journal of the American Oriental Society 116 (1):167.
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  10.  42
    Identity Through Necessary Change: Thinking About “Rāga-Bhāva,” Concepts and Characters.Mukund Lath & David Shulman - 2018 - Journal of World Philosophies 3 (2):1-23.
    In order to make Mukund Lath’s thoughts on music and identity accessible to a broader audience, and to call attention to links between Hindustānī musical theory and classical Indian philosophical notions, Lath’s paper “Identity Through Necessary Change: Thinking About ‘Rāga-Bhāva,’ Concepts and Characters” is being republished here with an introduction by David Shulman and explanatory notes. Mukund Lath argues that identity is usually understood as something that remains the same despite change. His endeavor is to explore an alternative to this (...)
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  11.  12
    4. A Pragmatic Response.R. A. O. Narayana, David Shulman & Sanjay Subrahmanyam - 2007 - History and Theory 46 (3):409–427.
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  12.  4
    4. A Pragmatic Response1.Velcheru Narayana Rao, David Shulman & Sanjay Subrahmanyam - 2007 - History and Theory 46 (3):409-427.
    In the years since its twin publication in 2001 and 2003 , Textures of Time has attracted a great deal more attention outside the United States than in the American academy. This, we suggest, is because its ideas and approach are rather at odds with the dominant trends in the area of “postcolonial studies.” In this response to three critical essays that engage with the book—by Rama Mantena, Sheldon Pollock, and Christopher Chekuri—we begin by setting out our principal hypotheses as (...)
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  13.  7
    A Pragmatic Response.Velcheru Narayana Rao, David Shulman & Sanjay Subrahmanyam - 2007 - History and Theory 46 (3):409-427.
    In the years since its twin publication in 2001 and 2003, Textures of Time has attracted a great deal more attention outside the United States than in the American academy. This, we suggest, is because its ideas and approach are rather at odds with the dominant trends in the area of “postcolonial studies.” In this response to three critical essays that engage with the book—by Rama Mantena, Sheldon Pollock, and Christopher Chekuri—we begin by setting out our principal hypotheses as well (...)
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  14.  9
    A Poem at the Right Moment: Remembered Verses From Premodern South India.Martha Ann Selby, Velcheru Narayana Rao & David Shulman - 2004 - Journal of the American Oriental Society 124 (1):208.
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  15.  18
    A Bayesian General Theory of Anthropic Reasoning.David Shulman - unknown
    A non-ad hoc, general theory of anthropic reasoning can be constructed based on Bostrom's Strong Self-Sampling Assumption that we should reason as if the current moment of our life were a randomly selected member of some appropriate reference class of observer-moments. We do not need to use anything other than standard conditionalization of a hypothetical prior based upon the SSSA in order to estimate probabilities. But we need to make the SSSA precise. We specify exactly what is and what is (...)
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  16. Book Review. [REVIEW]David Shulman - 1999 - Journal of the American Oriental Society 119 (1):174-175.
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  17.  4
    Empirical Observation and Embodied Nature in Sixteenth-Century South India.David Shulman - 2016 - In Susan Neiman, Peter Galison & Wendy Doniger (eds.), What Reason Promises: Essays on Reason, Nature and History. De Gruyter. pp. 142-152.
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  18.  20
    Embracing the Subject: Harsa's Play Within a Play. [REVIEW]David Shulman - 1997 - Journal of Indian Philosophy 25 (1):69-89.
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  19.  11
    Friedhelm Hardy. The Religious Culture of India: Power, Love and Wisdom. Cambridge Studies in Religious Traditions, 4. Pp. 613. £55.00. [REVIEW]David Shulman - 1996 - Religious Studies 32 (2):286.
  20.  26
    How to Reason About Self-Locating Belief.David Shulman - unknown
    When reasoning about self-locating belief, one should reason as if one were a randomly selected bit of information. This principle can be considered to be an application of Bostrom's Strong Self-Sampling Assumption\cite{Bostrom} according to which one should reason as if one were a randomly selected element of some suitable reference class of observer-moments. The reference class is the class of all observer-moments. In order to randomly select an observer-moment from the reference class, one first randomly chooses a possible world $w$ (...)
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  21.  41
    Illumination, Imagination, Creativity: Rājaśekhara, Kuntaka, and Jagannātha on Pratibhā. [REVIEW]David Shulman - 2008 - Journal of Indian Philosophy 36 (4):481-505.
    Sanskrit poeticians make the visionary faculty of pratibhā a necessary part of the professional poet’s make-up. The term has a pre-history in Bhartṛhari’s linguistic metaphysics, where it is used to explain the unitary perception of meaning. This essay examines the relation between pratibhā and possible theories of the imagination, with a focus on three unusual theoreticians—Rājaśekhara, Kuntaka, and Jagannātha Paṇḍita. Rājaśekhara offers an analysis of pratibhā that is heavily interactive, requiring the discerning presence of the bhāvaka listener or critic; he (...)
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  22.  42
    Independent Repeated Sleeping Beauty.David Shulman - unknown
    In this paper, I shall provide a simple argument for the thirder analysis of the usual version of Sleeping Beauty\c and the hslfer analysis of a bare-bones version of the scenario. This argument depends upon a calculation of relative frequencies when the Sleeping Beauty experiment is repeated, but it is crucial that we be dealing with independent repetitions of the same experiment. The versions of repeated Sleeping Beauty discussed in the literature violate the independence requirement.
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  23.  1
    No Title Available: Religious Studies.David Shulman - 1996 - Religious Studies 32 (2):286-289.
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  24.  9
    Pastoral Deities in Western India.David Shulman, Günther-Dietz Sontheimer, Anne Feldhaus & Gunther-Dietz Sontheimer - 1991 - Journal of the American Oriental Society 111 (2):409.
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  25.  10
    The Marriage of Bhāvanā and King Best: A Sixteenth-Century South Indian Theory of Imagination.David Shulman - 2008 - Diacritics 38 (3):22-43.
    In sixteenth-century South India, the notion of the imagination was strongly thematized as perhaps the defining aspect of the human mind. We examine one striking example, an allegorical play called the Bhāvanā-puruṣottama by Ratnakheta Srinivasa Dīkṣita. Here we see a king searching frantically for his own imagination, the young woman Bhāvanā with whom he is in love, while she, for her part, is absorbed in the uneven and rather frustrating processes of imagining him. The two lovers could be said mutually (...)
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  26.  9
    The Verses on the Precious Jewel Prosody Composed by Amitacākarar, with the Commentary by Kuṇacākarar (Amitacākarar Iyaṟri̱ya Yāpparuṅkalakkārikai, Kuṇacākarar Iyaṟri̱ya Uraiyuṭan)The Verses on the Precious Jewel Prosody Composed by Amitacakarar, with the Commentary by Kunacakarar.David Shulman & Ulrike Niklas - 1999 - Journal of the American Oriental Society 119 (1):174.
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  27.  7
    Tēvāram: Āyvuttuṇai (Tēvāram: Études Et Glossaire Tamouls)Tevaram: Ayvuttunai.David Shulman & T. V. Gopal Iyer - 1997 - Journal of the American Oriental Society 117 (1):221.
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  28.  6
    Riddles and EnigmasUntying the Knot: On Riddles and Other Enigmatic Modes.George Thompson, Galit Hasan-Rokem & David Shulman - 1999 - Journal of the American Oriental Society 119 (2):297.
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  29.  11
    Songs of the Harsh Devotee: The Tēvāram of CuntaramūrttināyaṉārSongs of the Harsh Devotee: The Tevaram of Cuntaramurttinayanar.Kamil V. Zvelebil & David Dean Shulman - 1993 - Journal of the American Oriental Society 113 (2):327.
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