Introduction: Time travel and the mechanics of narrative -- Macrological fictions: evolutionary utopia and time travel (1887-1905) -- Historical interval I: the first time travel story -- Relativity, psychology, paradox: Wertenbaker to Heinlein (1923-1941) -- Historical interval II: three phases of time travel--the time machine -- The big time: multiple worlds, narrative viewpoint, and superspace -- Paradox and paratext: picturing narrative theory -- Theoretical interval: the primacy of the visual in time travel narrative -- Viewpoint-over-histories: narrative conservation in Star Trek (...) -- Oedipus multiplex, or, the subject as a time travel film: Back to the future -- Conclusion: The last time travel story. (shrink)

This collection emphasizes a cross-disciplinary approach to the problem of scale, with essays ranging in subject matter from literature to film, architecture, the plastic arts, philosophy, and scientific and political writing. Its contributors consider a variety of issues provoked by the sudden and pressing shifts in scale brought on by globalization and the era of the Anthropocene, including: the difficulties of defining the concept of scale; the challenges that shifts in scale pose to knowledge formation; the role of scale in (...) mediating individual subjectivity and agency; the barriers to understanding objects existing in scalar realms different from our own; the role of scale in mediating the relationship between humans and the environment; and the nature of power, authority, and democracy at different social scales. (shrink)

Philosophers have almost always relegated the topic of revision to the sidelines of their discipline, if they have thought about it at all. This book contends that acts of revision are central and indispensable to the project of philosophizing and that philosophy should be construed essentially as a practice of rereading and rewriting. The book focuses chiefly on Heidegger's highly influential interpretation of Nietzsche, conducted in lectures during the 1930s and 1940s and published in 1961. The author closely analyzes the (...) rhetorical means by which Heidegger repositions Nietzsche's thinking within a broad history of metaphysics, even as Heidegger positions his own reinterpretation as that history's more 'proper' reading. In addition to being the first book-length published study of Heidegger's interpretation of Nietzsche, the book also examines the work of Hans-Robert Jauss, Harold Bloom, and other critics of revision. (shrink)