Results for 'Death in music'

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  1. Music of the Spheres and the Dance of Death: Studies in Musical Iconology.Kathi Meyer-Baer - 1970 - Da Capo Press.
     
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  2.  82
    Book Review: My Only Comfort: Death, Deliverance, and Discipleship in the Music of Bach. [REVIEW]David W. Mccormick - forthcoming - Interpretation 55 (3):336-338.
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  3.  13
    The Dies Irae (" Day of Wrath") and the Totentanz (" Dance of Death"): Medieval Themes Revisited in 19™ Century Music and Culture.Erin Brooks - 2003 - Inquiry: The University of Arkansas Undergraduate Research Journal 4.
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  4.  2
    Music of the Spheres and the Dance of Death: Studies in Musical Iconology. Kathi Meyer-Baer.Morton W. Bloomfield - 1971 - Speculum 46 (1):172-174.
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  5. Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer.Bruce W. Holsinger - 2001 - Stanford University Press.
    Ranging chronologically from the twelfth to the fifteenth century and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer's representation of pedagogical violence in the Prioress's Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the (...)
     
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  6. Friendly Remainders: Essays in Music Criticism After Adorno.Murray Dineen - 2011 - Mcgill-Queen's University Press.
    Friendly Remainders draws on Adorno's concept of the negative dialectic, examining its importance in Adorno's thought and its critical application to musical forms. Moving beyond a positivist view where musical object and appreciation operate as a synthesis, the negative dialectic method focuses on divergence and dissonance in musical forms and in society. Contradictions and divergent details and concepts become "remainders," friendly because of the fresh perspective they offer on musical forms. Dineen examines these contradictory remainders in subjects such as the (...)
     
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  7. Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde.Roger Scruton - 2004 - Oxford University Press USA.
    A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland. (...)-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century. (shrink)
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  8. Emotion and Meaning in Music.Leonard B. Meyer - 1956 - University of Chicago Press.
    Analyzes the meaning expressed in music, the social and psychological sources of meaning, and the methods of musical communication This is a book meant for ...
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  9.  4
    Understanding Death in Custody: A Case for a Comprehensive Definition.Géraldine Ruiz, Tenzin Wangmo, Patrick Mutzenberg, Jessica Sinclair & Bernice Simone Elger - 2014 - Journal of Bioethical Inquiry 11 (3):387-398.
    Prisoners sometimes die in prison, either due to natural illness, violence, suicide, or a result of imprisonment. The purpose of this study is to understand deaths in custody using qualitative methodology and to argue for a comprehensive definition of death in custody that acknowledges deaths related to the prison environment. Interviews were conducted with 33 experts, who primarily work as lawyers or forensic doctors with national and/or international organisations. Responses were coded and analysed qualitatively. Defining deaths in custody according (...)
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  10.  13
    Confronting Death in Legal Disputes About Treatment-Limitation in Children.Kristin Savell - 2011 - Journal of Bioethical Inquiry 8 (4):363-377.
    Most legal analyses of selective nontreatment of seriously ill children centre on the question of whether it is in a child’s best interests to be kept alive in the face of extreme suffering and/or an intolerable quality of life. Courts have resisted any direct confrontation with the question of whether the child’s death is in his or her best interests. Nevertheless, representations of death may have an important role to play in this field of jurisprudence. The prevailing philosophy (...)
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  11.  26
    Dealing with Death in the Jewish Legal Tradition.Daniel B. Sinclair - 2009 - Journal of Bioethical Inquiry 6 (3):297-305.
    The main theme of the article is the tension between the obligation to preserve life, and the value of timely death. This tension is resolved by distinguishing between precipitating death, which is prohibited, and merely removing an impediment to it, which is permitted. In contemporary Jewish law, a distinction is made between therapy, which may be discontinued, and life-support, which must be maintained until the establishment of death. Another theme is that of “soft” patient autonomy, and its (...)
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  12. Convergences in Music and Art: A Bibliographic Study.George C. Schuetze - 2005 - Harmonie Park Press.
    Artists inspired by music and musicians -- Composers inspired by art and artists -- Twin talents : artist-musicians and musician-artists -- Musicians pose for the artists : a history of portrait iconography.
     
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  13. Do Near-Death Experiences Provide a Rational Basis for Belief in Life After Death?Andrew J. Dell’Olio - 2010 - Sophia 49 (1):113 - 128.
    In this paper I suggest that near-death experiences (NDEs) provide a rational basis for belief in life after death. My argument is a simple one and is modeled on the argument from religious experience for the existence of God. But unlike the proponents of the argument from religious experience, I stop short of claiming that NDEs prove the existence of life after death. Like the argument from religious experience, however, my argument turns on whether or not there (...)
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  14. To Think or Not To Think: The Apparent Paradox of Expert Skill in Music Performance.Andrew Geeves, Doris J. F. McIlwain, John Sutton & Wayne Christensen - 2013 - Educational Philosophy and Theory (6):1-18.
    Expert skill in music performance involves an apparent paradox. On stage, expert musicians are required accurately to retrieve information that has been encoded over hours of practice. Yet they must also remain open to the demands of the ever-changing situational contingencies with which they are faced during performance. To further explore this apparent paradox and the way in which it is negotiated by expert musicians, this article profiles theories presented by Roger Chaffin, Hubert Dreyfus and Tony and Helga Noice. (...)
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  15.  39
    Brain-Dead Patients Are Not Cadavers: The Need to Revise the Definition of Death in Muslim Communities. [REVIEW]Mohamed Y. Rady & Joseph L. Verheijde - 2013 - HEC Forum 25 (1):25-45.
    The utilitarian construct of two alternative criteria of human death increases the supply of transplantable organs at the end of life. Neither the neurological criterion (heart-beating donation) nor the circulatory criterion (non-heart-beating donation) is grounded in scientific evidence but based on philosophical reasoning. A utilitarian death definition can have unintended consequences for dying Muslim patients: (1) the expedited process of determining death for retrieval of transplantable organs can lead to diagnostic errors, (2) the equivalence of brain (...) with human death may be incorrect, and (3) end-of-life religious values and traditional rituals may be sacrificed. Therefore, it is imperative to reevaluate the two different types and criteria of death introduced by the Resolution (Fatwa) of the Council of Islamic Jurisprudence on Resuscitation Apparatus in 1986. Although we recognize that this Fatwa was based on best scientific evidence available at that time, more recent evidence shows that it rests on outdated knowledge and understanding of the phenomenon of human death. We recommend redefining death in Islam to reaffirm the singularity of this biological phenomenon as revealed in the Quran 14 centuries ago. (shrink)
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  16.  18
    Brain Death in Islamic Ethico-Legal Deliberation: Challenges for Applied Islamic Bioethics.Aasim I. Padela, Ahsan Arozullah & Ebrahim Moosa - 2013 - Bioethics 27 (3):132-139.
    Since the 1980s, Islamic scholars and medical experts have used the tools of Islamic law to formulate ethico-legal opinions on brain death. These assessments have varied in their determinations and remain controversial. Some juridical councils such as the Organization of Islamic Conferences' Islamic Fiqh Academy (OIC-IFA) equate brain death with cardiopulmonary death, while others such as the Islamic Organization of Medical Sciences (IOMS) analogize brain death to an intermediate state between life and death. Still other (...)
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  17.  1
    Creating Time: Social Collaboration in Music Improvisation.Ashley E. Walton, Auriel Washburn, Peter Langland-Hassan, Anthony Chemero, Heidi Kloos & Michael J. Richardson - forthcoming - Topics in Cognitive Science.
    Musical collaboration emerges from the complex interaction of environmental and informational constraints, including those of the instruments and the performance context. Music improvisation in particular is more like everyday interaction in that dynamics emerge spontaneously without a rehearsed score or script. We examined how the structure of the musical context affords and shapes interactions between improvising musicians. Six pairs of professional piano players improvised with two different backing tracks while we recorded both the music produced and the movements (...)
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  18. Recognizing Emotion in Music (Network for Sensory Research Toronto Workshop on Perceptual Learning: Question Six).Kevin Connolly, John Donaldson, David M. Gray, Emily McWilliams, Sofia Ortiz-Hinojosa & David Suarez - manuscript
    This is an excerpt from a report that highlights and explores five questions which arose from the workshop on perceptual learning and perceptual recognition at the University of Toronto, Mississauga on May 10th and 11th, 2012. This excerpt explores the question: How do we recognize distinct types of emotion in music?
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  19. Deconstruction, Fetishism, and the Racial Contract: On the Politics of "Faking It" in Music.Robin M. James - 2007 - CR 7 (1):45-80.
    I read Sara Kofman's work on Nietzsche, Charles Mills' _The Racial Contract_, and Kodwo Eshun's Afrofuturist musicology to argue that most condemnations of "faking it" in music rest on a racially and sexually problematic fetishization of "the real.".
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  20.  65
    Thoughtwriting—in Poetry and Music.Kendall Walton - 2011/2015 - In Kendall L. Walton (ed.), In Other Shoes: Music, Metaphor, Empathy, Existence. Oxford University Press. pp. 54-74.
    Poetry is a literary art, and is often examined alongside the novel, stories, and theater. But poetry, much of it, has more in common with music, in important respects, than with other forms of literature. The emphasis on sound and rhythm in both poetry and music is obvious, but I will explore a very different similarity between them. All or almost all works of literary fiction have narrators—so it is said anyway—characters who, in the world of the fiction, (...)
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  21.  44
    Life and Death in Health Care Ethics: A Short Introduction.Helen Watt - 2000 - Routledge.
    In a world of rapid technological advances, the moral issues raised by life and death choices in healthcare remain obscure. Life and Death in Healthcare Ethics provides a concise, thoughtful and extremely accessible guide to these moral issues. Helen Watt examines, using real-life cases, the range of choices taken by healthcare professionals, patients and clients which lead to the shortening of life. The topics looked at include: euthanasia and withdrawal of treatment; the persistent vegetative state; abortion; IVF and (...)
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  22.  7
    Types of Statements on Emotion in Music.Benjamin Krämer - 2012 - Nordic Journal of Aesthetics 23 (43).
    The question of emotion in music is addressed from a linguistic perspective, providing a typology of statements that can be made about that topic. In particular, it is analyzed how an interlocutor could react to such statements uttered by another person, and whether or how the content of the statements could be refuted by the listener, and possibly corroborated by the speaker. Furthermore, it is briefly discussed which theories of emotion in music are compatible with the respective types (...)
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  23.  12
    Writing Trojan Horses and War Machines: The Creative Political in Music Education Research.Elizabeth Gould - 2011 - Educational Philosophy and Theory 43 (8):874-887.
    North American music education is a commodity sold to pre-service and in-service music teachers. Like all mass-produced consumables, it is valuable to the extent that it is not creative, that is, to the extent that it is reproducible. This is demonstrated in curricular materials, notably general music series textbook and music scores available from a rapidly shrinking cadre of publishers, as well as rigid and pre-determined pedagogical practices. Distributing resources and techniques that produce predicable, consistent, and (...)
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  24.  6
    Postmodernism in Music.Kenneth Gloag - 2012 - Cambridge University Press.
    Postmodernism is a term that has been used extensively to describe general trends and specific works in many different cultural contexts, including literature, cinema, architecture and the visual arts. This introduction clarifies the term and explores its relevance for music through discussion of specific musical examples from the 1950s to the present day, providing an engagement between theory and practice. Overall, this book equips students with a thorough understanding of this complex but important topic in music studies. It: (...)
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  25.  16
    In Search of Beauty in Music: A Scientific Approach to Musical Esthetics.E. Seashore Carl - 1947 - Greenwood Press.
    In Search of Beauty in Music A SCIENTIFIC APPROACH TO MUSICAL ESTHETICS by CARL E. SEASHORE PROFESSOR OF PSYCHOLOGY AND DEAN EMERITUS OF THE GRADUATE SCHOOL, ...
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  26.  19
    One or Two Types of Death? Attitudes of Health Professionals Towards Brain Death and Donation After Circulatory Death in Three Countries.D. Rodríguez-Arias, J. C. Tortosa, C. J. Burant, P. Aubert, M. P. Aulisio & S. J. Youngner - 2013 - Medicine, Health Care and Philosophy 16 (3):457-467.
    This study examined health professionals’ (HPs) experience, beliefs and attitudes towards brain death (BD) and two types of donation after circulatory death (DCD)—controlled and uncontrolled DCD. Five hundred and eighty-seven HPs likely to be involved in the process of organ procurement were interviewed in 14 hospitals with transplant programs in France, Spain and the US. Three potential donation scenarios—BD, uncontrolled DCD and controlled DCD—were presented to study subjects during individual face-to-face interviews. Our study has two main findings: (1) (...)
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  27.  12
    The Sutta on Understanding Death in the Transmission of Borān Meditation From Siam to the Kandyan Court.Kate Crosby, Andrew Skilton & Amal Gunasena - 2012 - Journal of Indian Philosophy 40 (2):177-198.
    This article announces the discovery of a Sinhalese version of the traditional meditation ( borān yogāvacara kammaṭṭhāna ) text in which the Consciousness or Mind, personified as a Princess living in a five-branched tree (the body), must understand the nature of death and seek the four gems that are the four noble truths. To do this she must overcome the cravings of the five senses, represented as five birds in the tree. Only in this way will she permanently avoid (...)
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  28.  94
    Love and Death in the First Epistle of John: A Phenomenological Reflection.Richard Oxenberg - manuscript
    “Whoever does not love abides in death,” writes John in his first epistle (1Jn 3:10). This statement presents us with a paradox. Death, so we suppose, is precisely that in which one cannot 'abide.' Our first thought is to interpret this as metaphor. John is saying that a life devoid of love is a life somehow like death. But, having never died, how do we know what death is like? My paper explores these questions with the (...)
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  29.  65
    Feminist Imperative(s) in Music and Education: Philosophy, Theory, or What Matters Most.Elizabeth Gould - 2011 - Educational Philosophy and Theory 43 (2):130-147.
    A historically feminized profession, education in North America remains remarkably unaffected by feminism, with the notable exception of pedagogy and its impact on curriculum. The purpose of this paper is to describe characteristics of feminism that render it particularly useful and appropriate for developing potentialities in education and music education. As a set of flexible methodological tools informed by Gilles Deleuze's notions of philosophy and art, I argue feminism may contribute to education's becoming more efficacious, reflexive, and reflective of (...)
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  30. From "No Future" to "Delete Yourself ".Robin James - 2013 - Journal of Popular Music Studies 25 (4).
    Beginning with the role of the Sex Pistols’s “God Save the Queen” in Lee Edelman and J. Jack Halberstam’s debates about queer death and failure, I follow a musical motive from the Pistols track to its reappearance in Atari Teenage Riot’s 1995 “Delete Yourself .” In this song, as in much of ATR’s work from the 1990s, overlapping queer and Afro-diasporic aesthetics condense around the idea of death or “bare life.” ATR’s musical strategies treat this death as (...)
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  31.  1
    Void and Excess in Music.Žižek Slavoj - 2017 - International Journal of Žižek Studies 11 (3).
    “Today, the first notes of a popular baroque piece like Pachelbel's Canon are automatically perceived as the accompaniment, so that we wait for the moment when the melody proper will emerge; since we get no melody but only a more and more intricate polyphonic variation of the melodic accompaniment, we somehow feel "deceived". Where does this horizon of expectation, which sustains our feeling that the melody proper is missing, come from?” An extract on music from Slavoj Žižek’s new book (...)
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  32.  10
    Meaning Making and Death in a Secular Society: A Dutch Survey Study.Eric Venbrux, Bastiaan T. Rutjens & Joanna Wojtkowiak - 2010 - Archive for the Psychology of Religion 32 (3):363-373.
    This article focuses on the relation between death and religion in a secularized society. In the Netherlands, traditional religious membership has declined significantly together with traditional belief systems. This study investigates the relation between the experience of death and religious affiliation in relation to meaning making. Parts of a nationwide survey study are analyzed in order to investigate different forms of meaning making . The results show that the experience of the death of a loved one is (...)
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  33.  15
    Parallels and Paradoxes: Explorations in Music and Society.Daniel Barenboim - 2004 - Vintage Books.
    These free-wheeling, often exhilarating dialogues—which grew out of the acclaimed Carnegie Hall Talks—are an exchange between two of the most prominent figures in contemporary culture: Daniel Barenboim, internationally renowned conductor and pianist, and Edward W. Said, eminent literary critic and impassioned commentator on the Middle East. Barenboim is an Argentinian-Israeli and Said a Palestinian-American; they are also close friends. As they range across music, literature, and society, they open up many fields of inquiry: the importance of a sense of (...)
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  34.  15
    Death and Immortality in Late Neoplatonism: Studies on the Ancient Commentaries on Plato's Phaedo.Sebastian Ramon Philipp Gertz - 2011 - Brill.
    This study focuses on the ancient commentaries on Plato’s Phaedo by Olympiodorus and Damascius and aims to present the relevance of their challenging and valuable readings of the dialogue to Neoplatonic ethics.
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  35.  36
    Theory, Analysis and Meaning in Music.Anthony Pople (ed.) - 1994 - Cambridge University Press.
    Recent encounters with structuralist and poststructuralist critical theory, linguistics, and cognitive sciences have brought the theory and analysis of music into the orbit of important developments in present-day intellectual history. Without seeking to impose an explicit redefinition of either theory or analysis, this book explores the limits of both. Essays on decidability, ambiguity, metaphor, music as text, and music analysis as cognitive theory are complemented by studies of works by Debussy, Schoenberg, Birtwistle and Boulez.
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  36.  3
    Queen Christina of Sweden as a Patron of Music in Rome in the Mid-Seventeenth Century.Tessa Murdoch - 2012 - In The Music Room in Early Modern France and Italy: Sound, Space and Object. pp. 259.
    Following her abdication, Queen Christina of Sweden took up residence in the Palazzo Farnese, Rome from 1655. She had already developed a keen interest in music, gained from tuition from a French dancing master, and playing the star role in the ballet The Captured Cupid in honour of her mother's birthday in 1649. Christina's arrival in Rome was marked by performances in her honour in the Palazzo Barberini and Palazzo Pamphili of specially commissioned works by contemporary composers Marco Marazzoli (...)
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  37.  8
    Presumed Consent for Organ Preservation in Uncontrolled Donation After Cardiac Death in the United States: A Public Policy with Serious Consequences. [REVIEW]Joseph L. Verheijde, Mohamed Y. Rady & Joan McGregor - 2009 - Philosophy, Ethics, and Humanities in Medicine 4 (1):1-8.
    Organ donation after cessation of circulation and respiration, both controlled and uncontrolled, has been proposed by the Institute of Medicine as a way to increase opportunities for organ procurement. Despite claims to the contrary, both forms of controlled and uncontrolled donation after cardiac death raise significant ethical and legal issues. Identified causes for concern include absence of agreement on criteria for the declaration of death, nonexistence of universal guidelines for duration before stopping resuscitation efforts and techniques, and assumption (...)
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  38.  45
    Death in Socrates, Plato, and Aristotle.Gareth B. Matthews - 2012 - In Fred Feldman Ben Bradley (ed.), The Oxford Handbook of Philosophy of Death. Oup Usa. pp. 186.
    This chapter examines the views of death by ancient Greek philosophers including Aristotle, Socrates, and Plato. It suggests that Aristotle offered no cheerful optimism similar to Socrates in his “Apology” and did not provide any arguments about the immortality of the soul like Plato in “Phaedo.” What Aristotle attempted to do was to help us face immortality that can enhance our chances of living worthy lives.
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  39.  17
    Death in Traffic: Why Are the Ethical Issues Ignored?Leonard Evans - 2008 - Studies in Ethics, Law, and Technology 2 (1).
    More than a million people are killed on the world's roads annually. Injuries vastly outnumber deaths. The victims are overwhelmingly young and healthy prior to their crashes. This harm flows from many decisions made at many levels, from the individual road user to top government and industry leaders. While the decisions are steeped in a host of ethical questions, the ethical questions are almost universally ignored. This paper raises ethical issues relating to drivers, industry, and government. Increased professional and public (...)
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  40.  47
    Expression in Music.Derek Matravers - 2007 - In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
    This is a critical review of the current state of the debate in the philosophy of music, and defends the author's view as the phenomenology of the experience.
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  41.  8
    Krausz on Interpretation in Music.Manjula Saxena - 2005 - Philosophy in the Contemporary World 12 (1):71-73.
    This paper suggests certain differences between the interpretation of Indian classical music and the interpretation of Western classical music. In Indian music the work is constituted in the moment of a recital. The performer is the maker of the music. Accordingly, the performer simultaneously produces a work and interprets it. Further, in the Indian tradition. music is a path of “bhakti yoga,” or a path of devotion.
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  42. Temporal Finitude and Finitude of Possibility: The Double Meaning of Death in Being and Time.Havi Carel - 2007 - International Journal of Philosophical Studies 15 (4):541 – 556.
    The confusion surrounding Heidegger's account of death in Being and Time has led to severe criticisms, some of which dismiss his analysis as incoherent and obtuse. I argue that Heidegger's critics err by equating Heidegger's concept of death with our ordinary concept. As I show, Heidegger's concept of death is not the same as the ordinary meaning of the term, namely, the event that ends life. But nor does this concept merely denote the finitude of Dasein's possibilities (...)
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  43.  3
    Life and Death in Freud and Heidegger.Havi Carel - 2006 - Rodopi.
    Life and Death in Freud and Heidegger argues that mortality is a fundamental structuring element in human life. The ordinary view of life and death regards them as dichotomous and separate. This book explains why this view is unsatisfactory and presents a new model of the relationship between life and death that sees them as interlinked. Using Heidegger’s concept of being towards death and Freud’s notion of the death drive, it demonstrates the extensive influence (...) has on everyday life and gives an account of its structural and existential significance. By bringing the two perspectives together, this book presents a reading of death that establishes its significance for life, creates a meeting point for philosophical and psychoanalytical perspectives, and examines the problems and strengths of each. It then puts forth a unified view, based on the strengths of each position and overcoming the problems of each. Finally, it works out the ethical consequences of this view. This volume is of interest for philosophers, mental health practitioners and those working in the field of death studies. (shrink)
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  44. The Ambiguity About Death in Japan: An Ethical Implication for Organ Procurement.J. R. McConnell - 1999 - Journal of Medical Ethics 25 (4):322-324.
    In the latter half of the twentieth century, developed countries of the world have made tremendous strides in organ donation and transplantation. However, in this area of medicine, Japan has been slow to follow. Japanese ethics, deeply rooted in religion and tradition, have affected their outlook on life and death. Because the Japanese have only recently started to acknowledge the concept of brain death, transplantation of major organs has been hindered in that country. Currently, there is a dual (...)
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  45.  30
    Anguish, Nothingness and Death in Heidegger.Marco Aurélio Werle - 2003 - Trans/Form/Ação 26 (1):97-113.
    This paper investigates the relationship between the concepts of fear, anguish, nothingness and death in Heidegger's philosophy of existence. It points to the role of these existential phenomena in the transformation of "Dasein", from the inauthenticity to the authenticity of its Being.O artigo investiga a relação entre os conceitos de medo, angústia, nada e morte na filosofia da existência de Heidegger. Pretende-se apontar para o papel destes fenômenos existenciais na passagem do ser-aí desde a inautenticidade para a autenticidade de (...)
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  46.  35
    Robert B. Pippin: Hegel on Self-Consciousness: Desire and Death in the Phenomenology of Spirit. [REVIEW]Trip Glazer - 2011 - Human Studies 34 (4):481-487.
    Robert B. Pippin: Hegel on Self-Consciousness: Desire and Death in the Phenomenology of Spirit Content Type Journal Article Category Book Review Pages 481-487 DOI 10.1007/s10746-011-9199-4 Authors Trip Glazer, Department of Philosophy, Georgetown University, Washington, DC, USA Journal Human Studies Online ISSN 1572-851X Print ISSN 0163-8548 Journal Volume Volume 34 Journal Issue Volume 34, Number 4.
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  47. Using the Persona to Express Complex Emotions in Music.Tom Cochrane - 2010 - Music Analysis 29 (1-3):264-275.
    This article defends a persona theory of musical expressivity. After briefly summarising the major arguments for this view, it applies persona theory to the issue of whether music can express complex emotions. The expression of jealousy is then discussed by analysis of two examples from Piazzolla and Janacek.
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  48.  35
    Expressive Meaning in Music: Generality Versus Particularity.Krzysztof Guczalski - 2005 - British Journal of Aesthetics 45 (4):342-367.
    The dilemma referred to in the title occurs in many contexts concerned with expressive meaning in art, and especially music, which suggests that the issue it raises will be central to any complete theory of musical expressiveness. One notable attempt to resolve the paradox of simultaneous generality and particularity in music is in Aaron Ridley's book Music, Value and the Passions. I show why I consider his account unsatisfactory and then propose my own resolution of the paradox. (...)
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  49.  11
    Notes on the Evolution of the Problem of Death in Heidegger's Thought After the Sein Und Zeit.Cristian Ciocan - 2009 - Synthesis Philosophica 48 (2):297-315.
    This study intends to provide some benchmarks for a full analysis of the evolution of the problem of death in Heidegger ’s thought developed after Sein und Zeit. The question that guides our investigation is how the phenomenology of death is still the center of Heidegger ’s philosophical interest, after the analytic of Dasein. Our discussion focuses on the period 1931–1935, following a chronological order, in order to call attention to some of the distinct stages of the thought (...)
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  50.  18
    Augustine on the Transcendent in Music.Donald Walhout - 1989 - Philosophy and Theology 3 (3):283-292.
    I offer an argument for the claim that there is a transcendent dimension in music. The argument begins with one offered by Augustine in the De Musica, and adds additional support from contemporary discussions in musicology.
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