8 found
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  1.  12
    The Moral of the Tale: Stories, Trust, and Public Engagement with Clinical Ethics Via Radio and Theatre.Deborah Bowman - 2017 - Journal of Bioethical Inquiry 14 (1):43-52.
    Trust is frequently discussed with reference to the professional–patient relationship. However, trust is less explored in relation to the ways in which understanding of, and responses to, questions of ethics are discussed by both the “public” and “experts.” Public engagement activity in healthcare ethics may invoke “trust” in analysing a moral question or problem but less frequently conceives of trust as integral to “public engagement” itself. This paper explores the relationship between trust and the ways in which questions of healthcare (...)
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  2.  61
    Informed Consent: A Primer for Clinical Practice.Deborah Bowman - 2011 - Cambridge University Press.
    Machine generated contents note: 1. Introduction: why focus on informed consent?; 2. Deciding who decides: capacity and consent; 3. Putting the informed into 'informed consent': information and decision-making; 4. Freedom of expression: the voluntary nature of consent; 5. A patient's prerogative? The continuing nature of consent; 6. Concluding words about consent; Index.
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  3.  18
    Vulnerability, Survival and Shame in Nina Raine’s Tiger Country.Deborah Bowman - 2017 - Medical Humanities 43 (4):264-268.
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  4.  12
    New Perspectives in Medical Humanities.Deborah Bowman - 2015 - Medical Humanities 41 (1):1-1.
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  5.  11
    What is It to Do Good Medical Ethics? Minding the Gap.Deborah Bowman - 2015 - Journal of Medical Ethics 41 (1):60-63.
  6.  12
    On Sonder.Deborah Bowman - 2015 - Medical Humanities 41 (2):75-76.
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  7.  21
    Striving to Better, Oft We Mar What's Well (King Lear, Act 1, Scene 4).Deborah Bowman & Sue Eckstein - 2013 - Medical Humanities 39 (2):73-74.
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  8.  9
    The Seeing Place: Talking Theatre and Medicine.Deborah Bowman & Joanna Bowman - 2018 - Arts and Humanities in Higher Education 17 (1):166-181.
    A Professor of Medical Ethics and a theatre director, also mother and daughter, talk about health, illness, suffering, performance and practice. Using the lenses of ethical and performance theory, they explore what it means to be a patient, a spectator and a practitioner and cover many plays, texts and productions: Samuel Beckett’s Not I and All That Fall, Sarah Kane’s Crave, Tim Crouch’s An Oak Tree, Enda Walsh’s Ballyturk, Annie Ryan’s adaptation of Eimear McBride’s novel A Girl Is a Half-Formed (...)
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