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  1.  36
    European Co-Production Funds and Latin American Cinema: Processes of Othering and Bourgeois Cinephilia in Claudia Llosa’s La Teta Asustada.Deborah Shaw - 2015 - Diogenes 62 (1):88-99.
    Latin American women’s filmmaking has an unprecedented international profile thanks to the films of the Peruvian director Claudia Llosa, and the Argentine directors Lucía Puenzo and Lucrecia Martel. What is frequently unacknowledged when discussing the work of these award-winning filmmakers is the fact that all of their films are co-productions with Europe, and that programmes such as Cinéfondation, a programme aligned with the Cannes film festival, the Hubert Bals Fund, the World Cinema Fund and Ibermedia have been instrumental in their (...)
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  2.  15
    Exploratory Cross‐Sectional Study of Factors Associated with Pre‐Hospital Management of Pain.A. Niroshan Siriwardena, Deborah Shaw & George Bouliotis - 2010 - Journal of Evaluation in Clinical Practice 16 (6):1269-1275.
  3.  10
    Fonds de financement européens et cinéma latino-américain.Deborah Shaw & Brigitte Rollet - 2014 - Diogène 245 (1):125.
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