Introduction: the strategy of deconstruction -- The reception of derrida's thought -- The partial exit from phenomenology -- Beyond the subject -- Beyond the subject -- The other -- The other -- Violence to the other : religion, hospitality and forgiveness -- Violence to the other : limitrophy, animot, divanimality, the abyssal limit and the ends of man -- Epilogue -- Bibliography.

In his Contributions to the Analysis of the Sensations (Mach 1885) the phenomenalist philosopher Ernst Mach confronts us with a difficulty: “If we regard the Ego as a real unity, we become involved in the following dilemma: either we must set over against the Ego a world of unknowable entities […] or we must regard the whole world, the Egos of other people included, as comprised in our own Ego.” (Mach 1885: 21) In other words, if we start from a (...) phenomenalist viewpoint, i.e., if we believe that the manifold of sensations we are confronted with is ontologically fundamental —as Mach clearly does: “For us, colors, sounds, spaces, times,… are the ultimate ele-ments” (Mach 1885: 23)—then we are in danger to end up in solipsism. Unless, that is, we assume that some underlying thing-in-itself substratum from which matter, we ourselves, and all the others emanate. The only other alter-native seems to be—and Mach advertises it vehemently for he denies any “mons-trous notion of a thing-in-itself” (Mach 1885: 6)1—that we get rid of the Ego. For, if there is no Self in the first place, then the question whether there are others dissolves. To put it the other way round, it is ok that the others do not exist because, really, I do not exist either. If the Ego is a Myth solipsism is not just wrong but nonsense. There are two questions this paper wishes to address: first, do we need independent additional support for the denial of the Self or is the avoidance of solipsism reason enough to assume the Ego’s non-existence? I will argue that we do need additional reasons and I will evaluate those that Mach indeed gives to prove that “the primary fact is not the I, the Ego, but the elements (sensations)” (Mach 1885: 19). Second, is the deconstruction of the I, even if further sufficient support can be found, really adequate to stop us from worrying about solipsism? The doubt I will put forward is that the illusion of a Self might conjure up enough of an Ego—just like feeling a pain is having a pain, even if it is located in a phantom limb—to start us wondering whether it also occurs elsewhere. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Techniques of the Self:Nourishing Life as Art of LivingLi Manhua (bio)Daoism and Environmental Philosophy: Nourishing Life. By Eric S. Nelson. London and New York: Routledge, 2021.This essay proposes an account of the techniques of the self in early Daoism in light of Eric S. Nelson's Daoism and Environmental Philosophy: Nourishing Life (Routledge, 2021). It argues that the techniques of the self involved in nourishing life (yangsheng (...) 養生) are indispensable to the creation of the interdependent human-nature rapport that Nelson considers. Such interdependence does not require a moralistic stance that negates the self or forsakes individual desires in the cause of the environment—as in some of the existing Western ecological discourse—but a new form of self-relation involving the practice of a set of techniques of the self that relates the human to the non-human. The present contribution begins by arguing that the practice of nourishing life entails a series of bodily and spiritual techniques (shu 術) of the self, with the example of Cook Ding. This is followed by my exposition of different categories of such techniques, and why the techniques of nourishing the spirit (shen 神) are prioritized over those of the preservation of the bodily form (xing 形). Finally, I extend my discussion on the specific techniques of nourishing the spirit with regard to his chapter "Emptying Ecology," where Nelson argues that undoing fixations of the self and being responsive (ying 應) to things are attainable through deconstructive, skeptical, and paradoxical communicative strategies (p. 80).To start with, Nelson regards nourishing life as a way of living and speaking that goes beyond the binary opposition or a hierarchical relation between the human and other forms of life in some Western ecological philosophies:In the current crisis conditions, it appears that humans need every motivating ecology available whether it be light or dark green, anthro- or bio-centric, shallow or deep. All of these contending discourses are equalized in a Daoist ecology of shifting perspectives and ways of speaking. A benefit of dao-centric models—that as inflections of the "way" encompass and extend beyond notions of "bios" (specific life) and "zōe" (life in general)—is that they contest the binary oppositions and stratified hierarchies that have dominated recent Western environmental discourses: anthropocentrism/biocentrism, and humanism/posthumanism [End Page 762] (although the latter finds biocentrism still too anthropocentric in positing the very distinction between them).(p. 31, my emphasis)In other words, a non-hierarchical and non-opposing rapport between the human and the non-human lies in a practice of changing perspectives and, more concretely and importantly, adjusting communicative ways. Such a way of perceiving and speaking beyond boundaries between the individual and the general forms of life (sheng 生) is epitomized by the practice of nourishing life of Cook Ding in the third chapter of the Zhuangzi 庄子, titled "The Master of Nourishing Life" (Yangsheng zhu 養生主). When Ding—Lord Wenhui's chef—cuts up an ox, he avoids violent and forced slaughter, slitting through the tender parts of the animal without touching any bone. As such, by concentrating only on the intestines of the ox, his movement is so agile that the knife produces a musical rhythm.More precisely, Nelson regards the example of Ding as "a cultivated and practiced process in which nature can come to be itself" (p. 36). In the context of the Zhuangzi, nature (tian 天) as an extension of the Dao goes beyond the "one-and-many" anthropocentric paradigm wherein humans have exclusive knowledge of the One, namely the unifying principle of reality (Chai 2018, p. 265). In this sense, specific life forms, bios, are undifferentiated from the wholeness of the One in the generic life, zōe. In other words, as the root of all life lies in Dao in terms of the onto-cosmological attunement of nothingness (wuwei 無為), our bodies (shen 身) mirror Heaven or Nature (tian 天) and the Earth (di 地) in the way they attune to the flow of vital energetic dynamics, responding to the myriad things and Heaven and Earth in an organic totality. This is manifest in Ding, as he nourishes life by turning his daily activity into a practice of encountering non-human life forms... (shrink)

France saw a great intellectual upsurge in a variety of different academic fields in the 1970s, principally in philosophy, but also in the social sciences, linguistics, anthropology, history, and psychiatry. Different strands of thinking, from the linguistic school of structuralists, Lévi-Strauss’ structuralist anthropology, Louis Althusser’s reconsiderations of the basis of Marxism, Derrida’s philosophical critique of phenomenology and structuralism, Lacan’s of Freud and the unconscious, and Michel Foucault’s historical genealogy, all seemed to be coalescing in a reconsideration of the centrality of (...) Man in what had been assumed to be a human-centred universe. Often seen as representing the triumph of subjectivity over objective reality, this chapter will show how the theories of deconstruction were really a critique of the Subject. (shrink)

From the twentieth century into the twenty-first, psychoanalysis and deconstruction have challenged, and continue to challenge, our conceptions of subjectivity and selfhood. This book argues that taking forward this heritage we must retrace the subject and the self as undergoing perpetual auto-deconstruction, through the lens of solitude.

What is time? This essay offers an attempt to think again about this oldest of philosophical questions by engaging David Hoy's recent book, The Time of Our Lives: A Critical History of Temporality, which proposes a “history of time-consciousness” in twentieth-century European philosophy. Hoy's book traces the turn-of-the-century debate between Husserl and Bergson about the different senses of time across the various configurations of hermeneutics, deconstruction, poststructuralism, and feminist theory. For him, what is at stake in such a project (...) is to distinguish between the scientific-objective “time of the universe” and the phenomenology of human temporality, “the time of our lives.” Hoy's approach is to organize his book around the three tenses of time—past/present/future—and to view objective-scientific time as derived from the more primordial forms of temporalizing lived experience that occur in our interpretation of time. In my reading of Hoy's work, I attempt to explore how “time” (lived, experiential, phenomenological) can be read not in terms of “consciousness” (Hoy's thematic), but in terms of the self's relationship with an Other. That is, my aim is less to establish a continental tradition about time-consciousness, understood through the methods of genealogy, phenomenology, or critical theory, than it is to situate the problem of time in terms of an ethics of the Other. In simple terms, I read Hoy's project as too bound up with an egological interpretation of consciousness. By reflecting on time through the relationship to the Other rather than as a mode of the self's own “time-consciousness,” I attempt to think through the ethical consequences for understanding temporality and its connection to justice. (shrink)

In this article, the author deals with the status of the self and personal identity in the digital milieu. In the first section, he presents his general approach to digital media and technologies, which he has called “digital hermeneutics”. He distinguishes between three perspectives in digital hermeneutics, namely the deconstructive, epistemological, and ontological approaches. In the second part, he focuses on digital hermeneutics as hermeneutics of the self. He compares Paul Ricoeur’s narrative identity to Pierre Bourdieu’s habitus. His (...) first thesis is that the habitus can be seen as a concept of subjectivation that neglects an important part of the subject. Narrative identity offers, in this sense, a remedy to such negligence. His second thesis is that today’s digital media and technologies are closer to the Bourdieusian habitus than to the Ricoeurian narrative identity. In other words, digital machines and technologies are “habitus machines” both in their structure and in their effects. In the conclusion, the author accounts for three potential responses to the habituation of our selves online. He also introduces the concepts of “digital agency” and “digital citizenship”. (shrink)

Much recent critical theory has dismissed or failed to take seriously the question of the self. French theorists--such as Derrida, Barthes, Benveniste, Foucault, Lacan, and Lévi-Strauss--have in various ways proclaimed the death of the subject, often turning to German intellectual tradition to authorize their views. Stanley Corngold's heralded book, The Fate of the Self, published for the first time in paperback with a spirited new preface, appears at a time when the relationship between the self and literature (...) is a matter of renewed concern. Originally published in 1986 (Columbia University Press), the book examines the poetic self of German intellectual tradition in light of recent French and American critical theory. Focusing on seven major German writers--Hölderlin, Dilthey, Nietzsche, Mann, Kafka, Freud, and Heidegger--Corngold shows that their work does not support the desire to discredit the self as an origin of meaning and value but reconstructs the allegedly fragmented poetic self through effects of position and style. Offering new and subtle models of selfhood, The Fate of the Self is a source of rich insight into the work of these authors, refracted through poststructuralist critical perspectives. (shrink)

The work of the French Lithuanian Jewish philosopher, Emmanuel Levinas, describes a perceptive rethinking of the possibility of concrete acts of goodness in the world, a rethinking never more necessary than now, in the wake of the cruel realities of the twentieth century—ten million dead in the First World War, forty million dead in the Second World War, Hiroshima, Nagasaki, the Soviet gulags, the grand slaughter of Mao’s “Great Leap Forward,” the pointless and gory Vietnam War, the Cambodian self-genocide (...) and many an attempted extermination from the face of the earth of entire nations of indigenous peoples. The list of horrors goes on and on—daily holocausts that do not distinguish between the civilian and the soldier, the guilty and the innocent, those deserving of life and those less deserving. (shrink)

The paper evaluates a well‐known argument for a self from episodic memories—that remembering that I did something or thought something involves experiencing the identity of my present self with the past doer or thinker. Shaun Nichols argues that although it phenomenologically appears to be the case that we are identical with the past self, no metaphysical conclusion can be drawn from the phenomenology. I draw on literature from contemporary psychology and Buddhist resources to arrive at a more (...) radical conclusion: that there is no phenomenological sense of identity with a past self; the sense of self in episodic memory depends on narrative construction of the self. (shrink)

Through a close engagement with some key thinkers, Norris argues that deconstruction is part of the "unfinished project of modernity." a project whose interest and values it upholds by continuing to question them in a spirit of enlightened self-critical inquiry.

The question of justice in Western philosophy finds its humble beginnings in the interplay of life and death. I am referring here to Plato’s Apology. The Apology is not only a text tracing the fate of the great philosopher Socrates by recounting his final speech before the judges of Athens, but it is also a text that, on a more subtle level, announces the advent of a promising justice that is birthed from death, or, to be more precise, from a (...) specific kind of death. Socrates, here, develops a justice that does not surge from the defence of one’s determination as a singular accused, or from the reconciliation of the criminal singularity into the ethical social body through pardon or punishment, but which rather derives from a negation, a radical annihilation of the category of pure singularity. Socrates does not defend himself as an accused who is determinately and definitively singular, but rather affirms the fact that, in some sense, there is no such singular to be defended, that he is not even one (οὐδείς), less than one, nothing. It is, precisely, in this affirmation of a negative, in this opening of a chasm, that a radically other conception of justice and its relation to the singular is subtly proposed. By pushing the singular to the margins of its possibility, by challenging, bending, pushing the question of the singular and its defence to its outmost limit, Socrates redeploys justice not as a remedying balance, but as the abysmal economy of the bottomless question, a fall into the void, in which life, death, the singular and justice co-incide to burst all definitive determination, substantial opposition and the possibility of establishing a firm ground for any such categories to hold as such. In gradually shedding off the substantial presuppositions of his singularity (knowledge, self-relation and relation to others), he unleashes a modality of the singular which deploys a kind of justice, a wholly other justice, which has shaken the tradition ever since, and, as this article will seek to show, reverberates again in what Jacques Derrida called deconstruction. (shrink)

This book is a profound and eagerly anticipated investigation into what is left of a monotheistic religious spirit—notably, a minimalist faith that is neither confessional nor credulous. Articulating this faith as works and as an objectless hope, Nancy deconstructs Christianity in search of the historical and reflective conditions that provided its initial energy. Working through Blanchot and Nietzsche, re-reading Heidegger and Derrida, Nancy turns to the Epistle of Saint James rather than those of Saint Paul, discerning in it the primitive (...) essence of Christianity as hope. -/- The “religion that provided the exit from religion,” as he terms Christianity, consists in the announcement of an end. It is the announcement that counts, however, rather than any finality. In this announcement there is a proximity to others and to what was once called parousia. But parousia is no longer presence; it is no longer the return of the Messiah. Rather, it is what is near us and does not cease to open and to close, a presence deferred yet imminent. -/- In a demystified age where we are left with a vision of a self-enclosed world—in which humans are no longer mortals facing an immortal being, but entities whose lives are accompanied by the time of their own decline—parousia stands as a question. Can we venture the risk of a decentered perspective, such that the meaning of the world can be found both inside and outside, within and without our so-immanent world? -/- The deconstruction of Christianity that Nancy proposes is neither a game nor a strategy. It is an invitation to imagine a strange faith that enacts the inadequation of life to itself. Our lives overflow the self-contained boundaries of their biological and sociological interpretations. Out of this excess, wells up a fragile, overlooked meaning that is beyond both confessionalism and humanism. (shrink)

ABSTRACTJurgen Moltmann is one of the most important theologians in the XXth century who intended to leave aside a rigid and impassible notion of God. However, although Moltmann opens new ways to consider God’s life by stressing God’s passivity and relationality, the concepts of activity and self-sufficiency are still structuring the whole theological argument. I intend to show how our understanding of life has been shaped by a bio-theo-political paradigm of autarchy that defines life by the use of the (...) Greek prefix ‘autos,’ and how this paradigm is still working on Moltmann’s theology, who is not able yet to overcome the metaphysical impassible God. I claim that only a radical deconstruction of this paradigm and the construction of a new way of defining life by the use of the Greek prefix ‘syn’ could enable to think seriously on God’s relationality and love. (shrink)

Urban void sometimes amplifies alienation within urban space, and thus leads the way to the human craving for authenticity. Juxtaposing urban void with the conventional notion of urban objects, furthermore, conforms to Nietzsche's distinction between Dionysian and Apollonian deportment. The Apollonian is at the founding of the Platonic myth of the Ideal City and its modern descendant, the myth of the Rational City. Modern urban planning has been object-directed and, consistent with the historical trend since the Renaissance, has become a (...) constituent of a Neo-Platonic mythology that insists on forging a city as an urban technological artifact. Most existing urban parks and squares, as well as suburban gardens, within this approach, only augment the subordinate standing of urban voids. Yet the significance of urban void, as the unplanned place that represents the pre-rational, the genuine and the unadulterated, ought to lead to its re-introduction into city-form as a conduit for self-reflection and authenticity. Recognizing urban void for its significance may reintroduce an important Dionysian feature into city-form, leading to deliberate carving of authentic urban spaces. (shrink)

Hidden in the cave : the Upaniṣadic self -- Dangerous truths : the Buddha on silence, secrecy and snakes -- A cloak of clever words : the deconstruction of deceit in the Mahābhārata -- Words that burn : why did the Buddha say what he did? -- Words that break : can an Upaniṣad state the truth? -- The imperfect reality of persons -- Self as performance.

This chapter develops an eco-deconstructive account of normativity in relation to well-known but divergent accounts of the emergence of ‘value’ in nature. Value has been argued to emerge with the individual capacity for suffering, with individual self-valuing, or with holistic ecological entities (species, eco-systems, etc.), these three often being seen as at odds with one another. I argue that an entity can become individualized, and thus acquire individual ‘value,’ only in on-going confrontations with other beings and the wider environment. (...) Each living being can be seen as valuing its own life, then, only in response to a vulnerable exposure to its environment that it cannot just claim as its own: its self-affirmation necessarily affirms others and its environment. In this way, the three sources are interconnected in an aporetic matrix of ecological normativities. (shrink)

Based on key texts of Derrida as well as his interviews and recently published seminars the article presents a “micrological” analysis of deconstructivist thought in the context of its appeal to phenomenology of Husserl and fundamental ontology of Heidegger. Derrida begins his intellectual path with a reflection on the most important topics of Husserlian phenomenology and discovers in the descriptions of temporalization a paradoxical movement of the immanent self-deconstruction of phenomenology. It from within undermines its own basic principle (...) of the primordial givenness of the living present to itself in its whole presence. From the point of view of Derrida’s deconstruction, the living present of self-presence of the transcendental ego, like itself, is no longer the original source of sense, meaning, knowledge and experience but rather the effect of difference. Derrida discovers the radical constitutive dependence of the present on the trace of the inevitably lost past, thus, his thought resolutely destroys the primordial nature of the present and roots it in the true “origin” as a game of delays and differences. Similarly, Derrida criticizes the project of fundamental ontology. While Heidegger conceives of the ontological difference between being and Being as the last hidden basis of any question in the discourse of metaphysics, Derrida insists that this differentiation is derived from différance as an even more primordial movement of difference. And although Derrida claims to have a more essential comprehension of the core of metaphysics compared to Husserl and Heidegger and even confidently classifies their philosophical work ones to the field of metaphysics, he continues to use the resources of phenomenological and transcendental discourse again and again, leaving them without any criticism. The most telling example here is the use of the phrase “always already” (toujours déjà, immer schon), incredibly common in the works of Heidegger and Husserl (as well as most other most famous modern phenomenologists) and accompanying most of Derrida’s texts. In this article we seek to draw attention to the mystery power of this phrase, which hides the secret of the origins of phenomenological, fundamental-ontological, transcendental, and deconstructivist discourses as such, and also to demonstrate the possibilities of self-deconstruction of deconstruction, which with new urgency returns us to the problem of defining the limits of metaphysics and the “margins of philosophy”. (shrink)

Poststructuralists have tried to deconstruct the subject, that is, demonstrate that it is constituted by the system of cultural and linguistic relations in which it is found. The result is that just at the moment when self-actualization seems for the first time to be politically possible for many hitherto marginalized subjects, they, and subjects more generally, appear to have been denatured – reduced to the cultural systems which are the condition of their possibility and consequently deprived of the freedom (...) which is clearly necessary for any form of self-actualization. This paper, while acknowledging that subjects are indeed culturally and linguistically constituted, argues on the basis of a holistic, emergent property hypothesis that structure or form can generate content that nevertheless transcends the structure or form that constitutes it. On this view the subject is irreducibly transcendent to the system of relations from within which it arises, and the deconstructed subject thus remains capable of free choice and self-actualization. (shrink)

The right-to-die debate has gone on for centuries, playing out most recently as a spectacle of protest surrounding figures such as Terry Schiavo. In _Deconstructing Dignity_, Scott Cutler Shershow offers a powerful new way of thinking about it philosophically. Focusing on the concepts of human dignity and the sanctity of life, he employs Derridean deconstruction to uncover self-contradictory and damaging assumptions that underlie both sides of the debate. Shershow examines texts from Cicero’s _De Officiis_ to Kant’s _Groundwork of (...) the Metaphysics of Morals_ to court decisions and religious declarations. Through them he reveals how arguments both supporting and denying the right to die undermine their own unconditional concepts of human dignity and the sanctity of life with a hidden conditional logic, one often tied to practical economic concerns and the scarcity or unequal distribution of medical resources. He goes on to examine the exceptional case of self-sacrifice, closing with a vision of a society—one whose conditions we are far from meeting—in which the debate can finally be resolved. A sophisticated analysis of a heated topic, _Deconstructing Dignity _is also a masterful example of deconstructionist methods at work. (shrink)

Martin Heidegger once wrote that the world had, in the age of modern science, become a world picture. For Rey Chow, the world has, in the age of atomic bombs, become a world target, to be attacked once it is identified, or so global geopolitics, dominated by the United States since the end of the Second World War, seems repeatedly to confirm. How to articulate the problematics of knowledge production with this aggressive targeting of the world? Chow attempts such an (...) articulation by probing the significance of the chronological proximity of area studies, poststructuralist theory, and comparative literature—fields of inquiry that have each exerted considerable influence but whose mutual implicatedness as postwar U.S. academic phenomena has seldom been theorized. Central to Chow’s discussions is a critique of the predicament of self-referentiality—the compulsive move to interiorize that, in her view, constitutes the collective frenzy of our age—in different contemporary epistemic registers, including the self-consciously avant-garde as well as the militaristic and culturally supremacist. Urging her readers to think beyond the inward-turning focus on EuroAmerica that tends to characterize even the most radical gestures of Western self-deconstruction, Chow envisions much broader intellectual premises for future transcultural work, with reading practices aimed at restoring words and things to their constitutive exteriority. (shrink)

In a response to critiques of his On the Postcolony in a 2006 African Identities article, Achille Mbembe declared that the book was written at a time when the study of Africa was caught in a dramatic analytical gridlock. Traditional critical frameworks and discourses on the condition of postcolonial Africa seemed inadequate and ineffectual. Marxian analysis of colonization and its consequences is specifically isolated as one such impotent tool of critical analysis. As an alternative to these “failed” traditional paradigms, Mbembe (...) launches into a deconstructive experimental hermeneutic that leads him to the explication of colonial alterity in libidinal, representational and semiotically analogous language, as exhibited in On the Postcolony. This article challenges the efficacy of this post-structuralist semiotics and phenomenological extrapolations as the proposed way out of his perceived “cul-de-sac” in African postcolonial self-imagination. In particular, his dismissal of Marxian theory is turned... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Unsaying Life Stories:The Self-Representational Art of Shirin Neshat and GhazelAphrodite Désirée Navab (bio)What connects the two artists in Figures 1 and 2 across time and place? (See pages 40 and 41.) The protagonists seem to be so "at home" in their landscape that they do not stand out as disruptions to a cultural rhythm. They are wearing clothing that symbolizes Iran, and they are in an environment that (...) evokes Iranian art and architecture. In Figure 1, a scene in Shirin Neshat's video Soliloquy (1999), a woman stands near the kind of dome one often sees in Islamic architecture; the compatibility of the curved and the straight lines is striking. The woman is washing herself, possibly in preparation for prayer. Her hands are artistically dyed with henna. Her eyes are closed as the water runs down her face. She seems to be unaware of the camera, involved in a private moment, a purification ritual perhaps. Her clothing, her hands, and the architectural background are all consistent with familiar images of the Middle East. The woman marching in a black chador in a video still by Ghazel (Figure 2) also seems to be quite "at home." The text underneath the image says that both her grandfathers were colonels. This "bothness" is repeated by the text written underneath the image, which appears both in English and in French. She marches to the right of the frame with the straight posture and hint of pants and boots characteristic of a soldier. Like the protagonist in Neshat's video, she neither looks at the camera nor seems to care that it is there. She seems to be re-enacting a private moment of family history.At least, this is what the images say at first glance. Upon closer inspection, the viewer learns that the two protagonists are the artists themselves. They are more than conscious of the camera; they have actually directed these visual narratives. They are posing. This is one role from among many that they could have played. Both artists are native to Iran, but they are [End Page 39] acting in their own productions. They are playing a particular role. They have made the directorial decisions about camera angle and distance, about the time and place, and about the final look of the production. They make images: they are fully aware that they have pictured themselves alongside symbols of Iran. Click for larger view View full resolutionFigure 1.Shirin Neshat. Soliloquy, 1999, production still.So why are they pretending not to be conscious of the camera? The conscious decisions of the artists point to an issue that is left unsaid but whose absence says a lot. Perhaps, beneath all this effort to seem comfortable, there is discomfort as well. Are these people in fact "at home," or has home become foreign to them? Has this alienation propelled these artists to picture themselves together with readily identifiable, traditional markers of Iranian culture? Are these productions a way of re-negotiating their place with their native land, to find a voice, a space from which to speak?Culturally hybrid persons are often caught in the crossfire of prejudices. For hybrid Iranians, these prejudices are exacerbated by international political tensions that fall along three dimensions of limited visions. They include historical prejudice, where each nation dominates the other in the telling of history; cultural prejudice, stemming from mutual suspicion and ignorance; and political prejudice, as a result of inflexibility, of an unwillingness to [End Page 40] envision the other's view. Art can be a powerful means for challenging the stereotypes of mutually antagonistic nations. In autobiographical art, moreover, artists may use the "telling-self" to "unsay" what has been attributed to them through these stereotypes. By literally and metaphorically engaging the public in seeing alternative realities and histories, these artist-philosophers offer an alternative of historical collaboration, cultural knowledge, and political flexibility. Click for larger view View full resolutionFigure 2.Ghazel, Me series, 1997–2000, video still.This deconstructive approach to representation is a significant feature of the camera-based work of two contemporary Iranian women artists: Shirin Neshat (b. 1957) and Ghazel (b. 1966... (shrink)

This is a unique study, contuining the work of Merleau-Ponty and Heidegger, and using the techniques of phenomenology against the prevailing nihilism of our culture. It expands our understanding of the human potential for spiritual self-realization by interpreting it as the developing of a bodily-felt awareness informing our gestures and movements. The author argues that a psychological focus on our experience of well-being and pathology as embodied beings contributes significantly to a historically relevant critique of ideology. It also provides (...) an essential touchstone in experience for a fruitful individual and collective response to the danger of nihilism. Dr Levin draws on Merleau-Ponty's phenomenology to clarify Heidegger's analytic of human beings through an interpretation that focuses on our experience of being embodied. He reconstructs in modern terms the wisdom implicit in western and semitic forms of religion and philosophy, considering the work of Freud, Jung, Focault and Neitzsche, as well as that of American educational philosophers, including Dewey. In particular, he draws on the psychology of Freud and Jung to clarify our historical experience of gesture and movement and to bring to light its potential in the fulfilment of Selfhood. Throughout the book, the pathologies of the ego and its journey into Selfhood are considered in relation to the conditons of technology and the powers of nihilism. (shrink)

The Bhāgavata Purāṇa combines Vedāntin philosophy, dramatic and aesthetic elements, and personal expressions in a unique manner. Moreover, it seems to be conveying a notion of selfhood or personhood which is unique and innovative for the Hindu tradition. This paper aims at uncovering this unique notion. It deconstructs the BhP by arguing for the amalgamation of the Rasa-aesthetic school with Vedānta. It then turns to the topic of personhood in the Hindu tradition; it raises the complexity of discussing personhood in (...) the Indian context and discusses three notions of personhood which are ‘the Worldly Self of Mīmāṁsā’, the ‘Solitary Self of Sāṅkhya’, and the ‘Transcendental Self of Vedānta’. Having articulated these three notions, it highlights the notion of aesthetic personhood underlying the BhP. The paper goes further to differentiate notions of Vivarta from those of Pariṇāma, pointing out at the Pariṇāma worldview to be underlying the notion of aesthetic personhood of the BhP. At last and as an outcome of its main argument, it offers a sketch of ascending notions of aesthetic notions of personhood in the BhP. (shrink)

The medical ethicist is a fairly recent addition to the clinical setting. The following four potential roles of the clinical ethicist are identified and discussed: consultant in difficult cases, educator of health care providers, counselor for health care providers and finally patient advocate to protect the interests of patients. While the various roles may sometimes overlap, the roles of educator and counselor are viewed as being more congruent with the education and training of medical ethicists than are the roles of (...) consultant and patient advocate. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 31.3 (2001) 89-107 [Access article in PDF] Teaching DeconstructionGiving, Taking, Leaving, Belonging, and the Remains of the University Simon Morgan Wortham The Remains of the University and the Study of Culture In his recent essay "Literary Study in the Transnational University," J. Hillis Miller tries to account for the hostility shown by some practitioners of a certain kind of cultural studies toward what is perceived as "high" theory—in (...) particular, deconstruction. Describing the emergence of cultural studies as a quasi-discipline, he remarks:Insofar as cultural studies still depends on the traditional idea of culture as the production in a subject or subjectivity of an identity produced through indoctrination by a nation-state or by a subculture such as an ethnic or gender community... it was necessary to resist the questioning by deconstruction of all the key concepts necessary to this idea of culture. These include identity, agency, the homogeneity of a given culture, whether hegemonic or minority, the definition of an individual by his or her participation in a nation or community, the unbreakable tie of a text or any other assemblage of signs to its context. The questioning by theory of these concepts often needed to be sidestepped in order for the project of cultural studies and related new disciplines to get going. These key concepts are glued together by a reinstalled referentiality that can no longer afford to be put in question and remain in question. [83] For Miller, a cultural studies of this sort relies on a minimal degree of retention of such unquestioned "referentiality" as a condition of its need to thematize, narrativize, or interpret various texts, events, and artifacts according to a wider "context" (whether this be described as "historical," "social," or "cultural") to which these phenomena remain unbreakably tied. A "context" such as outlined by Miller would of course need to be accorded a basic level of coherence for the analysis to get underway. Furthermore, insofar as—for Miller—this "context" would thereby establish a more or less generalizable framework within which might be understood the shaping of identity in particular instances, thus facilitating rather traditional ways of determining objects of cognition and knowledge, it could be considered to work so as to reanimate conventional ideas of the "self" or "agency." In assuming that there is always a "context" for every "text," in a way that could be comprehended in the above terms, a cultural studies of the kind described by Miller would reinstall the particular as an expression or exemplar of a more clearly determined situation or setting (history, nation, culture, society, ideology), which, in turn, might be considered to fuel critical misrecognition or reduction of the effects and implications of "transnationality" or "globalization." Furthermore, in this case, the [End Page 89] supposed exemplarity of the particular in its identity with the general would inevitably tend to prompt an account, as Miller himself puts it, of the "production in a subject or subjectivity of an identity" produced by a culture, whether it be hegemonic or minority: the assumed culture of a nation-state or, as is more often emphasized nowadays, a subculture existing in some sort of relation to more dominant cultural practices and trends. In addition to this reinscription of knowledge in relation to the human subject, the founding of a certain kind of cultural study upon longstanding models of cognition, as described above, would reestablish cultural studies practitioners working in this way as themselves knowing subjects. From this perspective, then, Miller would doubtless see certain aspects of the critical landscape of cultural studies—its not infrequent commitment to "identity politics" over the years, its shift of emphasis toward the participatory agency of subjects within contemporary popular culture, even some versions of the debate about the ethics of cultural studies—as set up to reinstall the coextensivity of subjects of knowledge and knowing subjects in a way that would depend uncritically on deeply structured relations of reference, identity, and agency.Miller therefore views cultural studies as, in the last analysis, based on a rather unquestioning reversion to more orthodox humanistic... (shrink)

As part of a larger study, predictors of self-blame were investigated in a sample of 149 undergraduate sexual assault survivors. Each participant completed questionnaires regarding their preassault, peritraumatic, and post assault experiences and participated in an individual interview. Results confirmed the central hypothesis that, although several established correlates independently relate to self-blame, only cognitive content and process variables—negative self-cognitions and counterfactual-preventability cognitions—uniquely predict self-blame in a multivariate model.

In the wake of a pilot study that indicated that the experience of medical education appears to Inhibit moral development In medical students, increased attention needs to be given to the structure of medical education and the Influence it has on medical students. Interest in ethics and moral reasoning has become widespread in many aspects of professional and public life. Society has exhibited great interest in the ethical issues confronting physicians today. Considerable effort has been undertaken to train medical students, (...) interns, and residents In how to reason through medical-ethical dilemmas. Media attention has focused on Issues such as abortion, euthanasia, care of severely handicapped infants, organ transplantation, and so forth, producing heated debates in both the professional and lay literature over the morality of the various positions. The curriculum of medical education has paralleled and reflected this general Interest in medical ethics. Most medical schools now offer, and frequently require, course work in ethics. However, further research Is needed to better characterize and understand the relationship of medical education to moral development. (shrink)

This is a unique study, contuining the work of Merleau-Ponty and Heidegger, and using the techniques of phenomenology against the prevailing nihilism of our culture. It expands our understanding of the human potential for spiritual self-realization by interpreting it as the developing of a bodily-felt awareness informing our gestures and movements. The author argues that a psychological focus on our experience of well-being and pathology as embodied beings contributes significantly to a historically relevant critique of ideology. It also provides (...) an essential touchstone in experience for a fruitful individual and collective response to the danger of nihilism. Dr Levin draws on Merleau-Ponty's phenomenology to clarify Heidegger's analytic of human beings through an interpretation that focuses on our experience of being embodied. He reconstructs in modern terms the wisdom implicit in western and semitic forms of religion and philosophy, considering the work of Freud, Jung, Focault and Neitzsche, as well as that of American educational philosophers, including Dewey. In particular, he draws on the psychology of Freud and Jung to clarify our historical experience of gesture and movement and to bring to light its potential in the fulfilment of Selfhood. Throughout the book, the pathologies of the ego and its journey into Selfhood are considered in relation to the conditons of technology and the powers of nihilism. (shrink)

What, ultimately, is the nature of reality according to Derrida? What, in his scheme of things, is being, what is time? What is consciousness and how should we conceive of the relation between self and other? What sort of metaphysics, or, more specifically, what sort of ontology if any can Derrida justifiably be said to adhere to? The aim of this chapter is to address these questions in a way that will not be entirely disloyal, or, rather, will be (...) as loyal as possible, to Derrida's legacy. In “Violence and Metaphysics,” Derrida subjects this term to a relentless deconstruction. In Specters of Marx, written almost 30 years later than “Violence and Metaphysics,” Derrida famously invokes and sketches what he calls hauntology, namely, a “logic of haunting” understood as a discourse and practice that would transcend “the opposition between presence and non‐presence, actuality and inactuality, life and non‐life”. (shrink)

Background The fourth section of the 1967 Abortion Act states that individuals (including health care practitioners) do not have to participate in an abortion if they have a conscientious objection. A conscientious objection is a refusal to participate in abortion on the grounds of conscience. This may be informed by religious, moral, philosophical, ethical, or personal beliefs. Currently, there is very little investigation into the impact of conscientious objection on service users in Britain. The perspectives of service users are imperative (...) in understanding the real-world consequences and potential impact of conscientious objection and should be considered when creating and reviewing policies and guidelines. This research provided a platform for women and those who can become pregnant to share their experiences and opinions at a time when these voices are largely excluded in the great tradition of Western political philosophy and law-making processes. Method Five service users were interviewed using a narrative interview approach to uncover their abortion journeys and experiences of conscientious objection. Findings The findings were presented as found poems and uncovered that doctors are not always: informing service users that they have a conscientious objection to abortion, giving service users enough information to access abortion (indirect referral), treating them non-judgmentally, and providing medically correct information. Service users did not experience burdens such as long waiting times and were still able to access legal abortion. However, service users did experience negative emotional effects, as they were often left feeling scared, angry, and hopeless when they were not referred and/or were mistreated. Conclusions Findings indicate that conscientious objection could work in practice. However, it is currently failing some individuals on an emotional level, as not all doctors are adhering to guidelines. Conscientious objection in Britain needs to be addressed, to ensure service users receive fair, impartial, non-judgmental care. (shrink)

This doctoral thesis examines the phenomenon of Filipinization, specifically understood as the ideological construction of a “Filipino identity” or ‘Filipino subject-consciousness” within the highly determinate context provided by the Filipino ilustrado nationalists such as José Rizal, Marcelo H. del Pilar and their fellow propagandists inasmuch as it leads to the nineteenth (19th) century construction of the modern Philippine nation. Utilizing Jacques Derrida’s deconstructive thinking, this study undertakes a genealogical critique engaged on the concrete historical examination of what is meant by (...) the term “Filipino” across a select historical timeline (1864-1898) and the various notions of Filipino identity implied by the different contexts within which the term “Filipino” has been employed. More specifically, it undertakes a selective philosophical excavation of three seminal texts in the history of Filipinization, viz.: 1) the Manifiesto of Padre Jose Burgos; 2) the writings of the Filipino ilustrados in La Solidaridad; and 3) Jose Rizal’s Annotations on Dr. Antonio de Morga’s Sucesos de las Islas Filipinas. -/- The philosophical claim of this work is the idea that Filipinization, taken as the differential construction of Filipino identity, is the effective translation of the colonial epistemic violence of Eurocentric racism and its consequent “horror of absolutism” into the homo-hegemony of Filipino nationalisms. By fetishizing the notion of a carefully constructed and essential “Filipino-identity,” Filipinization and the current nationalist discourses that utilize them, unwittingly, stands complicit with the same colonial violence and hegemony that they wish to combat. This happens precisely when the very structures of colonial oppression, on the ideological and practical levels, are transmogrified into nationalist ideals that assume legal and political power unto themselves in a self-referential and self-legitimating fashion. -/- Three processes will demonstrate the above thesis: first, by examining historical texts and setting itself against established nationalist historiographies, a genealogical analysis of the term “Filipino” reveals it as a pliable signifier whose semantics have evolved through time. From its originary referent in the Spanish criollo (creole), it has come to refer to people who would have been otherwise entirely alien to this class, viz., the mestizos (both Spanish and Chinese), the principalia (native elite), and eventually, the lowland Catholicized natives themselves. The historical hermeneutic of this identity-discourse in Padre José Burgos’ Manifiesto yields the fact that what gives the term “Filipino” its semantic consistency as a class concept is its essential constitution as a Hispanic and Catholic identity. -/- Second, from this semantic identification of the term “Filipino” as a Hispano-Catholic identity, we proceed to clarify the meaning of Filipinization in terms of the nationalist propaganda carried out by the Filipino ilustrados in the fortnightly periodical La Solidaridad. Here, the specific ilustrado construction of Filipino identity as a Spanish citizen (ciudadano Español) is revealed precisely as a political and legal construct that served as the basis for their own politics of social inclusion/exclusion. Filipinization can only be applied to those who have been hispanized and Christianized and never to those tribes who have resisted and remained outside Spanish colonial authority. Filipinization is thus revealed as a process of Hispanization and Christianization whereby the recipients of Spanish colonial hegemony are transformed into the religiously docile bodies of the Spanish Empire. -/- From this highly determinate context, the study proceeds to examine Rizal’s ontological grounding of collective Filipino-ness in the mythological construction of the pre-hispanic past as the source of a unique Filipino ancestrality. In his work on de Morga’s Sucesos, what is revealed is a mythologization that grounds a native, essential Filipino identity within a past unscathed by the Spanish colonial experience. Such mythologization, however, can only be possible through an anachronistic nationalist interpretation of historical data. Here, Filipinization is revealed as an exclusive prerogative, a nationalist program by which Rizal and the ilustrado class can combat the evils and excesses of the Spanish colonial enterprise. Ironically, though, this same struggle for emancipation also became an instrument by which the ilustrado class can retain their unjustified position of power over those who belonged to the colonial underside, thus, securing the possibility of perpetuating their own ilustrado bourgeois class interests. -/- Such discursive complicity is the essence of the myth of Filipinization: it presents nationalist identity discourse as an anti-colonial enterprise while being underlined by an economy of motives designed to cater primarily to the exclusive interests of the elite and ilustrado class. Thus, instead of securing the genuine, inclusive emancipation of all colonial subjects and a more humane existence for the poor and suffering majority, ilustrado nationalism has, ironically, merely reinforced those operative structures of colonial discrimination and oppression when the ilustrados: 1) grounded their racial theory upon the very same discourse of Eurocentric superiority that they are precisely supposed to question and 2) claimed a patrimony over Filipinas as their exclusive sovereign inheritance. These two factors illustrate how the manifest transfer of power from the Spanish Empire to the Philippine sovereign nation (and later as a nation-state) illustrate how Filipinization merely has transmogrified the face of Spanish colonialism into its new, subtle, and worse form in Filipino nationalism. -/- In this vein, the existence of the 19th century modern Philippine nation merely masked and deferred the crisis that was supposed to transfer power from the Spanish Empire to the multitude of the poor and suffering native indio majority. This crisis became all the more difficult to address be-cause of the duplicitous character of the discourse of Filipinization itself. It has not only effectively transferred power into the hands of the nationalist elite but also captured authentic emancipatory discourse within the identity-trap against which it can only hope to get out. This study concludes with the claim about the impossibility of ever escaping and overcoming the epistemic and practical violence necessarily contained within the historical discourse of colonialism. Or simply, we have no language or discourse that would enable us to overcome the complicity of Filipinization with the very (epistemic) violence against which it has set itself. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Refugees of a Crisis in ReferenceHolocaust Memoir and the Deconstruction of Paul de ManPatrick Lawrence (bio)Since discovery of Paul de Man’s wartime journalism, the debate over perceived ethical deficiencies in the philosophies of postmodernism in general, and deconstruction in particular, has intensified. At times more or less vitriolic or persuasive, this debate has brought about a crisis of scholarship to accompany the crisis of reference that is (...) one of its central points.1 At the horizon of the discussion is the Holocaust and its potential to reform modes of representation. As Jeremy Varon notes in his essay “Probing the Limits of the Politics of Representation”:the premises and insights of a variety of discourses, notably postructuralism [sic], deconstruction, psychoanalysis in its newer versions, metahistory, and postmodern theory in general, have at once been applied to and checked against the Holocaust. Such discourses often approach the Holocaust as a kind of limit case that tests the strengths and weaknesses of their various interpretive strategies.(Varon 84)It seems natural because of its (perhaps incomprehensible) magnitude and significance that the Holocaust should occasion self-testing and soul searching on the part of a variety of discourses, notably those that already inclined to such activities.2 Because of its status as at once radically historical and radically ahistorical (in that its import for history cannot be denied, but that the scope of its horror may transform notions of historicity), the Holocaust calls for a reassessment of all aesthetic, poetic, and theoretical paradigms. In the context of such novel and difficult historicity, the problematization of reference that de Manian deconstruction occasions takes on new and complex implications that need particular attention. This is especially important because, like American deconstruction, artistic representations of the Holocaust also assert a new, problematic relationship with their referent.My intention is not to delve into this debate exhaustively. Rather, I attempt an understanding of the problems of some specific critical-theoretical tenets proposed by Paul de Man as they interact with Holocaust memoirs. Doing so may be a way to understand the larger issue by exploring its expression in a narrow vein: that of literature. Holocaust memoirs as a group have been read as making new claims about their relation to a particular referent—about the inability of fully representing the Holocaust in existing modes—but they also make simultaneous claims about the utter necessity of attempting to do so. It will be helpful to see how this revolution of the relationship of [End Page 17] writing to its referent is perhaps at odds with that other similar revolution, that of deconstruction. I also attempt to put this potential conflict into a frame that may elucidate the reasons for their disconnect, using Lyotard’s well-known attempt at establishing an order of postmodern ethics: The Differend, as well as approaches to trauma and memory suggested by Derrida.My aim here is also not to delve into judgments of guilt or innocence with respect to de Man himself and his activities during World War II. I instead venture into the ways, both positive and negative, but inherently problematic, that his writings come into contact with an event recognized by many as a limit event, one that demands recognition of its historicity, even as it engenders a body of literature that expresses the difficulty of understanding the event itself.There is much in de Man’s writings that forces us to consider the restraints and potential of the means of construction of written texts. Exploring this can lead toward a better understanding of the way that individual texts create and manipulate meaning. To this end, much can be gained from de Manian criticism that makes apparent the contradictory tendency of linguistic constructions to indicate something outside themselves (their referential potential), even while their structures and conventions cast in doubt the reality of this “something.” One makes use of this discourse, not in the hopes of destroying the privilege of referentiality that underlies the structures of testimony, victimization, and trauma, but in the hopes of finding a way for the discourse of memoir (and autobiography) to be reconciled with the discourse of deconstruction in such a way that... (shrink)

Expands our understanding of the human potential of spiritual self-realization by interpreting it as the developing of a bodily-felt awareness informing our ...