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  1.  21
    Simone de Beauvoir on Existentialist Theater.Dennis A. Gilbert - 2012 - Sartre Studies International 18 (2):107-126.
    My article focuses on Le Théâtre existentialiste by Simone de Beauvoir, recently translated and published in the volume of the Beauvoir Series on her literary writings. The first part introduces the original sound recording of this text and the circumstances behind its possible production in New York City in 1947 and my discovery of it at Wellesley College in 1996. The second part analyzes the divisions of Beauvoir's remarks as she presents Jean-Paul Sartre, Albert Camus, and their principal plays from (...)
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  2. Contemporary Perspectives.on Sartre’S. Theater & Dennis A. Gilbert - 2010 - In Adrian Mirvish & Adrian Van den Hoven (eds.), New Perspectives on Sartre. Cambridge Scholars Press.
     
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  3.  13
    Jean-Paul Sartre.Dennis A. Gilbert & Diana L. Burgin - 2019 - Sartre Studies International 25 (2):1-17.
    Sartre’s scattered commentaries and remarks on theater, published in a variety of media outlets, as well as in the most unlikely of essays, were finally assembled late in Sartre’s career and published in one volume, Un Théâtre de situations, put together by Michel Contat and Michel Rybalka in 1973. Inevitably, a number of later or missing theatrical documents then came to light, and an updated edition of Un Théâtre de situations appeared in 1992. There still remained, however, other documents on (...)
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    One Is Not Born a Dramatist.Dennis A. Gilbert - 2017 - Sartre Studies International 23 (2).
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    From Prague to Paris: The Beginning of Theater Semiotics and Sartre's Early Esthetic of Theater.Dennis A. Gilbert - 2005 - Sartre Studies International 11 (s 1-2):195-206.
    At a time when a "return to Sartre" is being heralded in France and elsewhere in preparation for the celebration of the centennial of his birth, it seems appropriate to ponder the nature and tenor of this renewal. To which aspects of Sartre's work are we returning as the centennial approaches, and are we doing so with fresh eyes or with the same critical prejudices that have obscured our appreciation of this work in the past? If one looks for answers (...)
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