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    The Evolutionary Significance of the Arts: Exploring the By-Product Hypothesis in the Context of Ritual, Precursors, and Cultural Evolution.Derek Hodgson & Jan Verpooten - 2015 - Biological Theory 10 (1):73-85.
    The role of the arts has become crucial to understanding the origins of “modern human behavior,” but continues to be highly controversial as it is not always clear why the arts evolved and persisted. This issue is often addressed by appealing to adaptive biological explanations. However, we will argue that the arts have evolved culturally rather than biologically, exploiting biological adaptations rather than extending them. In order to support this line of inquiry, evidence from a number of disciplines will be (...)
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    Ways of Seeing: The Innocent Eye, Individual View and Visual Realism In Art.Derek Hodgson - 2004 - Journal of Consciousness Studies 11 (12):3-16.
    Based upon the studies to be outlined, I will argue that the innocent eye should not be thought of as a kind of raw sensory data which, through various artistic devices, can become a focus of attention. In effect, I submit, various commentators have misrepresented this concept to the extent that it has caused much confusion in debates relating to art. In short, they continue to promote the notion of a viewer-centred representation as pure, untainted visual information that can be (...)
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    Cognitive Evolution, Population, Transmission, and Material Culture.Derek Hodgson - 2013 - Biological Theory 7 (3):237-246.
    There has been much debate regarding when modern human cognition arose. It was previously thought that the technocomplexes and artifacts associated with a particular timeframe during the Upper Paleolithic could provide a proxy for identifying the signature of modern cognition. It now appears that this approach has underestimated the complexity of human behavior on a number of different levels. As the artifacts, once thought to be confined to Europe 40,000 years ago onwards, can now be found in other parts of (...)
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