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  1. TWA: The Friend From America.Detlev Claussen - 2005 - Telos: Critical Theory of the Contemporary 2005 (130):127-140.
     
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  2.  19
    Malentendu? Adorno: A History of Misunderstandings.Detlev Claussen - 2011 - Telos: Critical Theory of the Contemporary 2011 (155):7-20.
    ExcerptMisunderstandings are the medium for communicating the incommunicable. Theodor W. Adorno, “A Portrait of Walter Benjamin”You can hear the terror in the words. If you can't hear it, you cannot understand the words. The history of the critical response to Adorno can be read as a history of misunderstandings. “The whole is the false.”1 Who can understand this if he doesn't know Hegel's philosophy? Adorno formulated this aphorism in Minima Moralia in German even though he had been living in America (...)
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  3. Acknowledgments.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 419-426.
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  4. 4. Adorno as “Non-Identical”Man.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 115-144.
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  5. 7. Adorno as “Identical”Man.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 220-260.
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  6. Adorno and Fritz Lang.Detlev Claussen - 2005 - Telos: Critical Theory of the Contemporary 130:127.
     
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  7. Appendix: Letters.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 341-366.
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  8. 3. From Teddie Wiesengrund to Dr.Wiesengrund-Adorno.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 65-114.
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  9. 6. Frankfurt Transfer.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 176-219.
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  10. How to Read This Book.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press.
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  11. Illustrations.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press.
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  12. Index.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 427-456.
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  13. 1. Instead of an Overture: No Heirs.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 1-12.
  14. Notes.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 367-416.
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  15. Sources.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 417-418.
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  16. 5. Transitions.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 145-175.
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  17. The American Experience of the Critical Theorists.Detlev Claussen - 2004 - In John Abromeit & W. Mark Cobb (eds.), Herbert Marcuse: A Critical Reader. Routledge.
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  18. 2. The House in Schöne Aussicht: A Frankfurt Childhood Around 1900.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 13-64.
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  19. 8. The Palimpsest of Life.Detlev Claussen - 2008 - In Theodor W. Adorno: One Last Genius. Harvard University Press. pp. 261-340.
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  20. Theodor W.Detlev Claussen - 2008 - Belknap Press of Harvard University Press.
    Instead of an overture : no heirs -- The house in Schöne Aussicht : a Frankfurt childhood around 1910 -- From Teddie Wiesengrund to Dr. Wiesengrund-Adorno -- Adorno as "non-identical" man -- Transitions -- Bertolt Brecht : "to those who come after us" -- Theodor W. Adorno : "out of the firing-line" -- Hanns Eisler, the non-identical brother -- Fritz Lang, the American friend -- Frankfurt transfer -- Adorno as "identical" man -- The palimpsest of life.
     
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  21.  1
    Theodor W. Adorno: One Last Genius.Detlev Claussen - 2008 - Harvard University Press.
    Looks at the life and career of the the German philosopher who is credited as the developer of critical theory.
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  22. Adorno and Ethics.Martin Jay, Christina Gerhardt, Rob Kaufman, Detlev Claussen & J. M. Bernstein - 2006 - Duke University Press.
    Because of his preoccupation with the formal aspects of music and literature, Theodor W. Adorno is often regarded as the most aesthetically oriented thinker of the Frankfurt School theorists. It is Adorno’s perceived commitment to aestheticism—the study of art for art’s sake and the study of art as a source of sensuous pleasure, rather than as a vehicle for culturally constructed morality or meaning—that many scholars have criticized as hostile to genuine, concrete, substantive political, social, and ethical engagement with the (...)
     
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  23. Feindanalysen Über Die Deutschen.Herbert Marcuse, Detlev Claussen & Peter-Erwin Jansen - 1998
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