7 found
Order:
See also
Dominic McIver Lopes
University of British Columbia
  1. What Is It Like to See with Your Ears? The Representational Theory of Mind.Dominic M. McIver Lopes - 2000 - Philosophy and Phenomenological Research 60 (2):439-453.
    Representational theories of mind cannot individuate the sense modalities in a principled manner. According to representationalism, the phenomenal character of experiences is determined by their contents. The usual objection is that inverted qualia are possible, so the phenomenal character of experiences may vary independently of their contents. But the objection is inconclusive. It raises difficult questions about the metaphysics of secondary qualities and it is difficult to see whether or not inverted qualia are possible. This paper proposes an alternative test (...)
    Direct download (8 more)  
     
    Export citation  
     
    Bookmark   22 citations  
  2. Sight and Sensibility. Evaluating Pictures.Dominic M. Mciver Lopes - 2006 - Tijdschrift Voor Filosofie 68 (2):434-434.
    Translate
     
     
    Export citation  
     
    Bookmark   15 citations  
  3.  32
    A Philosophy of Mass Art. [REVIEW]Dominic M. McIver Lopes & Noel Carroll - 2000 - Philosophical Review 109 (4):614.
    The chief sources of aesthetic experience for most people around the world are now the mass broadcasting and recording technologies. Yet analytic aesthetics has had little to say about mass art. Recent accounts of art and the aesthetic, while accommodating the consensus concerning central cases, are largely propelled by problem cases drawn from the avant-garde, and one wonders what the effect will be of adding works of mass art to the equation. One also wonders whether making room for mass art (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   16 citations  
  4.  59
    Imagination, Illusion and Experience in Film.Dominic M. Mciver Lopes - 1998 - Philosophical Studies 89 (2-3):343-353.
  5.  40
    Vision, Touch, and the Value of Pictures.Dominic M. McIver Lopes - 2002 - British Journal of Aesthetics 42 (2):191-201.
    Since blind people can draw and interpret raised-line drawings, depiction is not an essentially visual medium. Neither is the art of pictures an essentially visual art form. The reasons given for evaluating a picture aesthetically may advert to its tactile qualities insteadof its visual qualities.In particular, a raised-line picture canbe valued for the tactile experience it elicits of the scene it depicts, just as a visual picture is sometimes valuedfor eliciting a visual experience of its subject. The argument for this (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  6.  10
    The Rhetoric of the Frame: Essays on the Boundaries of the ArtworkIn Perfect Harmony: Picture + Frame, 1850-1920A History of European Picture Frames. [REVIEW]Dominic M. McIver Lopes, Paul Duro, Eva Mendgen, Paul Mitchell & Lynn Roberts - 1998 - Journal of Aesthetics and Art Criticism 56 (4):408.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  7.  13
    A Philosophy of Mass Art. [REVIEW]Dominic M. Mciver Lopes - 2000 - Philosophical Review 109 (4):614-617.
    The chief sources of aesthetic experience for most people around the world are now the mass broadcasting and recording technologies. Yet analytic aesthetics has had little to say about mass art. Recent accounts of art and the aesthetic, while accommodating the consensus concerning central cases, are largely propelled by problem cases drawn from the avant-garde, and one wonders what the effect will be of adding works of mass art to the equation. One also wonders whether making room for mass art (...)
    No categories
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark