Introduction -- Context -- Overview of themes -- Reading the text -- Reception and influence.

This book represents the first full-length study of the aesthetics of the appreciation of wine. It introduces and argues for the validity and significance of several new concepts: competency, project, and aesthetic practices. Using these concepts -- together with analyses borrowed from cognitive science, sensory science, Husserlian phenomenology and hermeneutics -- the case is made that wine can be a proper and indeed significant object of aesthetic attention. The implications of this are pursued in three ways: First, within the culture (...) of wine, with a sustained treatment of important concepts such as terroir; second, within philosophical aesthetics. The latter results in a position termed 'contextual aesthetics' that sees aesthetic acts as always situated within cultural practices, and given meaning thereby. The third implication is for the cultural and aesthetic value accorded to the various senses, and the kinds of underlying issues that might have led to, and might now lead away from, these values. (shrink)

In his article “Category Independent Aesthetic Experience: The Case of Wine” in this journal, David Sackris presents arguments against Kendall Walton’s view in the famous article “Categories of Art.”David Sackris, “Category Independent Aesthetic Experience: The Case of Wine,” The Journal of Value Inquiry, 47 (2013), pp. 111–120; Kendall Walton, “Categories of Art,” in Steven M. Cahn and Aaron Meskin (Eds) Aesthetics: A Comprehensive Anthology. (Oxford: Blackwell, 2007), pp. 521–537. [First published in The Philosophical Review, 79 (1970), pp. 334–367.] He claims, (...) with support in an argument about the immediate qualities of great wines, that for some kinds of aesthetic appreciation specific category knowledge is not necessary. We welcome the idea that wine appreciation is an aesthetic practice, and more importantly the view that the features of wine appreciation might shed light on, or even transform our understanding of aesthetic experience more generally. The article also draws welcom .. (shrink)

This chapter contains sections titled: The Cognitive Background to the Aesthetic Problem Wine, Cognition and Philosophy The Phenomenology of “Projects” The Aesthetic Project Notes.

Kant's third Critique, the Critique of Judgement, is regarded as one of the most influential books in the history of aesthetics. This book is designed as a reader's guide for students trying to work their way, step-by-step, through Kant's text.

Nietzsche is not difficult to read, but he is famously difficult to understand. This is because of the bewildering array of words, phrases or metaphors that he uses. The Nietzsche Dictionary aims to help, by giving readers a road map to Nietzsche's language, and thus how his terminology and images relate together, forming an overall philosophical picture. The Dictionary also includes synopses of Nietzsche's key works, and short articles on the main philosophical and cultural influences leading up to, and resulting (...) from, Nietzsche. It is designed to be a resource that all readers of Nietzsche will find invaluable, from beginners to more advanced readers.In order to make the book easy to use and navigate, all entries are treated thematically and are of seven types:1. Influences on, or the contemporary context of, Nietzsche2. Major influences of Nietzsche3. Key concepts4. Key metaphors or images5. Alternative translations of the above6. Other words or phrases found in Nietzsche that are cross-referenced to a main entry7. Synopses of major works by Nietzsche. (shrink)

This chapter contains sections titled: Canary Wine and Beyond Wine, the Analogy with Art, and Expression Dewey Seeing As and Seeing In Critical Rhetoric The Institutional Theories Attention, Attitude and Appreciation Aesthetic Attributes and Experiences Aesthetic Experience: What Is It? Functionalist Theories The Necessity of Aesthetic Competency Aesthetic Emergence Aesthetic Competency Notes.

This chapter contains sections titled: Introduction Competency Aesthetic Practices Inter‐Subjective Validity Project Conclusion Notes.

This is the first book to combine an introduction to Philosophy as a degree subject with the practical study and assessment skills that the student is likely to need. It begins by helping a student to make an informed choice about which philosophy course to apply for and goes on to introduce the subject via key problems and philosophers. It expertly guides the reader towards philosophical thinking as an activity and offers practical advice for developing techniques specific to the study (...) of philosophy.Features* Gives brief biographies of major philosophers * Provides clear definitions of key terms and guidance on further reading* Includes sample essays and examination questions* Covers time-management and self-motivation skills* Offers tips on making use of contact time with tutors. (shrink)

This article begins with the hypothesis that much modern political thought can be understood according to a distinction between transcendent and immanent accounts of judgement. These two positions are analysed as to their correspondingly entailed accounts of the origin, legitimacy and nature of political community. Using Heidegger and a Heideggerian reading of Kant on the nature of judgement, it is then shown that both accounts of judgement are in fact metaphysically derivative (the ‘dirty’ of the title) and in precisely the (...) same way. This observation then inaugurates the project of providing a fundamental ontological account of judgement. However, it is discovered that such an account carries no political implications: politics emerges in and as its ‘fall’ into this or that metaphysically derivative interpretation. (shrink)

This chapter contains sections titled: Notes.

Emanuel Kant's Critique of Pure Reason is one of the most widely read texts in the history of philosophy. Douglas Burnham and Harvey Young unravel this difficult text, passage by passage, making reading and appreciating this work achievable and enjoyable. Designed to be read alongside the original, this guide is essential for students and scholars at all levels.

An extended philosophical analysis of the concept of judgement, important in many areas of contemporary philosophy, including epistemology, the philosophy of value and aesthetics.Kant's philosophy understands judgement in different ways in the cognition of nature, the appreciation of natural beauty, and in the determination of moral action. This book aims to explore these three 'philosophies' of judgement, producing in the process a new and creative reading of Kant's work. The result is a unique book-length study of judgement in general. At (...) the core of this reading is an interpretation of how Kant understands reflection, presentation and activity. Novel aspects include accounts of the transcendental object, the implications of considering cognition as an activity, the structure of sensible givenness, Kant on the sublime, and the moral argument.The book draws upon ideas from within the Continental philosophy tradition, particularly from Nietzsche, Heidegger and Deleuze. To Nietzsche there is devoted a whole chapter on the subject of sensation and physics, which aims to expand upon and illuminate parallel discussions in the reading of Kant. Readers will find much of interest in this wide-ranging text, including treatments of key features in Kant's epistemology, philosophy of mind, aesthetics, philosophy of religion as well as his practical philosophy.Features* The first book to consider Kant's account of judgement in general.* A unique interpretation of Kant, employing philosophers in the Continental tradition - e.g Nietzsche, Heidegger and Deleuze.* Contains a sustained study of Nietzsche on the subject of sensation and physics. (shrink)

Thus Spoke Zarathustra is considered one of Nietzsche’s most important works, but for many readers it is often impenetrable. This guide provides readers with the tools they need to understand this key philosophical work. Douglas Burnham and Martin Jesinghausen offer a close reading, suggest alternative readings, break down difficult language, and show how the book fits within Nietzsche's larger philosophical project. No other guide deals as successfully with Zarathustra’s stylistic and conceptual challenges.

This chapter considers the relationship between philosophy and literature both as forms of writing and thinking, but also (which is a more original contribution) as historically specific instititutions of enquiry. The argument is that part of the historical and cultural situatedness of philosophy is as a written form of cultural production, but one located within institutions (Universities above all) that already have a different 'department' specialising in understanding written forms of cultural production. This suggests that there might be an overlooked (...) reciprocal influence. In particular, what new challenges for its own thinking can philosophy discover in the contemporary practices of literary analysis? A case study is detailed concerning recent forms of ecological criticism. (shrink)

Beyond Good and Evil is a comprehensive statement of Nietzsche's mature philosophy and is an ideal entry point into Nietzsche's work as a whole. This work explains the key concepts, the range of Nietzsche's concerns, and highlights Nietzsche's writing strategies that are the key to understanding his work and processes of thought.

This chapter contains sections titled: Taste and Discernment Delicacy of Taste and the Supertasters Practices and Comparisons Who Are the True Judges of Wine? Experts and Projects Experts and Evaluation Ideal and Izeal experts ‐ And You The Canon and Ideal Critics: The Special Relationship Levinson's Problems The Canon and Wine Wine Canons and Ideal Wine Critics Taste, the Competencies and Trust Iconic or Iconoclastic Critics Conclusion Notes.

This chapter contains sections titled: Introduction Hermeneutics of the Wineworld Wine and Its Effect on the Subject Experience and Its Effect upon Wine Wine, Food and the Wineworld(s) Terroir Notes.

This chapter contains sections titled: Introduction Wine as a Moving Target Wine as a Vague Object 2030 ‐ A Thought Experiment Wine as “Pure Experience” or as “Rich Object”? The Taster of the Future Conclusions Notes.

How did the universe begin? What is truth? How can we live good live? The Little Book of Philosophy answers these questions and more. Packed with simple explanations, witty illustrations, and step-by-step diagrams that untangle complex theories, you'll find plenty of food for thought in this book, whether you're a novice, a student, or an armchair philosopher"--Page 4 of cover.

In this paper we investigate how knowledge and experience influence aesthetic perception. We begin with a discussion of recent evidence from perceptual research in wine tasting that turn out to have significant implications for aesthetic perception. We argue that these results suggest not only that knowledge and experience (what we call “competencies”) are central to determining what is tasted and how, but that this happens because such competencies are an important part of the type of “project” that is undertaken with (...) respect to the object. Our analyses suggest that there must be a distinct aesthetic project for wine tasting, and that this project must include specific competencies. We believe this conclusion holds also for aesthetic experience more generally. (shrink)