13 found
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  1. An Incredible Shrunken History: A Response to Sean Shesgreen II.James Chandler, Robert Post, Judith Butler, Lorraine Daston, Mario Biagioli, Saba Mahmood, Amy Hollywood, Dudley Andrew, Gertrud Koch & Sheldon Pollock - 2009 - Critical Inquiry 35 (4).
     
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  2.  12
    Concepts in Film Theory.John Mowitt & Dudley Andrew - 1986 - Substance 14 (3):91.
  3.  60
    What Cinema Is!: Bazin's Quest and its Charge.Dudley Andrew - 2010 - Wiley-Blackwell.
    Preface: The target of film theory -- Camera searching in the world -- Is a camera essential? -- Cahiers axiom -- Tracing Bazin's trace -- Images contested today -- Editor's discovery of form -- Bazin's forerunners -- Documentaries in the cauldron of history -- Cahiers line -- Pursuing cinema in the twenty-first century -- Projector as spectator's searchlight -- Power of projection -- Opening the screen's dimensions -- Frame as threshold -- Writing out of the frame -- Evolution of the (...)
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  4.  12
    Questions of Cinema.Dudley Andrew & Stephen Heath - 1983 - Substance 12 (3):95.
  5.  12
    The Core and the Flow of Film Studies.Dudley Andrew - 2009 - Critical Inquiry 35 (4):879-915.
  6.  30
    Tracing Ricoeur.Dudley Andrew - 2000 - Diacritics 30 (2):43-69.
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  7. The Core and the Flow of Film Studies.Dudley Andrew - 2009 - Critical Inquiry 35 (4):878.
  8.  10
    Andre Bazin.Alexander Sesonske & Dudley Andrew - 1978 - Journal of Aesthetics and Art Criticism 37 (2):241.
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  9. A Reply to David Bordwell.Dudley Andrew - 1990 - Iris 6 1:113-116.
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  10. Cognitivism: Quests and Questions.Dudley Andrew - 1989 - Iris 9:1-10.
     
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  11. The Roots of the Nomadic: Gilles Deleuze and the Cinema of West Africa.Dudley Andrew - 2000 - In Gregory Flaxman (ed.), The Brain is the Screen: Deleuze and the Philosophy of Cinema. University of Minnesota Press. pp. 215--249.
     
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  12.  58
    Concepts in Film Theory.Dudley Andrew - 1984 - Oxford University Press.
    Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. (...)
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  13. History and Timelessness in Films and Theory.Dudley Andrew - 1993 - In David E. Klemm & William Schweiker (eds.), Meanings in Texts and Actions: Questioning Paul Ricoeur. University Press of Virginia. pp. 115--32.
     
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