Results for 'Dylan Sabo'

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  1. A Dual-Component View of Propositional Grasping.John Dilworth & Dylan Sabo - 2014 - Erkenntnis 79 (3):511-522.
    On a traditional or default view of the grasping or understanding of a singular proposition by an individual, it is assumed to be a unitary or holistic activity. However, naturalistic views of cognition plausibly could analyze propositional thinking in terms of more than one distinctive functional stage of cognitive processing, suggesting at least the potential legitimacy of a non-unitary analysis of propositional grasping. We outline a novel dual-component view of this kind, and show that it is well supported by current (...)
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  2.  32
    Where Concepts Come From: Learning Concepts by Description and by Demonstration.Dylan Sabo - 2014 - Erkenntnis 79 (3):531-549.
    Jerry Fodor’s arguments against the possibility of concept learning, and the responses that have been offered in defense of the coherence of concept learning, have both by and large assumed that concept learning is a descriptive process. I offer an alternative, ostensive approach to concept learning and explain how descriptive concept learning can be explained as a version of ostensive concept learning. I argue that an ostensive view of concept learning offers an empirically plausible and philosophically adequate account of concept (...)
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  3. Sex, Violence & Power in Sports: Rethinking Masculinity.Michael A. Messner, Donald F. Sabo, Susan Cahn & Angela Schneider - 1995 - Journal of the Philosophy of Sport 22:l43 - 149.
     
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  4.  7
    Targeting MYC in Cancer Therapy: RNA Processing Offers New Opportunities.Cheryl M. Koh, Arianna Sabò & Ernesto Guccione - 2016 - Bioessays 38 (3).
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  5.  2
    Plotinus and Buddhism.Theodore Sabo - 2017 - Philosophy East and West 67 (2):494-505.
    Under the influence of the mysterious Ammonius Saccas, Plotinus conceived a desire to learn Persian and Indian philosophy firsthand. This led him to a romantic participation in the emperor Gordian's ill-fated Persian expedition. He managed to escape to Antioch and two years later began teaching in Rome.1 It is unlikely he was vouchsafed any contact with Hinduism or Buddhism,2 but the parallels between his thought and especially Buddhist philosophy are striking. The parallels with Buddhism are closer than with Hinduism since (...)
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  6.  7
    Ulterior Significance in the Art of Bob Dylan.Glenn Hughes - 2011 - Journal of Macrodynamic Analysis 6:18-40.
    This essay examines the songwriting art of Bob Dylan as a vehicle for exploring and clarifying elements in Bernard Lonergan’s analysis of art. The elements focused upon include Lonergan’s treatment of symbols and symbolic meaning as the communicative medium of art, and, at greater length, Lonergan’s account of art’s capacity for what he calls “ulterior significance,” its ability to suggest depths of meaning—including divine or ultimate meaning—that we surmise to lie beyond our comprehension. Examining songs from the full range (...)
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  7.  9
    Response to Glenn Hughes, “Ulterior Significance in the Art of Bob Dylan”.Patrick Brown - 2011 - Journal of Macrodynamic Analysis 6.
    This essay—originally a conference response to Glenn Hughes’ essay—explores how themes and notions in Lonergan’s philosophy of art extend in surprising and often unnoticed ways into the larger whole of Lonergan’s thought. By the same token, the broader framework of Lonergan’s philosophy sheds a great deal of interesting light on his philosophy of art. The essay explores this mutual illumination in the context of Hughes’ reflections on “ulterior significance.” For example, it relates Lonergan’s notion of art to his heuristic of (...)
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  8.  69
    'I Used to Care, but Things Have Changed': Passion and the Absurd in Dylan's Later Work.Rick Anthony Furtak - 2006 - In Peter Vernezze (ed.), Bob Dylan and Philosophy, edited by Peter Vernezze. pp. 16-28.
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  9.  39
    Towards an Ontology of Bob Dylan.W. J. Richardson - 2010 - Philosophy and Social Criticism 36 (7):763-775.
    This lecture was first delivered at Tulane University, New Orleans, Louisiana, in 1966. What relevance it may have to the Dylan of 2010 only the reader can say.
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  10. Special Section: Dylan and Philosophy: Towards an Ontology of Bob Dylan.William Richardson - 2010 - Philosophy and Social Criticism 36 (7):763-775.
    This lecture was first delivered at Tulane University, New Orleans, Louisiana, in 1966. What relevance it may have to the Dylan of 2010 only the reader can say.
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  11.  9
    Skepticism and Perceptual Justification Edited by Dylan Dodd and Elia Zardini. [REVIEW]Ted Poston - forthcoming - International Journal for the Study of Skepticism.
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  12.  3
    Why Bob Dylan Matters by Richard F. Thomas.Robert J. Ball - 2018 - Classical World: A Quarterly Journal on Antiquity 111 (4):587-589.
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  13. Principal Works: The Themes of Affirmation and Illusion in The Birth of Tragedy and Beyond / Daniel Came ; 'Holding on to the Sublime' : On Nietzsche's Early 'Unfashinable' Project / Keith Ansell-Pearson ; The Gay Science / Christopher Janaway ; Zarathustra : 'That Malicious Dionysian' / Gudrun von Tevenar ; Beyond Good and Evil / Maudemarie Clark and David Dudrick ; Nietzsche's Genealogy / Richard Schacht ; Nietzsche's Antichrist / Dylan Jaggard ; Beholding Nietzsche : Ecce Homo, Fate, and Freedom.Christa Davis Acampora - 2013 - In Ken Gemes & John Richardson (eds.), The Oxford Handbook of Nietzsche. Oxford University Press.
     
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  14. Liberty's Entanglements: Bob Dylan and His Era.A. Honneth - 2010 - Philosophy and Social Criticism 36 (7):777-783.
    (No abstract is available for this citation).
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  15.  1
    Dylan and the Classics. Thomas Why Dylan Matters. Pp. X + 358, Ill. London: William Collins, 2017. Cased, £12.99. Isbn: 978-0-00-824549-8. [REVIEW]Matthew Augustine - forthcoming - The Classical Review:1-3.
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  16.  28
    Dylan Trigg, The Memory of Place. A Phenomenology of the Uncanny.Mădălina Diaconu - 2014 - Studia Phaenomenologica 14:400-407.
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  17.  14
    Dylan and Cohen: Poets of Rock and Roll.Alan Apperley - 2006 - Contemporary Political Theory 5 (3):342-346.
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  18.  25
    Scepticism and Perceptual Justification Edited by Dylan Dodd and Elia Zardini.Stephen Hetherington - 2014 - Australasian Journal of Philosophy 92 (4):817-818.
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  19.  23
    The Political Art of Bob Dylan.John Gaffney - 2012 - Contemporary Political Theory 11 (1):e7 - e10.
  20.  14
    Sport, Men, and the Gender Order: Critical Feminist Perspectives: Michael Messner and Don Sabo, Editors.Mary E. Duquin - 1992 - Journal of the Philosophy of Sport 19 (1):95-99.
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  21.  8
    Dylan Thomas, "Twenty-Four Years": A Philological Reading.Jules Brody - 2015 - Philosophy and Literature 39 (2):508-526.
    Twenty-four years remind the tears of my eyes.In the groin of the natural doorway I crouched like a tailorSewing a shroud for a journeyBy the light of the meat-eating sun.Dressed to die, the sensual strut begun,With my red veins full of money,In the final direction of the elementary townI advance for as long as forever is.1The first problem raised in this poem is the agrammatical status of the word remind, which in normal usage governs either a verbal or phrasal complement. (...)
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  22.  18
    Le héros de la musique populaire américaine: sur sept livres récents consacrés à Bob Dylan.Yves Laberge - 2012 - The European Legacy 17 (1):99 - 102.
    The European Legacy, Volume 17, Issue 1, Page 99-102, February 2012.
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  23.  10
    Tangled Generation: Dylan, Kerouac, Petrarch, and the Poetics of Escape.Timothy Hampton - 2013 - Critical Inquiry 39 (4):703-731.
  24.  8
    Review of Secularisations and Their Debates: Perspectives on the Return of Religion in the Contemporary West, Edited by Matthew Sharpe and Dylan Nickelson. [REVIEW]Clayton Crockett - 2015 - Sophia 54 (1):103-105.
    This volume is the result of a 2010 workshop at Deakin University in Australia on the topic of “Secularization and its Discontents,” which also gives its name to the Introduction. The book concerns an important and cutting-edge theme—the role of religion and secularism in contemporary philosophy, politics, and culture. Some of the chapters are excellent and intrinsically valuable contributions, although the volume overall is a little uneven and could be better organized.The Introduction consists of a fine overview of the topic (...)
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  25.  9
    Bob Dylan's" Highway Shoes": The Hobo-Hero's Road Through Modernity.Todd Kennedy - 2009 - Intertexts 13 (1):37-58.
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  26.  8
    Daedalus, Orpheus, and Dylan Thomas's.Gerald L. Bruns - 1973 - Renascence 25 (3):147-156.
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  27.  8
    Dylan as a Rortian: Bob Dylan, Richard Rorty, Postmodernism, and Political Skepticism. Snaevarr - 2014 - Journal of Aesthetic Education 48 (4):38-49.
    Being a postmodernist means mixing the high brow and the low brow, cultivating multiple selves, rejecting the idea of personal authenticity, and maintaining that truth and knowledge are somehow human creations and relative to human purposes/different cultures. Further, it consists in incredulity toward the idea of progress and lack of belief in reason, plus taking generally a skeptical stance, not least toward political ideologies.1 Indeed, the arch-postmodernist Jean-François Lyotard famously defined postmodernism as “incredulity towards metanarratives”2 . The pragmatist philosopher Richard (...)
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  28.  7
    Edith Sitwell and Dylan Thomas: Neo-Romantics.Mary Julian - 1957 - Renascence 9 (3):120-126.
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  29.  7
    Dylan's Visions of Sin (Review).Belle Randall - 2005 - Common Knowledge 11 (3):490-490.
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  30.  3
    Special Section: Dylan and Philosophy: Liberty’s Entanglements: Bob Dylan and His Era.Axel Honneth - 2010 - Philosophy and Social Criticism 36 (7):777-783.
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  31.  7
    Achilles in the Alleyway: Bob Dylan and Classical Poetry and Myth.Thomas E. Strunk - 2009 - Arion 17 (1):119-136.
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  32.  6
    Imagery of Light in Dylan Thomas.Charles F. Knauber - 1954 - Renascence 6 (2):95-96.
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  33.  6
    Dylan Trigg , The Memory of Place: A Phenomenology of the Uncanny . Reviewed By.Stefan W. Schmidt - 2014 - Philosophy in Review 34 (1-2):91-93.
  34.  6
    Dylan Thomas and the Ark of Art.John Logan - 1960 - Renascence 12 (2):59-66.
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  35.  1
    Dylan as a Rortian: Bob Dylan, Richard Rorty, Postmodernism, and Political Skepticism. Snaevarr - 2014 - Journal of Aesthetic Education 48 (4):38.
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  36.  5
    Dylan and Cohen: Poets of Rock and Roll.Rex Butler - 2006 - Contemporary Political Theory 5 (3):342-346.
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  37.  1
    The Passage of Bob Dylan.Alan Wall - 1973 - New Blackfriars 54 (643):557-564.
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  38. A Philological Reading of a Poem by Dylan Thomas.Jules Brody - 2015 - Philosophy and Literature 39 (2):495-507.
    Last night I dived my beggar armDays deep in her breast that wore no heartFor me alone but only a rocked drumTelling the heart I broke of a good habitThat her loving, unfriendly limbsWould plunge my betrayal from sheet to skySo the betrayed might learn in the sun beamsOf the death in a bed in another country.1This poem, as far as I have been able to determine, has never been the object of any published critical commentary. The only help that (...)
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  39. Daedalus, Orpheus, and Dylan Thomas's: Portrait of the Artist.Gerald L. Bruns - 1973 - Renascence 25 (3):147-156.
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  40. Bob Dylan and Philosophy.Peter Vernezze (ed.) - 2006 - Open Court.
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  41. Bob Dylan: Ultimate Reality and Meaning in Changing Times.Lisa O'neill - 2007 - In B. K. Dalai (ed.), Ultimate Reality and Meaning. Centre of Advanced Study in Sanskrit, University of Pune. pp. 30--1.
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  42. Krister Dylan Knapp. William James: Psychical Research and the Challenge of Modernity. Xiii + 385 Pp., Figs., Bibl., Index. Chapel Hill: University of North Carolina Press, 2017. $39.95. [REVIEW]Andreas Sommer - 2018 - Isis 109 (2):410-411.
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  43. Incompatibilism and "Bypassed" Agency.Gunnar Björnsson - 2014 - In Alfred R. Mele (ed.), Surrounding Free Will. Oxford University Press. pp. 95–112.
    Eddy Nahmias and Dylan Murray have recently argued that when people take agents to lack responsibility in deterministic scenarios, they do so because they take agents’ beliefs, desires and decisions to be bypassed, having no effect on their actions. This might seem like an improbable mistake, but the Bypass Hypothesis is bolstered by intriguing experimental data. Moreover, if the hypothesis is correct, it provides a straightforward error theory for incompatibilist intuitions. This chapter argues that the Bypass Hypothesis, although promising (...)
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  44.  24
    ‘Even the Ghost Was More Than One Person’: Hauntology and Authenticity in Todd Haynes' I'm Not There.Carolyn D'Cruz & Glenn D'Cruz - 2013 - Film-Philosophy 17:315-330.
    If the opening sequence of a film is a microscopic 'event' that achieves far more than setting the tone and whetting the appetite for what we are about to see, then Todd Haynes' I'm Not There is exemplary. This paper works its way through the conceptually dense and intricately woven textual layers of the film's opening to stage a three-way dialogue between Haynes, Bob Dylan and Jacques Derrida: three mavericks who defy simple categorisation, by transgressing the boundaries of their (...)
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  45. The Memory of Place: A Phenomenology of the Uncanny.Dylan Trigg - 2012 - Ohio University Press.
    _ _From the frozen landscapes of the Antarctic to the haunted houses of childhood, the memory of places we experience is fundamental to a sense of self. Drawing on influences as diverse as Merleau-Ponty, Freud, and J. G. Ballard, _The Memory of Place___ __charts the memorial landscape that is written into the body and its experience of the world._ Dylan Trigg’s _The Memory of Place_ _ __offers a lively and original intervention into contemporary debates within “place studies,” an interdisciplinary (...)
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  46.  66
    Emotion: The Science of Sentiment.Dylan Evans - 2001 - Oxford University Press.
    Was love invented by European poets in the middle ages, as C. S. Lewis claimed, or is it part of human nature? Will winning the lottery really make you happy? Is it possible to build robots that have feelings? These are just some of the intriguing questions explored in this new guide to the latest thinking about the emotions. Drawing on a wide range of scientific research, from anthropology and psychology to neuroscience and artificial intelligence, Emotion: The Science of Sentiment (...)
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  47. The Thing: A Phenomenology of Horror.Dylan Trigg - 2014 - Zero Books.
    What is the human body? Both the most familiar and unfamiliar of things, the body is the centre of experience but also the site of a prehistory anterior to any experience. Alien and uncanny, this other side of the body has all too often been overlooked by phenomenology. In confronting this oversight, Dylan Trigg’s The Thing redefines phenomenology as a species of realism, which he terms unhuman phenomenology. Far from being the vehicle of a human voice, this unhuman phenomenology (...)
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  48.  81
    Safety, Skepticism, and Lotteries.Dylan Dodd - 2012 - Erkenntnis 77 (1):95-120.
    Several philosophers have claimed that S knows p only if S’ s belief is safe, where S's belief is safe iff (roughly) in nearby possible worlds in which S believes p, p is true. One widely held intuition many people have is that one cannot know that one's lottery ticket will lose a fair lottery prior to an announcement of the winner, regardless of how probable it is that it will lose. Duncan Pritchard has claimed that a chief advantage of (...)
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  49.  23
    Miles Kennedy: Home: A Bachelardian Concrete Metaphysics. [REVIEW]Dylan Trigg - 2012 - Continental Philosophy Review 45 (2):307-310.
    Miles Kennedy: Home: A Bachelardian concrete metaphysics Content Type Journal Article Pages 1-4 DOI 10.1007/s11007-012-9212-2 Authors Dylan Trigg, Centre de Recherche en Épistémologie Appliquée, Paris, France Journal Continental Philosophy Review Online ISSN 1573-1103 Print ISSN 1387-2842.
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  50. The Aesthetics of Decay: Nothingness, Nostalgia, and the Absence of Reason.Dylan Trigg - 2006 - Peter Lang.
    In The Aesthetics of Decay, Dylan Trigg confronts the remnants from the fallout of post-industrialism and postmodernism. Through a considered analysis of memory, place, and nostalgia, Trigg argues that the decline of reason enables a critique of progress to emerge. In this ambitious work, Trigg aims to reassess the direction of progress by situating it in a spatial context. In doing so, he applies his critique of rationality to modern ruins. The derelict factory, abandoned asylum, and urban alleyway all (...)
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