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Dylan Trigg
University College Dublin
  1.  13
    Unconsciousness Between Phenomenology and Psychoanalysis.Dylan Trigg & Dorothée Legrand (eds.) - 2017 - Springer Verlag.
    This book contains a series of essays that explore the concept of unconsciousness as it is situated between phenomenology and psychoanalysis. A leading goal of the collection is to carve out phenomenological dimensions within psychoanalysis and, equally, to carve out psychoanalytical dimensions within phenomenology. The book examines the nature of unconsciousness and the role it plays in structuring our sense of self. It also looks at the extent to which the unconscious marks the body as it functions outside of experience (...)
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  2. The Memory of Place: A Phenomenology of the Uncanny.Dylan Trigg - 2012 - Ohio University Press.
    _ _From the frozen landscapes of the Antarctic to the haunted houses of childhood, the memory of places we experience is fundamental to a sense of self. Drawing on influences as diverse as Merleau-Ponty, Freud, and J. G. Ballard, _The Memory of Place___ __charts the memorial landscape that is written into the body and its experience of the world._ Dylan Trigg’s _The Memory of Place_ _ __offers a lively and original intervention into contemporary debates within “place studies,” an interdisciplinary field (...)
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  3. The Role of the Earth in Merleau-Ponty’s Archaeological Phenomenology.Dylan Trigg - 2014 - Chiasmi International 16:255-273.
    This paper argues that the concept of the Earth plays a pivotal role in Merleau-Ponty’s thinking in two ways. First, the concept assumes a special importance in terms of Merleau-Ponty’s relation to Husserl via the fragment known as “The Earth Does Not Move.” Two, from this fragment, the Earth marks a key theme around which Merleau-Ponty’s late philosophy revolves. In particular, it is with the concept of the Earth that Merleau-Ponty will develop his archaeologically oriented phenomenology. To defend this claim, (...)
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  4. The Thing: A Phenomenology of Horror.Dylan Trigg - 2014 - Zero Books.
    What is the human body? Both the most familiar and unfamiliar of things, the body is the centre of experience but also the site of a prehistory anterior to any experience. Alien and uncanny, this other side of the body has all too often been overlooked by phenomenology. In confronting this oversight, Dylan Trigg’s The Thing redefines phenomenology as a species of realism, which he terms unhuman phenomenology. Far from being the vehicle of a human voice, this unhuman phenomenology gives (...)
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  5.  51
    On the Role of Depersonalization in Merleau-Ponty.Dylan Trigg - 2017 - Phenomenology and the Cognitive Sciences 16 (2):275-289.
    This essay considers the role of depersonalization in the philosophy of Merleau-Ponty. While there has been a modest amount of interest in depersonalization from a phenomenological perspective, a critical exploration of the theme of depersonalization in Merleau-Ponty’s thinking itself remains overlooked ; Colombetti and Ratcliffe. This is an oddity, given that the theme of depersonalization proves instructive in Merleau-Ponty’s account of the constitution of the subject, and appears within Phenomenology of Perception at key points in his thinking. This paper serves (...)
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  6. The Aesthetics of Decay: Nothingness, Nostalgia, and the Absence of Reason.Dylan Trigg - 2006 - Peter Lang.
    In The Aesthetics of Decay, Dylan Trigg confronts the remnants from the fallout of post-industrialism and postmodernism. Through a considered analysis of memory, place, and nostalgia, Trigg argues that the decline of reason enables a critique of progress to emerge. In this ambitious work, Trigg aims to reassess the direction of progress by situating it in a spatial context. In doing so, he applies his critique of rationality to modern ruins. The derelict factory, abandoned asylum, and urban alleyway all become (...)
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  7.  55
    Miles Kennedy: Home: A Bachelardian Concrete Metaphysics: Oxford and Bern, Peter Lang, 2011, Xiv + 170 Pp, $55.95 ISBN 3039119907. [REVIEW]Dylan Trigg - 2012 - Continental Philosophy Review 45 (2):307-310.
    Miles Kennedy: Home: A Bachelardian concrete metaphysics Content Type Journal Article Pages 1-4 DOI 10.1007/s11007-012-9212-2 Authors Dylan Trigg, Centre de Recherche en Épistémologie Appliquée, Paris, France Journal Continental Philosophy Review Online ISSN 1573-1103 Print ISSN 1387-2842.
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  8.  37
    “The Indestructible, the Barbaric Principle”: The Role of Schelling in Merleau-Ponty’s Psychoanalysis.Dylan Trigg - 2016 - Continental Philosophy Review 49 (2):203-221.
    The aim of this paper is to examine Merleau-Ponty’s idea of a “psychoanalysis of Nature”. My thesis is that in order to understand the creation of a Merleau-Pontean psychoanalysis, we need to ultimately understand the place of Schelling in Merleau-Ponty’s late thought. Through his dialogue with Schelling, Merleau-Ponty will be able to formulate not only a psychoanalysis of Nature, but also fulfil the ultimate task of phenomenology itself; namely, of identifying “what resists phenomenology—natural being, the ‘barbarous’ source Schelling spoke of” (...)
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  9. The Body of the Other: Intercorporeality and the Phenomenology of Agoraphobia. [REVIEW]Dylan Trigg - 2013 - Continental Philosophy Review 46 (3):413-429.
    How is our experience of the world affected by our experience of others? Such is the question I will be exploring in this paper. I will do so via the agoraphobic condition. In agoraphobia, we are rewarded with an enriched glimpse into the intersubjective formation of the world, and in particular to our embodied experience of that social space. I will be making two key claims. First, intersubjectivity is essentially an issue of intercorporeality, a point I shall explore with recourse (...)
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  10. The Return of the New Flesh: Body Memory in David Cronenberg and Merleau-Ponty.Dylan Trigg - 2011 - Film-Philosophy 15 (1):82-99.
    From the “psychoplasmic” offspring in The Brood (1979) to the tattooed encodings in Eastern Promises (2007), David Cronenberg presents a compelling vision of embodiment, which challenges traditional accounts of personal identity and obliges us to ask how human beings persist through different times, places, and bodily states while retaining their sameness. Traditionally, the response to this question has emphasised the importance of cognitive memory in securing the continuity of consciousness. But what has been underplayed in this debate is the question (...)
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  11. "The Horror of Darkness": Toward an Unhuman Phenomenology.Dylan Trigg - 2013 - Speculations:113-121.
    Emmanuel Levinas is often thought of as a philosopher of ethics, above all else. Indeed, his notions of the face, the Other, and alterity have all earned him a distinguished place in the history of phenomenology as a fundamental thinker of ethics as a first philosophy. But what has been overlooked in this attention on ethics is the early work of Levinas, which reveals him less a philosopher of the Other and more as a philosopher of elemental and anonymous being, (...)
     
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  12. Schopenhauer and the Sublime Pleasure of Tragedy.Dylan Trigg - 2004 - Philosophy and Literature 28 (1):165-179.
    : In 1999, Philosophy and Literature gave the top prize in its annual Bad Writing Contest to Judith Butler, and the national press echoed the journal in denouncing critical theory as overblown, jargon-ridden, and ungrammatical. Academic theorists reacted with pique, but not a soul in the public sphere came to their defense. Now, the professors have issued an anthology justifying their prose and denouncing Denis Dutton and other critics of bad writing. They claim that bad, or rather "difficult" writing has (...)
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  13. The Flesh of the Forest: Wild Being in Merleau-Ponty and Werner Herzog.Dylan Trigg - 2012 - Emotion, Space and Society 5 (3):141–147.
    The history of the sublime within aesthetics has tended to focus on the natural world. Within this history, the sublime has been a category reserved for awe-inspiring and overwhelming experiences, in which the finite subject is dwarfed by a more expansive force. Despite subjectivity being foremost in this topic, what has been overlooked, is the role the body plays in being the centre of aesthetic experience. In this paper, I will turn the tide on this omission and thematize the role (...)
     
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  14.  15
    Book Reviews. [REVIEW]Jon Anderson, Ulrich Mühe, Dylan Trigg, Nathan Andersen & Cindy Ott - 2007 - Ethics, Place and Environment 10 (2):245 – 255.
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  15.  7
    Atmospheres and Shared Emotions.Dylan Trigg (ed.) - 2021
    This book investigates key issues such as relation between atmospheres & moods, how atmospheres define psychopathological conditions such as anxiety & schizophrenia, what role it plays in producing shared aesthetic experiences, & the significance of atmospheres in political events.
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  16.  9
    City of Panic, Paul Virilio.Dylan Trigg - 2008 - Journal of the British Society for Phenomenology 39 (1):111-113.
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  17.  15
    Galen A. Johnson , The Retrieval of the Beautiful: Thinking Through Merleau-Ponty's Aesthetics . Reviewed By.Dylan Trigg - 2012 - Philosophy in Review 32 (4):282-284.
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  18.  16
    George J. Marshall , A Guide to Merleau-Ponty's Phenomenology of Perception . Reviewed By.Dylan Trigg - 2012 - Philosophy in Review 32 (5):398-400.
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  19. Hypnagogia, Anxiety, Depersonalization: A Phenomenological Perspective.Dylan Trigg - 2017 - In Dylan Trigg & Dorothée Legrand (eds.), Unconsciousness Between Phenomenology and Psychoanalysis. Springer Verlag.
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  20.  2
    “It Happens, But I’m Not There”: On the Phenomenology of Childbirth.Dylan Trigg - 2021 - Human Studies 44 (4):615-633.
    Phenomenologically grounded research on pregnancy is a thriving area of activity in feminist studies and related disciplines. But what has been largely omitted in this area of research is the experience of childbirth itself. This paper proposes a phenomenological analysis of childbirth inspired by the work of Merleau-Ponty. The paper proceeds from the conviction that the concept of anonymity can play a critical role in explicating the affective structure of childbirth. This is evident in at least two respects. First, the (...)
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  21.  13
    Lost in the Supermarket.Dylan Trigg - 2017 - The Forum.
    Dylan Trigg on anxiety, phobia, and phenomenology.
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  22. Ruins of Modernity. [REVIEW]Dylan Trigg - 2011 - Clio: A Journal of Literature, History, and the Philosophy of History 41 (1):134-137.
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  23.  2
    Situated Anxiety: A Phenomenology of Agoraphobia.Dylan Trigg - 2018 - In Annika Schlitte & Thomas Hünefeldt (eds.), Situatedness and Place: Multidisciplinary Perspectives on the Spatio-Temporal Contingency of Human Life. Springer Verlag. pp. 187-201.
    Anxiety is sometimes thought of as either a state of mind, lacking a thick spatial depth, or otherwise conceived as something that individuals undergo alone. Such presuppositions are evident both conceptually and clinically. In this paper, I present a contrasting account of anxiety as being a situated affect. I develop this claim by pursuing a phenomenological analysis of agoraphobia. Far from a disembodied, displaced, and solitary state of mind, agoraphobic is revealed as being thickly mediated by bodily, spatial, and intersubjective (...)
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  24. Shared Emotions and Atmospheres.Dylan Trigg (ed.) - forthcoming
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  25.  23
    The Aesthetics of Ruins (Review).Dylan Trigg - 2006 - Journal of Aesthetic Education 40 (4):118-121.
    This book constructs a theory of ruins that celebrates their vitality and unity in aesthetic experience. Its argument draws upon over 100 illustrations prepared in 40 countries. Ruins flourish as matter, form, function, incongruity, site, and symbol. Ruin underlies cultural values in cinema, literature and philosophy. Finally, ruin guides meditations upon our mortality and endangered world.
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  26.  8
    The Return of the New Flesh : Body Memory in David Cronenberg’s The Fly.Dylan Trigg - 2011 - Film-Philosophy 15 (1):82-99.
    From the “psychoplasmic” offspring in The Brood (1979) to the tattooed encodings in Eastern Promises (2007), David Cronenberg presents a compelling vision of embodiment, which challenges traditional accounts of personal identity and obliges us to ask how human beings persist through different times, places, and bodily states while retaining their sameness. Traditionally, the response to this question has emphasised the importance of cognitive memory in securing the continuity of consciousness. But what has been underplayed in this debate is the question (...)
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