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  1. Editorial Introduction.J. Goguen & E. Myin - 2004 - Journal of Consciousness Studies 11 (3-4):5-8.
    Music raises many problems for those who would understand it more deeply. It is rooted in time, yet timeless. It is pure form, yet conveys emotion. It is written, but performed, interpreted, improvised, transcribed, recorded, sampled, remixed, revised, rebroadcast, reinterpreted, and more. Music can be studied by philosophers, psychologists, sociologists, mathematicians, biologists, computer scientists, neuro-scientists, critics, politicians, promoters, and of course musicians. Moreover, no single perspective seems either sufficient or invalid. This situation is not so different from that of other (...)
     
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  2. Perceptual Consciousness, Access to Modality and Skill Theories. A Way to Naturalize Phenomenology? E. Myin & J. O'regan - 2002 - Journal of Consciousness Studies 9 (1):27-46.
    We address the thesis recently proposed by Andy Clark, that skill-mediated access to modality implies phenomenal feel. We agree that a skill theory of perception does indeed offer the possibility of a satisfactory account of the feel of perception, but we claim that this is not only through explanation of access to modality but also because skill actually provides access to perceptual property in general. We illustrate and substantiate our claims by reference to the recently proposed 'sensorimotor contingency' theory of (...)
     
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