Results for 'Eco Haitsma Mulier'

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  1. A controversial republican: Dutch views on Machiavelli in the seventeenth and eighteenth centuries.Eco Haitsma Mulier - 1990 - In Gisela Bock, Quentin Skinner & Maurizio Viroli (eds.), Machiavelli and Republicanism. Cambridge University Press.
  2. A Controversial Republican: Dutch Views on Machiavelli in Seventeenth and Eighteenth Centuries.Eco Haitsma Mulier - 1990 - In Gisela Bock, Quentin Skinner & Maurizio Viroli (eds.), Machiavelli and Republicanism. Cambridge University Press.
  3.  4
    La struttura assente.Umberto Eco - 1980 - Milano: T. Bompiani.
    La crisi dello strutturalismo e i confini della semiotica in un volume importante della produzione di Eco. Un libro che trova la sua continuazione ideale in 'Lector in fabula'.
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  4.  6
    Face your fears: direct and indirect measurement of responses to looming threats.Lana Mulier, Hendrik Slabbinck & Iris Vermeir - 2024 - Cognition and Emotion 38 (1):187-197.
    This study investigated the emotional and behavioural effects of looming threats using both recalled (self-reported valence) and real-time response measurements (facial expressions). The looming bias refers to the tendency to underestimate the time of arrival of rapidly approaching (looming) stimuli, providing additional time for defensive reactions. While previous research has shown negative emotional responses to looming threats based on self-reports after stimulus exposure, facial expressions offer valuable insights into emotional experiences and non-verbal behaviour during stimulus exposure. A face reading experiment (...)
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  5.  4
    Storia della bellezza.Umberto Eco (ed.) - 2004 - Milano: Bompiani.
  6.  3
    Signo.Umberto Eco - 1976 - Barcelona: Labor.
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  7. Il problema estetico in san Tommaso.Umberto Eco - 1956 - Torino,: Edizioni di "Filosofia".
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  8.  3
    Opera aperta.Umberto Eco - 1967 - Milano,: Bompiani.
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  9.  2
    Sull'arte: scritti dal 1955 al 2016.Umberto Eco - 2022 - Milano: La nave di Teseo. Edited by Vincenzo Trione.
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  10.  3
    Foucault’s Pendulum vol. 1.Umberto Eco - 2007 - Houghton Mifflin Harcourt.
    A literary prank leads to deadly danger in this “endlessly diverting” intellectual thriller by the author of The Name of the Rose (Time). Bored with their work, three Milanese book editors cook up an elaborate hoax that connects the medieval Knights Templar with occult groups across the centuries. Becoming obsessed with their own creation, they produce a map indicating the geographical point from which all the powers of the earth can be controlled—a point located in Paris, France, at Foucault’s Pendulum. (...)
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  11.  2
    On the shoulders of giants.Umberto Eco - 2019 - Cambridge, Massachusetts: The Belknap Press of Harvard University Press. Edited by Alastair McEwen.
    On the Shoulders of Giants collects previously unpublished essays from the last fifteen years of Umberto Eco's life. With humor and erudition, one of the great contemporary thinkers takes on the roots of Western culture, the origin of language, the nature of beauty and ugliness, the imperfections of art, and the lure of mysteries.
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  12.  1
    La filosofia e le sue storie: l'età contemporanea.Umberto Eco & Riccardo Fedriga (eds.) - 2015 - Roma: GLF editori Laterza.
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  13.  2
    La filosofia e le sue storie: l'età moderna.Umberto Eco & Riccardo Fedriga (eds.) - 2015 - Roma: GLF editori Laterza.
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  14.  68
    Semiotics and the Philosophy of Language.Umberto Eco - 1986 - Advances in Semiotic.
    "Eco wittily and enchantingly develops themes often touched on in his previous works, but he delves deeper into their complex nature... this collection can be read with pleasure by those unversed in semiotic theory." —Times Literary Supplement.
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  15.  1
    Sulle spalle dei giganti: lezioni alla Milanesiana, 2001-2015.Umberto Eco - 2017 - Milano: La nave di Teseo.
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  16. A Theory of Semiotics.Umberto Eco - 1977 - Philosophy and Rhetoric 10 (3):214-216.
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  17.  11
    Kant and the Platypus: Essays on Language and Cognition.Umberto Eco - 2000 - Houghton Mifflin Harcourt.
    A collection of essays discusses such topics as the nature of perception, the semiotic links between cognition and language, and iconism, with imaginative fables featuring animal heroes to illustrate the main points.
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  18.  53
    The open work.Umberto Eco - 1989 - Cambridge, Mass.: Harvard University Press.
    Essays discuss poetry, communication, television, form, aesthetics, bad taste, and art.
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  19.  30
    The Role of the Reader: Explorations in the Semiotics of Texts.Umberto Eco - 1979 - Journal of Aesthetics and Art Criticism 38 (3):336-337.
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  20.  37
    The Limits of Interpretation.Umberto Eco - 1994 - Noûs 28 (1):119-122.
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  21.  42
    The Sign of Three: Dupin, Holmes, Peirce vol. 1.Umberto Eco & Thomas Albert Sebeok - 1982 - Indiana University Press.
    "... fascinating throughout.... the book is recreative in the highest sense." —Arthur C. Danto, The New Republic "A gem for Holmes fans and armchair detectives with a penchant for logical reflection, and Peirce scholars." —Library Journal.
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  22.  15
    La struttura assente. La ricerca semiotica e il metodo strutturale.Umberto Eco - 2004 - T. Bompiani.
    La crisi dello strutturalismo e i confini della semiotica in un volume importante della produzione di Eco. Un libro che trova la sua continuazione ideale in 'Lector in fabula'.
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  23.  41
    Interpretation and Overinterpretation.Umberto Eco, Richard Rorty, Jonathan Culler, Christine Brooke-Rose & Stefan Collini - 1993 - Journal of Aesthetics and Art Criticism 51 (4):632-634.
  24.  84
    Art and beauty in the Middle Ages.Umberto Eco - 1986 - New Haven: Yale University Press.
    In this book, the Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas.
  25.  6
    Kant e l'ornitorinco.Umberto Eco - 1997
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  26.  12
    Semiotica e filosofia del linguaggio.Umberto Eco - 1984
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  27.  5
    On the Medieval Theory of Signs.Umberto Eco & Costantino Marmo (eds.) - 1989 - Benjamins.
    In the course of the long debate on the nature and the classification of signs, from Boethius to Ockham, there are at least three lines of thought: the Stoic heritage, that influences Augustine, Abelard, Francis Bacon; the Aristotelian tradition, stemming from the commentaries on De Interpretatione; the discussion of the grammarians, from Priscian to the Modistae. Modern interpreters are frequently misled by the fact that the various authors regularly used the same terms. Such a homogeneous terminology, however, covers profound theoretical (...)
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  28.  63
    Il nome della cosa.Umberto Eco & Patrizia Violi - unknown
    Esperimento mentale: siete Immanuel Kant, vi trovate in Australia, e ve ne state andando a passeggio. A un tratto scorgete una strana bestiola in riva al lago. Ha gli occhi di una talpa, ma sarà grande dieci volte tanto. Ha il becco di un’anatra, ma non ha le ali; e non ha piume bensì una fitta pelliccia che la fa assomigliare semmai a una lontra. La coda poi sembra quella di un castoro; e le zampe hanno dita palmate, ma con (...)
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  29.  8
    Interview: Umberto Eco.Umberto Eco, Adelaida Lopez, Marithelma Costa & Donald Tucker - 1987 - Diacritics 17 (1):46.
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  30.  6
    Opera aperta: forma e indeterminazione nelle poetiche contemporanee.Umberto Eco - 1976 - Milano: Bompiani.
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  31.  24
    The Aesthetics of Thomas Aquinas.Umberto Eco & Hugh Bredin - 1988 - Journal of Aesthetics and Art Criticism 47 (1):100.
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  32.  10
    Conversations About the End of Time: Umberto Eco, Stephen Jay Gould, Jean-Claude Carriere, Jean Delumeau.Umberto Eco, Catherine David, Frédéric Lenoir & Jean-Philippe de Tonnac (eds.) - 2000 - Fromm International.
    Umberto Eco -- Stephen Jay Gould -- Jean-Claude Carrière -- Jean Delumeau.
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  33.  77
    Apocalypse Postponed: Essays by Umberto Eco.Umberto Eco - 2000 - Indiana University Press.
    An erudite and witty collection of Umberto Eco's essays on mass culture from the 1960s through the 1980s, including major pieces which have not been translated into English before. The discussion is framed by opposing characterizations of current intellectuals as apocalyptic and opposed to all mass culture, or as integrated intellectuals, so much a part of mass culture as to be unaware of serving it. Organized in four main parts, "Mass Culture: Apocalypse Postponed," "Mass Media and the Limits of Communication," (...)
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  34. On the ontology of fictional characters: A semiotic approach.Umberto Eco - 2009 - Sign Systems Studies 37 (1/2):82-97.
    Why are we deeply moved by the misfortune of Anna Karenina if we are fully aware that she is simply a fictional character who does not exist in our world?But what does it mean that fictional characters do not exist? The present article is concerned with the ontology of fictional characters. The author concludes thatsuccessful fictional characters become paramount examples of the ‘real’ human condition because they live in an incomplete world what we have cognitive access to but cannot influence (...)
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  35. La structure absente: introduction à la recherche sémiotique.Umberto Eco - 1984 - Mercure de France.
    A mesure qu'ils avancent dans leur œuvre de prospection, les sémioticiens s'aperçoivent que tout est communication, la langue bien sûr, mais aussi les images, les sons, les objets, les gestes, et que tous ces phénomènes constituent des systèmes de signes qui doivent être étudiés en ramenant chaque message aux codes qui en régissent l'émission et la compréhension. Comprendre les systèmes de signes impose toutefois d'envisager les codes comme des structures, puis de recouvrir à des structures toujours plus vastes, dans un (...)
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  36.  2
    Arte e bellezza nell'estetica medievale.Umberto Eco - 1997 - Milano: Bompiani.
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  37.  2
    Il problema estetico in Tommaso d'Aquino.Umberto Eco - 1970 - Milano,: V. Bompiani.
  38. Meaning and Mental Representations.Umberto Eco, Marco Santambrogio & Patrizia Violi (eds.) - 1988 - Indiana University Press.
    "... an excellent collection... " —Journal of Language & Social Psychology An important collection of original essays by well-known scholars debating the questions of logical versus psychologically-based interpretations of language.
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  39. The aesthetics of Thomas Aquinas.Umberto Eco - 1988 - Cambridge, Mass.: Harvard University Press.
    As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and ...
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  40.  88
    A Componential Analysis of the Architectural Sign /Column.Umberto Eco - 1972 - Semiotica 5 (2).
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  41. Einführung in Die Semiotik. Autorisierte Deutsche Ausgabe von Jürgen Trabant.Umberto Eco - 1972 - W. Fink.
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  42. La struttura assente: introduzione alla ricerca semiologica.Umberto Eco - 1968 - Milano: Bompiani.
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  43. History of beauty.Umberto Eco & Alastair McEwen (eds.) - 2005 - New York: Rizzoli.
    What is beauty? What is art? What is taste and fashion? Is beauty something to be observed coolly and rationally or is it something dangerously involving? So begins Umberto Eco's intriguing journey into the aesthetics of beauty, in which he explores the ever-changing concept of the beautiful from the ancient Greeks to today. While closely examining the development of the visual arts and drawing on works of literature from each era, Eco broadens his enquiries to consider a range of concepts, (...)
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  44.  74
    On ugliness.Umberto Eco (ed.) - 2007 - New York: Rizzoli.
    In a companion volume to his "History of Beauty," the renowned philosopher and cultural critic analyzes our attraction to the gruesome, horrific, and repellant in visual culture and the arts, drawing on abundant examples of painting and sculpture, ranging from antiquity to the works of Bosch, Goya, and others.
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  45. "Casablanca": Cult Movies and Intertextual Collage.Umberto Eco - 1985 - Substance 14 (2):3.
  46.  32
    Semiotics and the Philosophy of Language.Jane A. Nicholson & Umberto Eco - 1985 - Substance 14 (2):105.
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  47. Meaning and denotation.Umberto Eco - 1987 - Synthese 73 (3):549 - 568.
  48.  2
    Sugli specchi e altri saggi: il segno, la rappresentazione, l'illusione, l'immagine.Umberto Eco - 1995
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  49.  2
    Storia della bruttezza.Umberto Eco (ed.) - 2007 - [Milan, Italy]: Bompiani.
  50. Obra aberta: formas e indeterminação nas poéticas contempor'neas.Umberto Eco - 2015 - Editora Perspectiva S.A..
    Enfoque revolucionário e atual dos problemas da estética e da teoria da informação, este livro é uma leitura obrigatória para todo aquele que, de algum modo, se ocupa da literatura, do teatro, da crítica, da publicidade, do design industrial e das artes plásticas, entre outras áreas. - As sucessivas reedições e o papel que desempenharam na formação e no debate de ideias, bem como na visão e na escritura de mundo que a antropologia, a semiótica e a tecnologia instituíram no (...)
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