8 found
Edward Branigan [9]Edward R. Branigan [1]
  1. Projecting a Camera : Language-Games in Film Theory.Edward Branigan - 2006 - Routledge.
    In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in (...)
    Direct download  
    Export citation  
    Bookmark   3 citations  
  2.  18
    Narration in Light: Studies in Cinematic Point of View.Edward Branigan - 1988 - Substance 17 (2):118.
  3. Sound and Epistemology in Film.Edward Branigan - 1989 - Journal of Aesthetics and Art Criticism 47 (4):311-324.
  4. Nearly True: Forking Plots, Forking Interpretations: A Response to David Bordwell's "Film Futures".Edward Branigan - 2002 - Substance 31 (1):105.
  5. O Plano-Ponto-de-Vista.Edward Branigan - forthcoming - Teoria.
    No categories
    Export citation  
  6.  21
    Narration in the Fiction FilmPoint of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film.Charles O'Brien, David Bordwell & Edward Branigan - 1986 - Substance 15 (3):96.
    Direct download (2 more)  
    Export citation  
  7. Diegesis and Authorship in Film.Edward Branigan - 1986 - Iris 7:37-54.
    Export citation  
  8. Sound, Epistemology, Film.Edward Branigan - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press.
    Export citation  
    Bookmark   1 citation