8 found
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Edward Branigan [8]Edward R. Branigan [1]
  1. Nearly True: Forking Plots, Forking Interpretations: A Response to David Bordwell's "Film Futures".Edward Branigan - 2002 - Substance 31 (1):105.
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  2.  97
    Sound and Epistemology in Film.Edward Branigan - 1989 - Journal of Aesthetics and Art Criticism 47 (4):311-324.
  3.  7
    Narration in Light: Studies in Cinematic Point of View.Edward Branigan & George M. Wilson - 1988 - Substance 17 (2):118.
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    Narration in the Fiction FilmPoint of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film.Charles O'Brien, David Bordwell & Edward Branigan - 1986 - Substance 15 (3):96.
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  5. Diegesis and Authorship in Film.Edward Branigan - 1986 - Iris 7:37-54.
     
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  6. O Plano-Ponto-de-Vista.Edward Branigan - forthcoming - Teoria.
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  7.  90
    Projecting a Camera : Language-Games in Film Theory.Edward Branigan - 2006 - Routledge.
    In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in (...)
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  8. Sound, Epistemology, Film.Edward Branigan - 1999 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press.
     
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