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  1.  9
    The World Is Not Enough.Edward Winters - 2018 - The Monist 101 (1):83-98.
    This paper considers the line drawn between art and the everyday; and some attempts to erase it by artists and art theorists. We look at the sensibility of artists who notice and make work from everyday experience. In modernity the conscription of everyday materials and objects to collage and assemblage develops this sensibility within an aesthetic conception of visual art. Looking at Duchamp’s readymades, we consider his claim that these objects are chosen with indifference to their aesthetic properties. We then (...)
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  2.  4
    Collaborative Art in the Twenty-First Century.Edward Winters - forthcoming - British Journal of Aesthetics:ayx043.
    © British Society of Aesthetics 2018. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.comThis collection is part of the new Routledge ‘Advances in Art and Visual Studies’ series. As such it brings together philosophers, art educators, practising artists, practising collaborative artists, art historians, semioticians, media and communications specialists, and a novelist and short story writer who also describes himself as an art writer. The field of art history (...)
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  3. Pictorial Variations.Edward Winters - 1998 - British Journal of Aesthetics 38 (3):294-306.
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  4.  28
    Monsters of Architecture: Anthropomorphism in Architectural Theory.Edward Winters & Marco Frascari - 1993 - Philosophical Quarterly 43 (171):251.
    '...deserves serious attention among new theories in architecture, and is recommended for all university architectural collections.'|s CHOICE.
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  5.  58
    Technological Progress and Architectural Response.Edward Winters - 1991 - British Journal of Aesthetics 31 (3):251-258.
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  6.  8
    The Classical Vernacular: Architectural Principles in an Age of Nihilism.Edward Winters & Roger Scruton - 1996 - Philosophical Quarterly 46 (185):535.
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  7.  12
    The Aesthetics of Architecture.Edward Winters - 2015 - The European Legacy 20 (7):803-805.
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  8.  20
    A Dance to the Music of Architecture.Edward Winters - 2011 - Journal of Aesthetics and Art Criticism 69 (1):61-67.
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  9.  8
    On Aesthetic Appreciation.Edward Winters - 1998 - Journal of Aesthetic Education 32 (2):1.
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  10.  4
    Critical Aesthetics and Postmodernism.Art and Embodiment.Edward Winters & Paul Crowther - 1995 - Philosophical Quarterly 45 (178):103.
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  11.  1
    The Re-Enchantment of the World: Art Versus Religion: Book Reviews. [REVIEW]Edward Winters - 2009 - British Journal of Aesthetics 49 (1):85-88.
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  12.  6
    Aesthetic Representations (in Memory of Ruby Meager 1916–1992).Edward Winters - 1994 - British Journal of Aesthetics 34 (1):13-24.
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  13.  5
    Book Reviews. [REVIEW]Edward Winters - 1995 - British Journal of Aesthetics 35 (3):295-296.
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  14.  2
    Image Economies and the Erotic Life of the Unlovely.Edward Winters - 2013 - In Hans Maes (ed.), Pornographic Art and the Aesthetics of Pornography. Palgrave-Macmillan. pp. 119.
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  15. Architecture.Edward Winters - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  16. Aesthetics and Architecture.Edward Winters - 2008 - Journal of Aesthetics and Art Criticism 66 (3):305-307.
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