Results for 'Eero Hyvönen'

59 found
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  1.  6
    Eero Tarasti, Existential Semiotics.Aurel Codoban - 2007 - Journal for the Study of Religions and Ideologies 6 (17):134-141.
    Eero Tarasti, Existential Semiotics Indiana University Press, Bloomington and Indianapolis, 2001.
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  2. [Book Review] Soviet Marxism and Analytical Philosophies of History, Eero Loone; Translated by Brian Pearce. [REVIEW]Loone Eero Nikolaevich - 1994 - Science and Society 58 (3).
     
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  3.  12
    Eero Repo: Der Begriff 'Rhëma? im Biblisch-Griechischen. Eine traditionsgeschichtliche und semologische Untersuchung. Pp. 204. Helsinki: Academia Scientiarum Fennica, 1951. Paper, 600 mk. [REVIEW]T. W. Manson - 1953 - The Classical Review 3 (3-4):199-.
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  4.  4
    Eero Tarasti's Existential Semiotics.Karen J. Greenberg - 2005 - American Journal of Semiotics 21 (1/4):92-100.
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  5.  3
    Music and Antimetaphor (to Eero Tarasti).Daniel Charles - 1995 - In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 121--27.
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  6.  2
    EERO N. LOONE, "Sovremennaia Filosofiia Istorii". [REVIEW]James P. Scanlan - 1983 - History and Theory 22 (3):311.
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  7.  1
    "Industrial Versailles": Eero Saarinen's Corporate Campuses for GM, IBM, and AT&T.Scott G. Knowles & Stuart W. Leslie - 2001 - Isis 92 (1):1-33.
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  8. Review of Veikko Rantala, Lewis Rowell, Eero Tarasti : Essays on the philosophy of music. [REVIEW]Stephen Davies - 1989 - Theoria 55 (2):137.
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  9. Two Musical Semiologists (Eero Tarasti, A'Theory of Musical Semiotics' and David Lidov,'Elements of Semiotics').Raymond Monelle - 1999 - Semiotica 123 (3-4):349-355.
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  10.  21
    Musical Semiotics in Growth.Eero Tarasti, Paul Forsell & Richard Littlefield (eds.) - 1996 - International Semiotics Institute.
    (by a semiotician) EERO TARASTI A semiotic interpretation of the two last centuries in the history of Western art music is in many respects a challenging ...
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  11.  8
    Boundaries Between Business and Politics: A Study on the Division of Moral Labor.Jukka Mäkinen & Eero Kasanen - 2016 - Journal of Business Ethics 134 (1):103-116.
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  12.  8
    In Defense of a Regulated Market Economy.Jukka Mäkinen & Eero Kasanen - 2015 - Journal of Global Ethics 11 (1):99-109.
    The dominant understanding of political corporate social responsibility suggests new, broader political roles for businesses in the globalized economy, challenging the classical liberal social order. In this paper, we show how the major framing of the political CSR discussion not only challenges the classical liberal social order but also goes against the more general political economic perspective of the regulated market economy. We argue that this latter tendency of the political CSR discussion is its main weakness. We introduce a Rawlsian (...)
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  13.  4
    Existential Semiotics.Eero Tarasti (ed.) - 2000
    Existential semiotics involves an a priori state of signs and their fixation into objective entities. These essays define this new philosophical field.
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  14. Soviet Marxism and Analytical Philosophies of History.Eero Loone - 1992 - Verso.
  15.  40
    “Après Un Rêve”: A Semiotic Analysis of the Song by Gabriel Fauré.Eero Tarasti - 1995 - In Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 121--435.
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  16. Essays on the Philosophy of Music.Veikko Rantala, Lewis Eugene Rowell & Eero Tarasti (eds.) - 1988 - Akateeminen Kirjakauppa.
     
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  17.  12
    The Social Philosophy of Ernest Gellner.John A. Hall & Ian C. Jarvie (eds.) - 1996 - Brill | Rodopi.
    Contents: John A. HALL and Ian JARVIE: Preface. John A. HALL and Ian JARVIE: The Life and Times of Ernest Gellner. PART 1 INTELLECTUAL BACKGROUND. Ji_i MUSIL: The Prague Roots of Ernest Gellner's Thinking. Chris HANN: Gellner on Malinowski: Words and Things in Central Europe. Tamara DRAGADZE: Ernest Gellner in the Soviet East. PART 2 NATIONS AND NATIONALISM. Brendan O'LEARY: On the Nature of Nationalism: An Appraisal of Ernest Gellner's Writings on Nationalism. Kenneth MINOGUE: Ernest Gellner and the Dangers of (...)
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  18.  55
    A Narrative Grammar of Chopin's G Minor Ballade.Eero Tarasti - 1992 - Minds and Machines 2 (4):401-426.
    A new semiotic model for the generation of musical texts is introduced in this article. The idea of a generative grammar is here understood in the sense of the generative trajectory, a model elaborated by A. J. Greimas. Four levels are chosen from his trajectory for the study of musical texts, namely, those of isotopies, spatial, temporal and actorial categories, modalities and semes or figures.As an illustration, the G minor Ballade by Fr. Chopin has been examined through all these levels. (...)
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  19.  25
    Seeing Patterns in the Noise.Eero P. Simoncelli - 2003 - Trends in Cognitive Sciences 7 (2):51-53.
  20.  29
    Peirce and Greimas From the Viewpoint of Musical Semiotics.Eero Tarasti - 1980 - Semiotics:503-511.
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  21.  41
    Applying a Logical Interpretation of Semantic Nets and Graph Grammars to Natural Language Parsing and Understanding.Eero Hyvönen - 1986 - Synthese 66 (1):177 - 190.
    In this paper a logical interpretation of semantic nets and graph grammars is proposed for modelling natural language understanding and creating language understanding computer systems. An example of parsing a Finnish question by graph grammars and inferring the answer to it by a semantic net representation is provided.
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  22.  17
    An Essay on Appearance.Eero Tarasti - 2007 - Cultura 4 (1):44-61.
    One need not know much history of semiotics in order to recognize the background of my title. It is of course an allusion to Umberto Eco’s classic Struttura assente from 1968, which turned out to be a major touchstone in the history of European semiotics. At that time, everything about semiotics had become “structural” . But why, for Eco, was structure “absent”? This notion of absence reveals something essential in both the history of structuralism and in the reasoning to which (...)
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  23.  12
    Cher Fermat A.D. 1637.Erkka Maula & Eero Kasanen - 1989 - Philosophica 43:127-162.
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  24.  1
    Making History. Agency, Structure and Change in Social Theory.Eero Loone & Alex Callinicos - 1990 - History and Theory 29 (3):331.
  25.  1
    Foreword.Eero Tarasti - 1987 - Semiotica 66 (1-3):1-4.
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  26. Semiotics of Music.Eero Tarasti - 1987 - Semiotica 66 (1-3):1-330.
     
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  27.  13
    Victoria Lady Welby – A Pioneer of Semiotic Thought Rediscovered by Susan Petrilli.Eero Tarasti - 2013 - Semiotica 2013 (196):21-34.
    Journal Name: Semiotica - Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique Volume: 2013 Issue: 196 Pages: 21-34.
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  28.  13
    Arnold Schoenberg's Harmonielehre in the Light of Musical Semiotics.Eero Tarasti - 1982 - Semiotics:247-254.
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  29.  10
    Metaphors of Nature and Organicism in the Epistemology of Music.Eero Tarasti - 2001 - Sign Systems Studies 29 (2):657-681.
    Metaphors of nature and organism play a central role in the epistemes of the Western culture and arts. The entire project of the 'modern' meant a separation of man from the cosmos and its laws. Signs and symbols are thought to be arbitrary and conventional social constructions. However, there are many returns to iconic imitations of nature and biological principles also in such an esoteric art as music. One of the highest aesthetic categories in Western art music is the so-called (...)
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  30.  7
    From Aesthetics to Ethics: Semiotic Observations on the Moral Aspects of Art, Especially Music.Eero Tarasti - 1998 - Poznan Studies in the Philosophy of the Sciences and the Humanities 62:363-374.
  31.  7
    Reconciling Opposites in Organisation Studies.Marja-Liisa Kakkuri-Knuuttila & Eero Vaara - 2007 - Philosophy of Management 6 (1):81-98.
    In view of the current fragmentation in management and organisation studies, we argue that there is a need to elaborate techniques that help reconcile contradictory and superficially incommensurable standpoints. For this purpose, we draw on ‘pre-modern’ Aristotelian epistemological and methodologicalsources, particularly the idea of ‘saving the appearances’ (SA), not previously introduced into organisation studies. Using SA as our starting point, we outline a methodology that helps to develop reasonable and acceptable intermediary positions in contemporary debates between ‘modernism’ and ‘post-modernism’. Weillustrate (...)
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  32.  6
    Finno-Ugric Semiotics.Anti Randviir, Eero Tarasti & Vilmos Voigt - 2000 - Sign Systems Studies 28:425-438.
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  33.  6
    Semiotics of Resistance: Being, Memory, History—the Counter-Current of Signs.Eero Tarasti - 2009 - Semiotica 2009 (173):41-71.
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  34.  2
    Sovremennaia filosofiia istorii.James P. Scanlan & Eero N. Loone - 1983 - History and Theory 22 (3):311.
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  35.  4
    Vladimir Soloviev: Pre- or Anti-Semiotician?Eero Tarasti - 2000 - Semiotica 128 (3-4):581-596.
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  36.  2
    Looduse metafoorid ja organitsism muusika epistemoloogias.Eero Tarasti - 2001 - Sign Systems Studies 29 (2):682-682.
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  37.  2
    The Semiosis of Light in Music: From Synaesthesias to Narratives.Eero Tarasti - 2001 - Semiotica 2001 (136).
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  38.  2
    Signs and Transcendence.Eero Tarasti - 1999 - Semiotica 126 (1-4):17-40.
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  39. Plato's Idee des Guten.Rafael Ferber - 2015 - Vittorio Klostermann.
    At the centre of the monograph (1984, first edition) lies a detailed interpretation and critique of the idea of the Good in the Republic. The main thesis of the interpretation runs as follows: The idea of the Good functions as a third item between thinking and being. The main purpose of the monograph is to introduce the systematic problem of the third item via the historical problem of the idea of the Good. The second, enlarged edition (1989) gives a new (...)
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  40.  7
    Platos Idee des Guten.R. Ferber - 2015 - St. Augustin: Academia Verlag.
    At the centre of the monograph (1984, first edition) lies a detailed interpretation and critique of the idea of the Good in the Republic. The main thesis of the interpretation runs as follows: The idea of the Good functions as a third item between thinking and being. The main purpose of the monograph is to introduce the systematic problem of the third item via the historical problem of the idea of the Good. The second, enlarged edition (1989) gives a new (...)
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  41. Musical Signification, Between Rhetoric and Pragmatics Proceedings of the 5th International Congress on Musical Signification = la Significazione Musicale, Tra Retorica E Pragmatica.Luca Marconi, Gino Stefani & Eero Tarasti - 1998
     
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  42. Finno-Ugric Semiotics: Cultores and Metacultores.Anti Randviir, Eero Tarasti & Vilmos Voigt - 2000 - Sign Systems Studies 28:425-438.
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  43. Can (and Should) We Know How, Where and When Psychotherapy Takes Place.Eero Riikonen & Sara Vataja - 1999 - In Ian Parker (ed.), Deconstructing Psychotherapy. Sage Publications. pp. 175--188.
     
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  44. An Essay on Appearance: Or: The Present Structure and Existential Digressions of the Subject.Eero Tarasti - 2007 - Cultura 4 (1):44-61.
    One need not know much history of semiotics in order to recognize the background of my title. It is of course an allusion to Umberto Eco’s classic Struttura assente from 1968, which turned out to be a major touchstone in the history of European semiotics. At that time, everything about semiotics had become “structural”. But why, for Eco, was structure “absent”? This notion of absence reveals something essential in both the history of structuralism and in the reasoning to which most (...)
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  45. Daniel Charles ou le principe du non-vouloir.Eero Tarasti - 2010 - Nouvelle Revue d'Esthétique 5.
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  46. Daniel Charles Ou le Principe du Non-Vouloir.Eero Tarasti - 2010 - Nouvelle Revue D’Esthétique 5 (1):85.
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  47. Finland in the Eyes of a Semiotician.Eero Tarasti - 1991 - Semiotica 87 (3-4):203-216.
     
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  48. Ideologies Manifesting Axiologies.Eero Tarasti - 2004 - Semiotica 2004 (148).
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  49.  52
    Myth and Music: A Semiotic Approach to the Aesthetics of Myth in Music, Especially That of Wagner, Sibelius and Stravinsky.Eero Tarasti - 1979 - Mouton.
    PART ONE 1. Introduction The purpose of this investigation is to explore the relations between myth and music. Although this research may be said to have a ...
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  50. Metaphors of Nature and Organicism in the Epistemology of Music: A "Biosemiotic" Introduction to the Analysis of Jean Sibelius' Symphonic Thought.Eero Tarasti - 2001 - Sign Systems Studies 29 (2):657-681.
    Metaphors of nature and organism play a central role in the epistemes of the Western culture and arts. The entire project of the 'modern' meant a separation of man from the cosmos and its laws. Signs and symbols are thought to be arbitrary and conventional social constructions. However, there are many returns to iconic imitations of nature and biological principles also in such an esoteric art as music. One of the highest aesthetic categories in Western art music is the so-called (...)
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