This study argues that one of Dōgen Zenji’s most renowned essays, the “Genjōkōan” of 1233, can be read as an exposition of interpretive sensibilities. By drawing a comparison between the function of the principle of the “dharma position” (法位) and that of interpretive charity as formulated in the Judaic tradition, I argue that the “Genjōkōan” initiates the reader into Dōgen’s dialectical interpretive perspective. As he elaborated on this theme throughout his life in many writings, Dōgen strived to creatively pacify the (...) lasting tensions between authority and interpretation, textual closure and hermeneutical openness. Thus, I propose that examining the dialectics of the “dharma position” as a hermeneutical framework expressed in pivotal passages of the “Genjōkōan”, may deepen our appreciation of the image of Dōgen the interpreter. (shrink)

Dōgen: Textual and Historical Studies is an impressive volume that marks a significant leap forward in the study of Zen Master Eihei Dōgen, founder of the Japanese Sōtō School. Dōgen’s life and thought are closely examined in light of the wider historical and religious contexts of Song dynasty China and the Kamakura era in Japan. This collection offers a careful consideration of Dōgen’s rich literary legacy by examining his significance situated as he was at the historical crossroads between the Chinese (...) Chan tradition and the birth of Japanese Zen. In particular, the volume contemplates the manner in which Dōgen’s historical — perhaps mythological — figure has been endorsed and cultivated by the Sōtō.. (shrink)

This essay argues that a vital aspect of Dōgen Zenji’s religious discourse is deeply rooted in his words of the unsayable; that is—his apophatic articulations of the dynamic dialectics...