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  1.  38
    Acting: The Quintessence of Theatricality.Eli Rozik - 2002 - Substance 31 (2/3):110.
  2.  9
    Theatrical Experience as Metaphor.Eli Rozik - 2004 - Semiotica 2004 (149).
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  3.  18
    The Preverbal Roots of Fictional Thinking.Eli Rozik - 2009 - The European Legacy 14 (3):301-316.
    This study suggests the rules that govern the fictional mode of thinking and ponders its possible preverbal roots. Fictional thinking is grafted upon the preverbal imagistic mode of representation, which reflects the spontaneous ability of the brain to produce images and employ them in thinking practices. The human brain spontaneously produces imagistic/fictional worlds that embody thoughts or, rather, bestow cultural form on the amorphous stirrings of the psyche. The creation of language probably had a dramatic impact on preverbal imagistic/fictional thinking (...)
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  4.  7
    Poetic Metaphor.Eli Rozik - 1994 - Semiotica 102 (1-2):49-70.
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  5.  5
    Back to ‘Cinema is Filmed Theatre’.Eli Rozik - 2005 - Semiotica 2005 (157):169-185.
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  6.  9
    Segmentation of the Theatrical Performance-Text.Eli Rozik - 2001 - Semiotica 2001 (135).
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  7.  36
    The Adoption of Theater by Judaism Despite Ritual: A Study in the Purim‐Shpil.Eli Rozik - 1996 - The European Legacy 1 (3):1231-1235.
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  8.  22
    Cognitive Theories of Metaphor. [REVIEW]Eli Rozik - 2007 - The European Legacy 12 (6):745-748.
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  9.  21
    Semantic Expansions of Ekphrasis.Eli Rozik - 2014 - The European Legacy 19 (7):910-914.
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  10.  18
    Problematic Egocentric Narratives.Eli Rozik - 2006 - The European Legacy 11 (5):551-554.
  11.  16
    The Adoption of Theatre by Judaism Despite Ritual: A Study in the Purim‐Shpil.Eli Rozik - 1999 - The European Legacy 4 (2):77-82.
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  12.  17
    The Riddle of Nonverbal Thought.Eli Rozik - 2009 - The European Legacy 14 (6):727-730.
  13.  18
    The Shared Cognitive Intent of Science and Theatre.Eli Rozik - 2012 - The European Legacy 17 (5):659 - 673.
    Science and theatre are generally thought to share no common cognitive ground for the simple reason that the former appeals to the intellect, whereas the latter appeals to the emotions. Contrary to this view, I claim that like scientific texts, theatrical texts evince a cognitive intent and that, despite obvious differences, both types show similarities on three cognitive levels: (a) the use of equivalent systems of representation and communication; (b) the operation of a mode of thinking; and (c) the embodiment (...)
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  14.  16
    Nietzsche’s Theory of Art.Eli Rozik - 2013 - The European Legacy 18 (5):640-643.
  15.  27
    Sacred Narratives in Secular Contexts.Eli Rozik - 2011 - The European Legacy 16 (6):769 - 784.
    Although sacred narratives are thought to have lost their numinous aura for secular receivers (readers/listeners), their presence is evident whenever mythology, usually taken to reflect a mode of thinking typical of primeval cultures, and its associated themes are used in fictional works. This study aims at elucidating sacred narratives for people who do not subscribe to their sacredness. It attempts to show (1) that myths reflect a fictional mode of thinking; (2) that meaningful myths map the unconscious drives of secular (...)
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  16.  9
    Minimal Acting: On the Existential Gap Between Theatre and Performance Art.Eli Rozik - 2014 - Semiotica 2014 (202).
    Name der Zeitschrift: Semiotica Jahrgang: 2014 Heft: 202 Seiten: 511-531.
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  17.  6
    Theatre as a Language: A Semiotic Approach.Eli Rozik - 1983 - Semiotica 45 (1-2).
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  18.  4
    Ellipsis and the Surface Structures of Verbal and Nonverbal Metaphor.Eli Rozik - 1998 - Semiotica 119 (1-2):77-104.
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  19.  3
    Basic Kinds of Iconic Metaphor in the Theatre and Other Iconic Arts.Eli Rozik - 2006 - Semiotica 2006 (161):309-331.
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  20.  1
    Theatrical Conventions: A Semiotic Approach.Eli Rozik - 1992 - Semiotica 89 (1-3):1-24.
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  21.  1
    The Homogeneous Nature of the Theatre Medium.Eli Rozik - 2008 - Semiotica 2008 (168):169-190.
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  22.  1
    Mapping the Complex Relations Between Theatre and Religion: A Reading of Theatre and Holy Script.Eli Rozik - 2002 - Semiotica 2002 (142).
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