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  1.  24
    Pantheism and panpsychism in the Renaissance and the emergence of secularism.Elisabeth Blum, Paul Richard Blum, Tomáš Nejeschleba & Martin Žemla - 2024 - Intellectual History Review 34 (1):1-3.
    Pantheism, Panpsychism, and secularism? To any historian of ideas still under the die-hard spell of the Enlightenment narrative, this would appear as an unlikely connection.1 If ever the theory of...
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    Renaissance magic as a step towards secularism: Agrippa, Bruno, Campanella.Elisabeth Blum - 2024 - Intellectual History Review 34 (1):67-74.
    Renaissance magic was an attempt to supply Platonism with a philosophy of nature that could compete with Aristotelian physics. It was expected to heal the increasing breach between science and faith. However, the basic presupposition of every magic worldview, the notion of a living universe, favors immanentism and arguably hastened the rise of secularism. Secularism, it should be noted, was not an identifiable set of theories but a process towards modernity with its correspondent philosophical theology. Three different stages in that (...)
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    Spaccio della bestia trionfante / Austreibung des triumphierenden Tieres.Paul Richard Blum, Elisabeth Blum & Giordano Bruno - 2009 - Meiner.
    Elisabeth Blum and Paul Richard Blum, both Loyola University Maryland, jointly published: Giordano Bruno: Spaccio della bestia trionfante / Austreibung des triumphierenden Tieres, a translation form the Italian into German with introduction and extensive commentary at Meiner Verlag in Hamburg (Germany) 2009. ISBN: 978-3-7873-1805-6.
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  4. Wonder and Wondering in the Renaissance.Paul Richard Blum & Elisabeth Blum - 2010 - In Michael Funk Deckard & Péter Losonczi (eds.), Philosophy Begins in Wonder. An Introduction to Early Modern Philosophy, Theology, and Science. Pickwick.
    Wonder, miracle, occult science, poetry, and the epistemological implications in Renaissance authors: Marsilio Ficino, Giovanni Pico, Pietro Pomponazzi, Agrippa of Nettesheim, Giordano Bruno, Francesco Patrizi, Tommaso Campanella, Francisco Suárez.
     
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