44 found
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  1.  32
    Contextualism Reconsidered.Eliseo Vivas - 1959 - Journal of Aesthetics and Art Criticism 18 (2):222-240.
  2.  21
    Creation and Discovery; Essays in Criticism and Aesthetics.Eliseo Vivas - 1957 - Journal of Philosophy 54 (4):100-107.
  3.  12
    Four Notes on I. A. Richards' Aesthetic Theory.Eliseo Vivas - 1935 - Philosophical Review 44 (4):354-367.
  4.  10
    Force in Empirical Ethics.Eliseo Vivas - 1938 - Ethics 49 (1):85-92.
  5.  16
    The Problems of Aesthetics.Eliseo Vivas - 1953 - New York: Rinehart.
  6.  18
    Structure, Method, and Meaning. Essays in Honor of Henry M. Scheffer. [REVIEW]Eliseo Vivas - 1952 - Journal of Aesthetics and Art Criticism 10 (3):279-280.
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  7.  15
    A Note on the Emotion in Mr. Dewey's Theory of Art.Eliseo Vivas - 1938 - Philosophical Review 47 (5):527-531.
  8.  1
    The Philosophy of Ernst Cassirer.Eliseo Vivas - 1950 - Journal of Aesthetics and Art Criticism 8 (4):275-276.
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  9.  20
    Wingless Pegasus: A Hand Book for Critics. [REVIEW]Eliseo Vivas - 1952 - Ethics 62 (3):222-224.
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  10.  13
    Book Review:Our Public Life. Paul Weiss. [REVIEW]Eliseo Vivas - 1960 - Ethics 70 (2):168-.
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  11.  14
    The Moral Philosophy of Corporate ManThe Good Life. E. Jordan.Eliseo Vivas - 1950 - Ethics 60 (3):188-.
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  12.  22
    Comments on Stallknecht's Theses.Charles Hartshorne, Ernest Hocking, Amélie Oksenberg Rorty, V. C. Chappell, Robert Whittemore, Glenn A. Olds, Samuel M. Thompson, W. Norris Clarke, Eliseo Vivas & E. S. Salmon - 1956 - Review of Metaphysics 9 (3):464 - 481.
    2. The equal status mentioned in Thesis 2 need not mean, "equally concrete" or "inclusive," but only, "equally real," where "real" means having a character of its own with reference to which opinions can be true or false. But becoming or process is alone fully concrete or inclusive, since if A is without becoming, and B becomes, then the togetherness of AB also becomes. A new constituent means a new totality. In this sense, becoming is the ultimate principle.
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  13.  40
    Art and Freedom. A Historical and Biographical Interpretation of the Relations Between the Ideas of Beauty, Use and Freedom in Western Civilization From the Greeks to the Present Day.Eliseo Vivas - 1943 - Journal of Philosophy 40 (19):517-523.
  14. The Ways of Meaning in the Arts.Eliseo Vivas - 1971 - Journal of Aesthetics and Art Criticism 30 (1):117-120.
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  15.  31
    A Definition of the Esthetic Experience.Eliseo Vivas - 1937 - Journal of Philosophy 34 (23):628-634.
  16. Art, Morals, and Propaganda.Eliseo Vivas - 1935 - International Journal of Ethics 46 (1):82-95.
  17.  10
    Art, Morals, and Propaganda.Eliseo Vivas - 1935 - International Journal of Ethics 46 (1):82-95.
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  18. A Note on Value.Eliseo Vivas - 1936 - Journal of Philosophy 33 (21):568-575.
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  19.  13
    Animadversions on Imitation and Expression.Eliseo Vivas - 1961 - Journal of Aesthetics and Art Criticism 19 (4):425-432.
  20.  28
    Animadversions on Naturalistic Ethics.Eliseo Vivas - 1945 - Ethics 56 (3):157-177.
  21.  7
    Contra Marcuse.Eliseo Vivas - 1971 - New Rochelle, N.Y., Arlington House.
  22.  20
    Dreiser, an Inconsistent Mechanist.Eliseo Vivas - 1937 - Ethics 48 (4):498-508.
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  23.  30
    D. H. Lawrence: The Failure and the Triumph of Art.Eliseo Vivas - 1961 - Journal of Aesthetics and Art Criticism 19 (3):356-357.
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  24.  9
    Ethical Empiricism and Moral Heteronomy.Eliseo Vivas - 1940 - Philosophical Review 49 (4):447-453.
  25. Is a Conservative Philosophical Anthropology Possible?Eliseo Vivas - forthcoming - Social Research.
  26.  10
    Jordan's Defense of Poetry.Eliseo Vivas - 1954 - Review of Metaphysics 8 (1):162 - 175.
    Jordan holds that art is constitutive of culture. The doctrine has thus, obviously, its roots in idealistic philosophy. Audacious, perhaps foolhardy as it may seem to some, and absurd and even perverse as it will seem to others, Jordan seeks to demonstrate that poetry "is literally the creator and legislator for the real world".
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  27.  15
    Julian Huxley's Evolutionary Ethics.Eliseo Vivas - 1947 - Ethics 58 (4):275-284.
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  28.  4
    Letters Pro and Con.Eliseo Vivas & Robert Greer Cohn - 1962 - Journal of Aesthetics and Art Criticism 20 (4):439-440.
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  29.  24
    Nature Common Sense and Science.Eliseo Vivas - 1938 - Philosophy of Science 5 (3):300-309.
  30. Notes on Truth.Eliseo Vivas - 1964 - Pacific Philosophical Quarterly 45 (2):176.
     
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  31. Paul Ricoeur, Freud and Philosophy: An Essay on Interpretation.Eliseo Vivas - 1971 - Journal of Value Inquiry 5 (4):310.
     
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  32.  7
    Review: The Moral Philosophy of Corporate Man. [REVIEW]Eliseo Vivas - 1950 - Ethics 60 (3):188 - 197.
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  33.  9
    Some Notes on Truth.Eliseo Vivas - 1964 - Philosophy Today 8 (1):46-55.
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  34. The Artistic Transaction and Essays on Theory of Literature.Eliseo Vivas - 1963 - Ohio State University Press.
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  35.  36
    The Esthetic Judgment.Eliseo Vivas - 1936 - Journal of Philosophy 33 (3):57-69.
  36.  14
    The Moral Life and the Ethical Life.Eliseo Vivas - 1950 - Chicago: Regnery.
    This classic work in the field was originally published by Regnery Gateway in 1983. 'This is a serious, learned, and searching exploration of some of the most difficult questions which have ever concerned the human mind. It is also toughminded in the sense that it recognizes all the difficulties, begs no questions, offers no easy solutions and, unlike conventional protests against modern scepticism, makes no plea for a leap in the dark to an unexamined faith.') Joseph Wood Krutch, from the (...)
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  37. The Moral Life and the Ethical Life.Eliseo Vivas - 1983 - Upa.
    This classic work in the field was originally published by Regnery Gateway in 1983. 'This is a serious, learned, and searching exploration of some of the most difficult questions which have ever concerned the human mind. It is also toughminded in the sense that it recognizes all the difficulties, begs no questions, offers no easy solutions and, unlike conventional protests against modern scepticism, makes no plea for a leap in the dark to an unexamined faith.') Joseph Wood Krutch, from the (...)
     
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  38. The Moral Philosophy of Corporate Man.Eliseo Vivas - 1949 - Ethics 60:188.
     
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  39.  14
    The Object of the Poem.Eliseo Vivas - 1953 - Review of Metaphysics 7 (1):19 - 35.
    In order to answer our question, "What is the object of the poem?" we must consider two stages of the coming to be of the poem. This is what unqualified organicists forget. The first stage discloses what is called by A. C. Bradley the "subject matter of the poem." It shows the subject matter to consist of the objects of non-aesthetic experience, with whatever structure they may inherently possess as appropriate to their natures, which the poet employs in the making (...)
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  40. The Problems of Aesthetics a Book of Readings.Eliseo Vivas & Murray Krieger - 1953 - Rinehart.
     
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  41.  11
    Two Roads to Ignorance: A Quasi Biography.Eliseo Vivas - 1979 - Southern Illinois University Press.
    This account of one man’s search for truth bears witness to defection and apostasy and, in the end, to the humility of deeply lived experience. Eliseo Vivas, distinguished teacher, lit­erary critic, and philosopher, relates the search by his alter ego, Alonzo Quijano, for a philosophy to live by as well as one to think well by. His intellectual odys­sey is marked by defection from com­munism and apostasy from the philoso­phy of John Dewey. Vivas provides throughout this ac­count of Alonzo’s rupture (...)
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  42.  15
    The Use of Art.Eliseo Vivas - 1938 - Journal of Philosophy 35 (15):405-411.
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  43.  22
    Value and Fact.Eliseo Vivas - 1939 - Philosophy of Science 6 (4):432-445.
  44. Our Public Life.Eliseo Vivas - 1959 - Ethics 70 (2):168-171.
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