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  1.  5
    A. Bonifazi Homer's Versicolored Fabric: The Evocative Power of Ancient Greek Epic Word-Making . Cambridge MA: Harvard University Press, 2012. Pp. 350. $24.95. 9780674060623. [REVIEW]Elizabeth Minchin - 2014 - Journal of Hellenic Studies 134:153-154.
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  2.  21
    Heiden Homer's Cosmic Fabrication: Choice and Design in the Iliad . New York and Oxford: Oxford University Press, 2008. Pp. Xvi + 254. £41. 9780195341072. [REVIEW]Elizabeth Minchin - 2010 - Journal of Hellenic Studies 130:187-188.
  3.  9
    Homer Springs a Surprise:: Eumaios' Tale at Od. O 403-484.Elizabeth Minchin - 1992 - Hermes 120 (3):259-266.
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  4.  12
    Literature (J.) Gottschall The Rape of Troy: Evolution, Violence, and the World of Homer. Cambridge: Cambridge University Press, 2008. Pp. 223. £50. 9780521870382 (Hbk). £17.99. 9780521690478 (Pbk). [REVIEW]Elizabeth Minchin - 2009 - Journal of Hellenic Studies 129:133-.
  5.  18
    Scripts and Themes: Cognitive Research and the Homeric Epic.Elizabeth Minchin - 1992 - Classical Antiquity 11 (2):229-241.
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  6.  5
    ‘Themes’ and ‘Mental Moulds’: Roger Schank, Malcolm Willcock and the Creation of Character in Homer.Elizabeth Minchin - 2011 - Classical Quarterly 61 (2):323-343.
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  7.  22
    The Homeric Formula (R.) Friedrich Formular Economy in Homer. The Poetics of the Breaches (Hermes Einzelschriften 100.) Pp. 159. Stuttgart: Franz Steiner Verlag, 2007. Paper, €35. ISBN: 978-3-515-09065-. [REVIEW]Elizabeth Minchin - 2009 - The Classical Review 59 (1):10-.
  8.  1
    Visualizing the Shield of Achilles: Approaching its Landscapes Via Cognitive Paths.Elizabeth Minchin - 2020 - Classical Quarterly 70 (2):473-484.
    My investigation into the cognitive aspects of landscape description takes as its focus the landscapes that the poet evokes on the Shield of Achilles. Drawing on studies in cognitive psychology I note the extent to which an audience might derive a ‘spatial mental model’ from the topographical or ‘locative’ indicators that the Homeric poet offers. Then I consider the ‘non-locative’ information that the poet conveys about the landscapes of the Shield. In this connection I develop Barbara Tversky's notion of landscape (...)
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