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Emmanuel Alloa
Université de Fribourg
  1.  38
    Differences in Becoming.Emmanuel Alloa & Judith Michalet - 2017 - Philosophy Today.
    For a long time, Gilbert Simondon’s work was known only as either a philosophy restricted to the problem of technology or as an inspirational source for Gilles Deleuze’s philosophy of difference. As Simondon’s thinking is now finally in the process of being recognized in its own right as one of the most original philosophies of the twentieth century, this also entails that some critical work needs to be done to disentangle it from an all too hasty identification with Deleuzian categories. (...)
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  2.  60
    The Most Sublime of All Laws: The Strange Resurgence of a Kantian Motif in Contemporary Image Politics.Emmanuel Alloa - 2014 - Critical Inquiry 41 (2):367-389.
    In recent years, the claim of the unrepresentability of the Shoah has stirred vivid debates, especially following the strong positions taken by the French filmmaker Claude Lanzmann and author of Shoah (1986). This claim of unrepresentability, it can be shown, draws part of its attraction from the fact that it oscillates undecidedly between a claim of logical impossibility (“the Shoah can’t be represented”) and a normative demand (“the Shoah shouldn’t be represented”). This essay analyzes the argumentative structure of the advocates (...)
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  3.  42
    Iconic Turn: A Plea for Three Turns of the Screw.Emmanuel Alloa - 2015 - Culture, Theory, and Critique 56 (3).
    In the early 1990s, W.J.T. Mitchell and Gottfried Boehm independently proclaimed that the humanities were witnessing a ‘pictorial’ or ‘iconic turn’. Twenty years later, we may wonder whether this announcement was describing an event that had already taken place or whether it was rather calling forth for it to happen. The contemporary world is, more than ever, determined by visual artefacts. Still, our conceptual arsenal, forged during centuries of logocentrism, still falls behind the complexity of pictorial meaning. The essay has (...)
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  4.  11
    Phasmid Thinking: On Georges Didi-Huberman’s Method.Christopher Woodall & Emmanuel Alloa - 2018 - Angelaki 23 (4):103-112.
    This article is an attempt to circumscribe Georges Didi-Huberman’s inimitable practice of theory. It argues that Didi-Huberman’s ethics of looking represents a decided shift away from the traditional position of the critic as a dispassionate, objective observer. A Copernican revolution looms, which inverts the Kantian one: no longer are things adapting to their conceptual scheme, no longer is it the adaequatio rei ad intellectum, but its opposite. Didi-Huberman’s “discourse on method” is to be found in the book Phasmes, where such (...)
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  5. Seeing-in, Seeing-as, Seeing-With: Looking Through Pictures.Emmanuel Alloa - 2011 - In Elisabeth Nemeth, Richard Heinrich, Wolfram Pichler & Wagner David (eds.), Image and Imaging in Philosophy, Science, and the Arts. Volume I. Proceedings of the 33rd International Wittgenstein Symposium. Ontos: 179-190. pp. 179-190.
    In the constitution of contemporary image theory, Ludwig Wittgenstein’s philosophy has undoubtedly become a major conceptual reference. Rather than trying to establish what Wittgenstein’s own image theory could possibly look like, this paper would like to critically assess some of the advantages as well as some of the quandaries that arise when using Wittgenstein’s concept of ‘seeing-as’ for addressing the plural realities of images. While putting into evidence the tensions that come into play when applying what was initially a theory (...)
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  6.  78
    The Diacritical Nature of Meaning. Merleau-Ponty with Saussure.Emmanuel Alloa - 2013 - Chiasmi International 15:167-181.
    “What we have learned from Saussure” affirms Merleau-Ponty “is that, taken singly, signs do not signify anything, and that each one of them does not so much express a meaning as mark a divergence of meaning between itself and other signs.” While it has often been stressed that Merleau-Ponty was arguably among the earliest philosophical readers of Saussure, the real impact of this reading on Merleau-Ponty’s thinking has rarely been assessed in detail. By focusing on the middle period – the (...)
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  7.  29
    Reflexiones del cuerpo: sobre la relación entre cuerpo y lenguaje.Emmanuel Alloa - 2014 - Eidos: Revista de Filosofía de la Universidad Del Norte 21:200-220.
    Aunque fueron muchos los intentos en la modernidad de superar el dualismo cuerpo y mente, las teorías filosóficas del lenguaje en muchos casos lo reintrodujeron de manera sutil pero no menos eficaz. El artículo discute varios teoremas para pensar la materialidad del signo y muestra la preponderancia, desde Kierkegaard hasta el estructuralismo post-Saussuriano, de pensar la materialización como algo necesario, pero arbitrario en su modalidad. En esta concepción, el cuerpo del lenguaje no es solamente aquello que se puede sino aquello (...)
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  8.  20
    The ‘Do It Yourself’ Paradigm: An Inquiry Into the Historical Roots of the Neglect of Testimony.Emmanuel Alloa - 2017 - Early Science and Medicine 22 (4):333-360.
    In contemporary social epistemology, the claim has been made that there is a traditional “neglect of testimonial knowledge,” and that in the history of epistemology, first-hand self-knowledge was invariably prioritised over secondary knowledge. While this paper acknowledges some truth in these statements, it challenges the given explanations: the mentioned neglect of testimonial knowledge is based not so much on a primacy of self-knowledge, but that of self-agency. This article retraces some crucial chapters of this ‘do-it-yourself’ paradigm: it considers the imperative (...)
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  9.  87
    Could Perspective Ever Be a Symbolic Form? Revisiting Panofsky with Cassirer.Emmanuel Alloa - 2015 - Journal of Aesthetics and Phenomenology 2 (1):51-72.
    Erwin Panofsky’s essay “Perspective as Symbolic Form” from 1924 is among the most widely commented essays in twentieth-century aesthetics and was discussed with regard to art theory, Renaissance painting, Western codes of depiction, history of optical devices, psychology of perception, or even ophthalmology. Strangely enough, however, almost nothing has been written about the philosophical claim implicit in the title, i.e. that perspective is a symbolic form among others. The article situates the essay within the intellectual constellation at Aby Warburg’s Kulturwissenschaftliche (...)
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  10.  60
    Prégnances du devenir. Simondon et les images.Emmanuel Alloa - 2015 - Critique 816:356-371.
    Problématisation, individuation, (dés)adaptation L’inventivité du vivant : la « disparation » Mouvements à vide. La spontanéité selon Simondon La prégnance des images Ontogenèse, phylogenèse, eikogenèse. L’image comme médiation .
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  11.  54
    La chair comme diacritique incarné.Emmanuel Alloa - 2009 - Chiasmi International 11:249-262.
    In 20th century thinking, few concepts have provoked as many misunderstandings as Merleau-Ponty’s notion of ‘Flesh’. Such misunderstandings (of which the article sketches the outline of an archaeology) rest on the initial assumption that the Flesh has to be derived from the body. The article suggests that the dominant readings of the Flesh can be organized along what could respectively be called the scenario of propriety and the scenario of expansion, beyond which a third way comes into view which does (...)
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  12. Visual Studies in Byzantium. A Pictorial Turn Avant la Lettre.Emmanuel Alloa - 2013 - Journal of Visual Culture 12 (1):3-29.
    As Hegel once said, in Byzantium, between homoousis and homoiousis, the difference of one letter could decide the life and death of thousands. As this article seeks to argue, Byzantine thinking was not only attentive to conceptual differences, but also to iconic ones. The iconoclastic controversy (726-842 AD) arose from two different interpretations of the nature of images: whereas iconoclastic philosophy is based on the assumption of a fundamental 'iconic identity', iconophile philosophy defends the idea of'iconic difference'. And while the (...)
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  13.  46
    Writing, Embodiment, Deferral: Merleau-Ponty and Derrida on The Origin of Geometry.Emmanuel Alloa - 2014 - Philosophy Today 58 (2):219-239.
    A simplistic image of twentieth century French philosophy sees Merleau-Ponty’s death in 1961 as the line that divides two irreconcilable moments in its history: existentialism and phenomenology, on the one hand, and structuralism on the other. The structuralist generation claimed to recapture the dimension of objectivity and impersonality, which the previous generation was supposedly incapable of. As a matter of fact, in 1962, Derrida’s edition of Husserl’s The Origin of Geometry was taken to be a turning point that announced the (...)
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  14.  5
    La chair comme diacritique incarné.Emmanuel Alloa - 2009 - Chiasmi International 11:249-262.
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  15. Der Leib, ein 'merkwürdig unvollkommen konstituiertes Ding'.Emmanuel Alloa & Natalie Depraz - 2012 - In Emmanuel Alloa, Thomas Bedorf, Tobias Nikolaus Klass & Christian Grüny (eds.), Leiblichkeit. Geschichte und Aktualität eines Begriffs. Mohr-Siebeck / UTB.
  16.  19
    Afterimages: Belated Witnessing in the Photographs of the Armenian Catastrophe.Emmanuel Alloa - 2015 - Ournal of Literature and Trauma Studies 4 (1):43-65.
    The category of « postmemory » has been invoked by Marianne Hirsch to refer to a traumatic past which is not directly remembered in first person, but is handed down to later generations and is recalled through the mediation of narratives and images which become “prostheses” for a lack of direct memory. But how is it that these prosthetic recollections do not simply substitute for what lacks but seem to shape the very events they are meant to reproduce ? How (...)
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  17.  29
    Riassunto: La carne come diacritico incarnato.Emmanuel Alloa - 2009 - Chiasmi International 11:262-262.
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  18.  17
    Abstract: Flesh as Embodied Diacritics.Emmanuel Alloa - 2009 - Chiasmi International 11:262-262.
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  19. Annette Hilt. Ousia -- Psyche -- Nous. Aristoteles' Philosophie der Lebendigkeit. [REVIEW]Emmanuel Alloa - 2008 - Allgemeine Zeitschrift für Philosophie 33 (1):85-88.
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  20.  17
    Über Ausstellungszeit : Zur Sozialfotografie von Jacob Riis.Emmanuel Alloa - 2017 - Paragrana: Internationale Zeitschrift für Historische Anthropologie 26 (1):141-157.
    Name der Zeitschrift: Paragrana Jahrgang: 26 Heft: 1 Seiten: 141-157.
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  21.  8
    Buchkritik: Das Unsichtbare Bild. [REVIEW]Emmanuel Alloa - 2012 - Deutsche Zeitschrift für Philosophie 60 (5):816-821.
    Christoph Asmuth: Bilder über Bilder – Bilder ohne Bilder. Eine neue Theorie der Bildlichkeit. Wissenschaftliche Buchgesellschaft, Darmstadt 2011, 194 S.
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  22. Bare Exteriority. Philosophy of the Image and the Image of Philosophy in Martin Heidegger and Maurice Blanchot.Emmanuel Alloa - 2005 - Colloquy (10):69-82.
    The article explores the striking coincidences in Heidegger's and Blanchot's account of the image as death mask. The analysis of the respective theories of the image brings forth two radically divergent conceptions of thinking as "laying patent" (Heidegger) and of thinking as "laying bare" (Blanchot).
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  23.  37
    Bildwissenschaft in Byzanz. Ein iconic turn avant la lettre?Emmanuel Alloa - 2010 - Studia Philosophica: Jahrbuch Der Schweizerischen Philosoph Ischen Gesellschaft, Annuaire de la Société Suisse de Philosphie 69:11-36.
    As Hegel once said, in Byzantium, between homoousis and homoiousis, the difference of one letter could decide over the life and death of thousands. As the present essay would like to argue, Byzantine thinking was not only attentive to conceptual, but also to iconic differences. The iconoclastic controversy arose from two different interpretations of the nature of images: whereas iconoclastic philosophy is based on the assumption of a fundamental ‘iconic identity’, iconophile philosophy defends the idea of ‘iconic difference’. While the (...)
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  24.  5
    Coronavirus: A Contingency That Eliminates Contingency.Emmanuel Alloa - 2021 - Critical Inquiry 47 (S2):S73-S76.
  25.  32
    Changer de sens. Quelques effets du tournant iconique.Emmanuel Alloa - 2010 - Critique 758 (8):647-658.
  26. Choses en soi. Métaphysique du réalisme.Emmanuel Alloa & Elie During - 2018 - Paris: PUF.
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  27. Creativity of the Diaspora New Phenomenology in France.Emmanuel Alloa - 2013 - Philosophische Rundschau 60 (1):52 - 60.
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  28.  27
    Das Durchscheinende Bild. Konturen Einer Medialen Phänomenologie.Emmanuel Alloa - 2018 - diaphanes.
    Dass Bilder zwischen dem Regime der Dinge und dem Regime der Zeichen niemals einen angestammten Platz erhielten und nicht Gegenstand einer eigenen Wissenschaft wurden, ist keinem wiedergutzumachenden Vergessen geschuldet, sondern Ausdruck eines anfänglichen Skandalons, das historisch auch die Geburtsstunde der Philosophie einläutete. Bilder lassen sich nicht einmal als reine Erscheinungen absondern, weil in ihnen als Wasserzeichen stets durchscheint, was sie sichtbar werden ließ. An Husserls Grundlegung einer Phänomenologie des Bildes lässt sich das obstinate Unterfangen verfolgen, die Bilderscheinung von jeder medialen (...)
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  29. Dynamis of the Image. Moving Images in a Global World.Emmanuel Alloa & Chiara Cappelletto - 2020 - Berlin, Germany: De Gruyter.
    Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among (...)
     
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  30.  32
    Du Sensible À L’Oeuvre : Esthétiques de Merleau-Ponty.Emmanuel Alloa & Adnen Jdey - 2012 - La lettre volée.
    Plusieurs générations de chercheurs internationaux interrogent l’esthétique de Merleau-Ponty suivant deux axes : d’une part, le dialogue constant et passionné avec des arts (peinture, littérature, cinéma) et ses protagonistes (Cézanne, Proust, Claude Simon) qui est à l’origine de l’esthétique de Merleau-Ponty, et dans d’autre part, l’impact de la pensée merleau-pontienne sur les arts, depuis le Minimal Art américain en passant par le Body Art et la danse contemporaine. Tandis que certaines contributions s’intéressent, en s’appuyant sur les inédits, au rapport jusqu’ici (...)
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  31.  26
    Du Témoignage Ou de L’Ininterprétable.Emmanuel Alloa - 2015 - Études Ricoeuriennes / Ricoeur Studies 6 (1):94-110.
    This article defends the thesis that the reflection which Ricœur conducts on the notion of testimony is not one research topic among others, but forms one of the keys to understanding the Ricœurian project as such. The notion of testimony enables one to get beyond the polarity of description and ascription, in order to return to the question of the real. Through an examination of the quadruple grammar of testimony that Ricœur proposes and its context in the dialogue with historiography (...)
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  32.  2
    Das Unbehagen in der Transparenz.Emmanuel Alloa - 2019 - Internationales Jahrbuch Für Medienphilosophie 5 (1):155-182.
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  33.  40
    Escritura, encarnação, temporização: Merleau-Ponty e Derrida acerca de A origem da Geometria.Emmanuel Alloa - 2012 - Dois Pontos 9 (1).
    A história intelectual do século XX tem sido escrita ao longo de um cenário que vê, na morte de Merleau-Ponty em 1961, a linha de divisória entre uma geração existencial e fenomenológica e o evento do estruturalismo imediatamente subsequente. A publicação das notas de leitura de Merleau-Ponty sobre o texto A origem da geometria, de Edmund Husserl, tem mostrado quão frágeis são os alicerces desta leitura simplificadora. Na verdade, enquanto a tradução e introdução de Derrida ao texto de Husserl, de (...)
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  34.  16
    El Poder de Visualizar. La "Phantasia" Según Aristóteles.Emmanuel Alloa - 2018 - Anuario Filosófico 51 (2):243-274.
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  35.  3
    ’ein Reden und ein Denken, das nicht wir haben’. Zur Figur der indirekten Rede bei Merleau-Ponty.Emmanuel Alloa - 2008 - In Alice Lagaay & Emmanuel Alloa (eds.), Nicht Sagen: Strategien der Sprachabwendung Im 20. Jahrhundert. Transcript Verlag. pp. 207-224.
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  36. »…ein Reden und ein Denken, das nicht wir haben«. Zur Figur der indirekten Rede bei Maurice Merleau-Ponty.Emmanuel Alloa - 2008 - In Alice Lagaay & Emmanuel Alloa (eds.), Nicht Sagen: Strategien der Sprachabwendung Im 20. Jahrhundert. Transcript. pp. 207-224.
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  37.  32
    Flected Bodies: On the Relationship Between Body and Language.Emmanuel Alloa - 2014 - Eidos: Revista de Filosofía de la Universidad Del Norte 21:200-220.
    Although in the modern age there were plenty of attempts to overcome the mind-body dualism, its philosophical theories of language reintroduced it in a subtle but not less effective way.In this article several theorems to think on the materiality of the sign are discussed, and, from Kierkegaard to the post-Saussurean structuralism, the prominent role of thinking the materialization as something necessary but arbitrary in its modality is shown. The body of language under this understanding is not only that which can (...)
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  38.  3
    Getting in Touch. Aristotelian Diagnostics.Emmanuel Alloa - 2015 - In Richard Kearney & Brian Treanor (eds.), Carnal Hermeneutics. Fordham. pp. 57-72.
  39.  35
    Introduction.Emmanuel Alloa & Judith Revel - 2017 - Chiasmi International 19:31-33.
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  40.  21
    Kreativität der Diaspora. Über Neuere Phänomenologie in Frankreich. [REVIEW]Emmanuel Alloa - 2013 - Philosophische Rundschau 60 (1):52-60.
  41. Kunst. Werkästhetik als Ereignisästhetik.Emmanuel Alloa - 2013 - In Dieter Thomä (ed.), Heidegger-Handbuch: Leben - Werk – Wirkung. Metzler. pp. 315-319.
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  42. L’apparaître appareillé.Emmanuel Alloa - 2007 - In Marion Froger, Sylvestra Mariniello & Jean-Louis Déotte (eds.), Appareil Et Intermédialité. L’Harmattan. pp. 17--29.
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  43. Leiblichkeit. Geschichte Und Aktualität Eines Begriffs.Emmanuel Alloa, Thomas Bedorf, Tobias Nikolaus Klass & Christian Grüny (eds.) - 2012 - Mohr-Siebeck / UTB.
  44.  34
    Lisibilité / Lesbarkeit.Emmanuel Alloa & Muriel Pic - 2012 - MSH Paris - Trivium. Revue franco-allemande de sciences humaines et sociales.
    Seit über 30 Jahren gibt es in den deutschen wie französischen Kultur- und Geisteswissenschaften das Bestreben, den Begriff der »Lesbarkeit« von seiner engen Bindung an den geschriebenen Text zu emanzipieren. Die vorliegende Ausgabe von Trivium lässt einige der maßgeblichen Stimmen in dieser Debatte zu Wort kommen. Auf der gemeinsamen Schnittfläche von Mikrohistorie, Semiologie, Psychoanalyse, Kulturgeschichte, Physiognomie und Mantik zeichnet sich ein neues und zugleich altes Verständnis des Lesens ab. Wenn sich in der Moderne die Frage nach dem Lesen von Spuren (...)
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  45. Le monde existe-t-il sans nous? Le perspectivisme selon Husserl.Emmanuel Alloa - 2016 - Philosophie 1 (4):3-19.
  46.  11
    «Là Où Il y a Preuve, Il N'y a Pas Témoignage» Les Apories du Témoin Selon Jacques Derrida.Emmanuel Alloa - 2017 - Revue Philosophique De Louvain 115 (2):289-303.
    La priorité que la phénoménologie classique accorde à la première personne se voit déplacée de différentes manières par les penseurs post-phénoménologiques, dont Jacques Derrida. L’article a pour but d’indiquer la fonction stratégique qu’occupe dans la pensée derridienne la figure du témoin, que ce soit en tant que tiers qui déstabilise la métaphysique de la présence dans ses premiers écrits mais surtout, comme figure spéculative dans l’œuvre tardive, entre foi et savoir. Des remarques dispersées de Derrida sur le témoignage, on peut (...)
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  47.  10
    Le Premier Livre de Merleau-Ponty, Un Roman.Emmanuel Alloa - 2019 - Chiasmi International 21:253-268.
    Dans son oeuvre tardive, Merleau-Ponty a souligné les convergences entre une pensée philosophique et une pensée s’exprimant par l’écriture littéraire, considérant que toutes deux répondent à une tâche commune liée à la description du monde. Ses premiers écrits théoriques – Simone de Beauvoir comme Jean-Paul Sartre l’ont souligné – sont quant à eux marqués par une distance plus nette vis-à-vis de la pratique littéraire. Pourtant, bien avant de publier ses premières monographies, Merleau-Ponty est l’auteur d’un livre écrit pour le compte (...)
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  48. La résistance du sensible. Merleau-Ponty critique de la transparence, avec une préface de Renaud Barbaras.Emmanuel Alloa & Renaud Barbaras - 2014 - Kimé.
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  49.  39
    Leib und Sprache. Zur Reflexivität verkörperter Ausdrucksformen.Emmanuel Alloa & Miriam Fischer (eds.) - 2013 - Velbrück.
    Die elf Beiträge dieses Bandes gehen aus verschiedenen Blickwinkeln dem Problem der Verkörperung von Sinn nach: phänomenologische, psychoanalytische und sprachwissenschaftliche Ansätze bilden dabei den Schwerpunkt; sie werden aber durch Studien aus der Literaturtheorie, der politischen Theorie und der Filmwissenschaft ergänzt. Was heißt es – das ist die zentrale Frage –, den Körper als leibliches Medium aufzufassen, welches Sinn nicht nur verkörpert, sondern überhaupt erst entstehen lässt? Gibt es bereits eine Sprache des Leibes diesseits der Ebene ausdrücklicher Rede?
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  50.  40
    Metaxu.Emmanuel Alloa - 2009 - Revue de Métaphysique et de Morale 62 (2):247.
    Depuis la renaissance des études aristotéliciennes avec Werner Jaeger, on a souvent observé la fréquence lexicographique des termes dénotant la médiété et la médiation dans le corpus aristotélicien. Cette récurrence a cependant généralement été traitée comme un effet homonymique, rien ne permettant de relier a priori la médiété éthique, le terme intermédiaire en logique ou encore le milieu perceptif. Et pourtant, le fait qu'Aristote s'interroge lui-même sur cette « plurivocité » du médium peut être lu comme une indication que, sous (...)
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