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Emmanuel Alloa
Université de Fribourg
  1.  18
    Coronavirus: A Contingency that Eliminates Contingency.Emmanuel Alloa - 2021 - Critical Inquiry 47 (S2):S73-S76.
  2.  87
    Differences in Becoming. Gilbert Simondon and Gilles Deleuze on Individuation.Emmanuel Alloa & Judith Michalet - 2017 - Philosophy Today.
    For a long time, Gilbert Simondon’s work was known only as either a philosophy restricted to the problem of technology or as an inspirational source for Gilles Deleuze’s philosophy of difference. As Simondon’s thinking is now finally in the process of being recognized in its own right as one of the most original philosophies of the twentieth century, this also entails that some critical work needs to be done to disentangle it from an all too hasty identification with Deleuzian categories. (...)
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  3.  15
    Leiblichkeit. Geschichte und Aktualität eines Begriffs.Emmanuel Alloa, Thomas Bedorf, Tobias Nikolaus Klass & Christian Grüny (eds.) - 2012 - Tübingen: Mohr-Siebeck / UTB.
    Der Körper hat Konjunktur. Als ausgestellter, verfüg- und verführbarer begegnet er uns täglichim Übermaß. Es war nur eine Frage der Zeit, bis im Spiel der sich in den Wissenschafteneinander ablösenden turns auch ein corporeal (oder body) turn ausgerufen würde. Dabeibleibt im genannten turn der Gegenstand der Untersuchung nicht selten reduziert auf das, wasman im deutschen Sprachgebrauch »Körper« nennt: ein physisches Substrat, das wie ein Dingunter Dingen beschreibbar ist. Gegen diese Verkürzung stellt der Begri des »Leibes«,spätestens seit Edmund Husserl, eine präzise (...)
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  4.  11
    Merleau-Ponty and Contemporary Philosophy.Emmanuel Alloa, Rajiv Kaushik & Frank Chouraqui (eds.) - 2019 - Albany NY: SUNY Press.
    Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Merleau-Ponty addressed many of the issues that concern philosophy today. With the benefit of this fuller picture of his thought, Merleau-Ponty and Contemporary Philosophy undertakes an assessment of the philosopher's relevance for contemporary (...)
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  5. Why Transparency has Little (if Anything) to do with the Age of Enlightenment.Emmanuel Alloa - 2022 - In This Obscure Thing Called Transparency. Politics and Aesthetics of a Contemporary Metaphor. University Press Leuven. pp. 167-188.
  6.  28
    Looking Through Images: A Phenomenology of Visual Media.Emmanuel Alloa - 2021 - New York: Columbia University Press. Edited by Nils F. Schott & Emmanuel Alloa.
    Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. -/- Emmanuel Alloa retraces the history of Western attitudes (...)
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  7. The Diacritical Nature of Meaning. Merleau-Ponty with Saussure.Emmanuel Alloa - 2013 - Chiasmi International 15:167-181.
    “What we have learned from Saussure” affirms Merleau-Ponty “is that, taken singly, signs do not signify anything, and that each one of them does not so much express a meaning as mark a divergence of meaning between itself and other signs.” While it has often been stressed that Merleau-Ponty was arguably among the earliest philosophical readers of Saussure, the real impact of this reading on Merleau-Ponty’s thinking has rarely been assessed in detail. By focusing on the middle period – the (...)
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  8.  8
    Partages de la perspective.Emmanuel Alloa - 2020 - Paris: Fayard.
    « C’est une question de point de vue… » On associe aujourd’hui la perspective à l’individualisme, à l’affirmation d’une vérité privée et indépassable. C’est oublier la tradition de la perspectiva communis, celle qui fait de la perspective le vecteur d’un horizon commun. Au croisement de la science, de l’art et de la philosophie, le livre exhume une tradition que l’on se doit de redécouvrir : le point de vue, ce n’est pas seulement ce qui divise, c’est aussi ce qui se (...)
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  9. Transparency, Privacy and Civil Inattention.Emmanuel Alloa - 2021 - In Cultures of Transparency: Between Promise and Peril. London/New York: pp. 171-191.
    The demand for more transparency is hardly ever questioned. When it is, it is generally questioned in the name of a protection of privacy. In a traditional liberal understanding, there is a non-alienable “right to privacy” (Warren/Brandeis, 1890). Many political struggles, however, involved ignoring such boundaries, and making public things that were meant to remain private (domestic violence, gender oppression, child abuse etc.). While holding that the distinction between private and public is necessary, it must remain mobile and subject to (...)
     
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  10.  30
    Phasmid thinking: On Georges didi-huberman’s method.Christopher Woodall & Emmanuel Alloa - 2018 - Angelaki 23 (4):103-112.
    This article is an attempt to circumscribe Georges Didi-Huberman’s inimitable practice of theory. It argues that Didi-Huberman’s ethics of looking represents a decided shift away from the traditional position of the critic as a dispassionate, objective observer. A Copernican revolution looms, which inverts the Kantian one: no longer are things adapting to their conceptual scheme, no longer is it the adaequatio rei ad intellectum, but its opposite. Didi-Huberman’s “discourse on method” is to be found in the book Phasmes, where such (...)
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  11.  77
    The Most Sublime of All Laws: The Strange Resurgence of a Kantian Motif in Contemporary Image Politics.Emmanuel Alloa - 2014 - Critical Inquiry 41 (2):367-389.
    In recent years, the claim of the unrepresentability of the Shoah has stirred vivid debates, especially following the strong positions taken by the French filmmaker Claude Lanzmann and author of Shoah (1986). This claim of unrepresentability, it can be shown, draws part of its attraction from the fact that it oscillates undecidedly between a claim of logical impossibility (“the Shoah can’t be represented”) and a normative demand (“the Shoah shouldn’t be represented”). This essay analyzes the argumentative structure of the advocates (...)
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  12.  48
    Reflexiones del cuerpo: sobre la relación entre cuerpo y lenguaje.Emmanuel Alloa - 2014 - Eidos: Revista de Filosofía de la Universidad Del Norte 21:200-220.
    Aunque fueron muchos los intentos en la modernidad de superar el dualismo cuerpo y mente, las teorías filosóficas del lenguaje en muchos casos lo reintrodujeron de manera sutil pero no menos eficaz. El artículo discute varios teoremas para pensar la materialidad del signo y muestra la preponderancia, desde Kierkegaard hasta el estructuralismo post-Saussuriano, de pensar la materialización como algo necesario, pero arbitrario en su modalidad. En esta concepción, el cuerpo del lenguaje no es solamente aquello que se puede sino aquello (...)
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  13.  78
    Writing, Embodiment, Deferral: Merleau-Ponty and Derrida on The Origin of Geometry.Emmanuel Alloa - 2014 - Philosophy Today 58 (2):219-239.
    A simplistic image of twentieth century French philosophy sees Merleau-Ponty’s death in 1961 as the line that divides two irreconcilable moments in its history: existentialism and phenomenology, on the one hand, and structuralism on the other. The structuralist generation claimed to recapture the dimension of objectivity and impersonality, which the previous generation was supposedly incapable of. As a matter of fact, in 1962, Derrida’s edition of Husserl’s The Origin of Geometry was taken to be a turning point that announced the (...)
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  14.  20
    Phenomenologies of the Image.Emmanuel Alloa & Cristian Ciocan - 2023 - Studia Phaenomenologica 23:9-14.
  15.  60
    Iconic Turn: A Plea for Three Turns of the Screw.Emmanuel Alloa - 2015 - Culture, Theory, and Critique 56 (3).
    In the early 1990s, W.J.T. Mitchell and Gottfried Boehm independently proclaimed that the humanities were witnessing a ‘pictorial’ or ‘iconic turn’. Twenty years later, we may wonder whether this announcement was describing an event that had already taken place or whether it was rather calling forth for it to happen. The contemporary world is, more than ever, determined by visual artefacts. Still, our conceptual arsenal, forged during centuries of logocentrism, still falls behind the complexity of pictorial meaning. The essay has (...)
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  16. Seeing-in, seeing-as, seeing-with: Looking through pictures.Emmanuel Alloa - 2011 - In Elisabeth Nemeth, Richard Heinrich, Wolfram Pichler & Wagner David (eds.), Image and Imaging in Philosophy, Science, and the Arts. Volume I. Proceedings of the 33rd International Wittgenstein Symposium [extended version 2021]. Ontos: 179-190. pp. 179-190.
    In the constitution of contemporary image theory, Ludwig Wittgenstein’s philosophy has undoubtedly become a major conceptual reference. Rather than trying to establish what Wittgenstein’s own image theory could possibly look like, this paper would like to critically assess some of the advantages as well as some of the quandaries that arise when using Wittgenstein’s concept of ‘seeing-as’ for addressing the plural realities of images. While putting into evidence the tensions that come into play when applying what was initially a theory (...)
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  17.  14
    Invisibility: From Discrimination to Resistance.Emmanuel Alloa - 2023 - Critical Horizons 24 (4):1-14.
    The paper takes heed of the fact that, when evaluating normative issues through the semantics of visibility and invisibility, a transfer takes place from optical to political semantics which is not without consequences. The paper attempts a typology of the extremely diverse functions (in)visibility takes in current discourses, moving from the characterization of situations of discrimination to that of the resistance to it. In a first step, it analyses the affirmative uses of the notion of political visibilisation, whether of individuals, (...)
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  18.  50
    Das durchscheinende Bild. Konturen einer medialen Phänomenologie.Emmanuel Alloa - 2018 - Zürich: diaphanes.
    Dass Bilder zwischen dem Regime der Dinge und dem Regime der Zeichen niemals einen angestammten Platz erhielten und nicht Gegenstand einer eigenen Wissenschaft wurden, ist keinem wiedergutzumachenden Vergessen geschuldet, sondern Ausdruck eines anfänglichen Skandalons, das historisch auch die Geburtsstunde der Philosophie einläutete. Bilder lassen sich nicht einmal als reine Erscheinungen absondern, weil in ihnen als Wasserzeichen stets durchscheint, was sie sichtbar werden ließ. An Husserls Grundlegung einer Phänomenologie des Bildes lässt sich das obstinate Unterfangen verfolgen, die Bilderscheinung von jeder medialen (...)
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  19.  64
    La chair comme diacritique incarné.Emmanuel Alloa - 2009 - Chiasmi International 11:249-262.
    In 20th century thinking, few concepts have provoked as many misunderstandings as Merleau-Ponty’s notion of ‘Flesh’. Such misunderstandings (of which the article sketches the outline of an archaeology) rest on the initial assumption that the Flesh has to be derived from the body. The article suggests that the dominant readings of the Flesh can be organized along what could respectively be called the scenario of propriety and the scenario of expansion, beyond which a third way comes into view which does (...)
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  20.  1
    Undergoing an Experience. Sensing, Bodily Affordances and the Institution of the Self.Emmanuel Alloa - 2019 - In Emmanuel Alloa, Rajiv Kaushik & Frank Chouraqui (eds.), Merleau-Ponty and Contemporary Philosophy. Albany: SUNY Press.
  21.  3
    Einleitung.Thomas Telios, Federica Gregoratto, Michael Festl & Emmanuel Alloa - 2019 - In Emmanuel Alloa, Michael G. Festl, Federica Gregoratto & Thomas Telios (eds.), Quertreiber des Denkens: Dieter Thomä - Werk Und Wirken. Transcript Verlag. pp. 7-12.
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  22.  10
    Die ästhetische Differenz.Emmanuel Alloa - 2023 - Deutsche Zeitschrift für Philosophie 71 (5):752–768.
    Recent debates about aesthetics are characterized by a partly intentional, but also partly involuntary, vagueness. Whether it be aestheticisation or anesthetisation, articisation or desartification: what is upheld or deplored under one and the same label in fact designates rather different things. The paper makes a suggestion as to how the field could be reorganized. Taking heed of what political theory discusses as the “political difference” between “politics” and “the political”, the aim is to examine what would be gained by working (...)
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  23. Der Leib, ein 'merkwürdig unvollkommen konstituiertes Ding'.Emmanuel Alloa & Natalie Depraz - 2012 - In Emmanuel Alloa, Thomas Bedorf, Tobias Nikolaus Klass & Christian Grüny (eds.), Leiblichkeit. Geschichte und Aktualität eines Begriffs. Mohr-Siebeck / UTB.
  24.  2
    Resistance of the sensible world: an introduction to Merleau-Ponty.Emmanuel Alloa - 2017 - New York: Fordham University Press.
    Introduction: Return to the obvious -- Perception -- Language -- Ontology of the visible -- Conclusion: Toward dia-phenomenology.
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  25.  6
    La chair comme diacritique incarné.Emmanuel Alloa - 2009 - Chiasmi International 11:249-262.
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  26. The madness of sight.Emmanuel Alloa - 2007 - In Karin Leonhard & Silke Horstkotte (eds.), Seeing Perception. Cambridge Scholars Publishing: 40-59. pp. 40--59.
  27. Bare exteriority. Philosophy of the Image and the Image of Philosophy in Martin Heidegger and Maurice Blanchot.Emmanuel Alloa - 2005 - Colloquy (10):69-82.
    The article explores the striking coincidences in Heidegger's and Blanchot's account of the image as death mask. The analysis of the respective theories of the image brings forth two radically divergent conceptions of thinking as "laying patent" (Heidegger) and of thinking as "laying bare" (Blanchot).
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  28.  7
    Monde humain, monde animal, monde préhistorique.Edmund Husserl & Emmanuel Alloa - 2016 - Philosophie 131 (4):20.
    Les deux textes de Husserl que nous présentons ici en traduction, l’un daté vraisemblablement de 1932 et l’autre de septembre 1926, tournent autour du problème du monde et de son accès, de sa normalité ainsi que de ses variations possibles.
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  29. Could Perspective ever be a Symbolic Form? Revisiting Panofsky with Cassirer.Emmanuel Alloa - 2015 - Journal of Aesthetics and Phenomenology 2 (1):51-72.
    Erwin Panofsky’s essay “Perspective as Symbolic Form” from 1924 is among the most widely commented essays in twentieth-century aesthetics and was discussed with regard to art theory, Renaissance painting, Western codes of depiction, history of optical devices, psychology of perception, or even ophthalmology. Strangely enough, however, almost nothing has been written about the philosophical claim implicit in the title, i.e. that perspective is a symbolic form among others. The article situates the essay within the intellectual constellation at Aby Warburg’s Kulturwissenschaftliche (...)
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  30.  78
    Prégnances du devenir. Simondon et les images.Emmanuel Alloa - 2015 - Critique 816:356-371.
    Problématisation, individuation, (dés)adaptation L’inventivité du vivant : la « disparation » Mouvements à vide. La spontanéité selon Simondon La prégnance des images Ontogenèse, phylogenèse, eikogenèse. L’image comme médiation .
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  31.  13
    Getting in Touch. Aristotelian Diagnostics.Emmanuel Alloa - 2015 - In Richard Kearney & Brian Treanor (eds.), Carnal Hermeneutics. Fordham. pp. 57-72.
  32. Visual Studies in Byzantium. A pictorial turn avant la lettre.Emmanuel Alloa - 2013 - Journal of Visual Culture 12 (1):3-29.
    As Hegel once said, in Byzantium, between homoousis and homoiousis, the difference of one letter could decide the life and death of thousands. As this article seeks to argue, Byzantine thinking was not only attentive to conceptual differences, but also to iconic ones. The iconoclastic controversy (726-842 AD) arose from two different interpretations of the nature of images: whereas iconoclastic philosophy is based on the assumption of a fundamental 'iconic identity', iconophile philosophy defends the idea of'iconic difference'. And while the (...)
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  33.  55
    The Theatre of the Virtual. How to Stage Potentialities with Merleau-Ponty.Emmanuel Alloa - 2014 - In Laura Cull & Alice Lagaay (eds.), Encounters in Performance Philosophy. PalgraveMacmillan. pp. 147-170.
  34.  6
    De quoi l’esthétisation est-elle le nom?Emmanuel Alloa & Christoph Haffter - 2021 - Nouvelle Revue d'Esthétique 28 (2):5-23.
    Derrière un seul et même mot – l’« esthétisation » – se cachent des constats que tout ou presque sépare. Peu étonnant que les différents débats autour de cette notion, en France, en Allemagne ou aux États-Unis, aient souvent engendré des incompréhensions mutuelles. Avant même de savoir si l’esthétisation du monde est un phénomène désirable ou condamnable, il faut éclairer les arrière-plans conceptuels qui orientent ce diagnostic, et qui lui confèrent un sens parfois diamétralement opposé. En ouverture du dossier, l’article (...)
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  35.  6
    L’arrêt de mort.Emmanuel Alloa - 2022 - Archives de Philosophie 85 (1):11-25.
    Promettant à la fois la capture de l’instant et son dépassement vers l’intemporel, le medium photographique voit son destin intimement lié à la catégorie du temps. L’article suggère cependant que cette inclusion du temps dans l’image s’est acquise, au cours de l’histoire de la photographie, au prix d’une essentialisation du momentané. À rebours d’une telle approche, il s’agit de repenser l’instantané photographique comme découlant de l’accident, si bien que la photo figure non plus l’instant fécond, mais bien le temps de (...)
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  36. Le monde existe-t-il sans nous? Le perspectivisme selon Husserl.Emmanuel Alloa - 2016 - Philosophie 1 (4):3-19.
  37.  23
    A Lesser Being. From Louis Marin to Simondon and Back.Emmanuel Alloa - 2021 - Nordic Journal of Aesthetics 30 (61-62):8-13.
    Contribution for the Nordic Journal of Aesthetics' Special Issue no. 30 on "The Changing Ontology of the Image". The image’s power is a power of appearing without fully being what it allows to appear. In its strange relationship to what is lacking, the image also and simultaneously displays a remarkable excess—a phenomenal excess.
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  38.  5
    Begriffe retten. J. Rüsen spricht über »Bildung«, »Identität«, »Humanismus« und »Geist«.Emmanuel Alloa - 2007 - Zeitschrift für Kulturphilosophie 2007 (1):170-181.
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  39.  75
    Produktiver Schein. Phänomenotechnik zwischen Wissenschaft und Ästhetik.Emmanuel Alloa - 2015 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 60 (2):169-182.
    The notion of ‘phenomenotechnique’ which Gaston Bachelard introduced in the 1930’s has enjoyed popularity among historians of science who used it in order to insist upon the technical and social mediateness of scientific facts. In the wake of the current triumphal return to epistemological ‘realism,’ the idea of phenomenotechnique has been dismissed as an alleged relic of ‘constructivism.’ The article advocates for a different reading of ‘phenomenotechnique,’ which, rather than insisting on the fabrication of the scientific fact, highlights the intrinsic (...)
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  40.  23
    Afterimages: Belated Witnessing in the Photographs of the Armenian Catastrophe.Emmanuel Alloa - 2015 - Ournal of Literature and Trauma Studies 4 (1):43-65.
    The category of « postmemory » has been invoked by Marianne Hirsch to refer to a traumatic past which is not directly remembered in first person, but is handed down to later generations and is recalled through the mediation of narratives and images which become “prostheses” for a lack of direct memory. But how is it that these prosthetic recollections do not simply substitute for what lacks but seem to shape the very events they are meant to reproduce ? How (...)
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  41.  29
    Riassunto: La carne come diacritico incarnato.Emmanuel Alloa - 2009 - Chiasmi International 11:262-262.
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  42.  18
    Abstract: Flesh as embodied Diacritics.Emmanuel Alloa - 2009 - Chiasmi International 11:262-262.
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  43.  8
    Architectures of transparency.Emmanuel Alloa - 2008 - Res. Anthropology and Aesthetics 53 (Spring-Autumn):321-330.
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  44.  18
    Über Ausstellungszeit : Zur Sozialfotografie von Jacob Riis.Emmanuel Alloa - 2017 - Paragrana: Internationale Zeitschrift für Historische Anthropologie 26 (1):141-157.
    Name der Zeitschrift: Paragrana Jahrgang: 26 Heft: 1 Seiten: 141-157.
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  45.  4
    Bildtheorien aus Frankreich. Eine Anthologie.Emmanuel Alloa (ed.) - 2011 - Fink.
    In den Diskussionen um die Rolle der Bildwissenschaft und den iconic bzw. pictorial turn stellen die Bildtheorien des französischen Gegenwartsdenkens eine entscheidende Ressource der Auseinandersetzung dar. Während einige Texte mittlerweile kanonisch geworden sind, sind zahlreiche andere nach wie vor schwer zugänglich bzw. noch immer unübersetzt. Die Anthologie erschließt erstmals zentrale Quellen für ein Verständnis der bildlichen Wende und kartographiert, indem sie die Konsistenz der Bildfrage in theoretischen Entwürfen von Bergson bis heute sichtbar werden lässt, das französische Denken des 20. Jahrhunderts (...)
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  46.  2
    Being Concerned. For a Political Rehabilitation of an Unwelcome Affect.Emmanuel Alloa & Florian Grosser - 2019 - In Thomas Bedorf & Steffen K. Herrmann (eds.), Political Phenomenology. Experience, Ontology, Episteme. London-New York: Routledge.
    The paper aims at showing the potential of a phenomenologically informed approach for the contemporary debate on democracy. While the role of affectivity has recently been reconsidered in social and political theory on various levels, the phenomenological insights into the affective side of subject- as well as community-formation can offer a precious tool for methodological refinements, so the argument. Inversely, the paper suggests that these analyses on subjectivity and inter-subjectivity should be enlarged so as to include what often remained a (...)
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  47.  38
    Bildwissenschaft in Byzanz. Ein iconic turn avant la lettre?Emmanuel Alloa - 2010 - Studia Philosophica: Jahrbuch Der Schweizerischen Philosoph Ischen Gesellschaft, Annuaire de la Société Suisse de Philosphie 69:11-36.
    As Hegel once said, in Byzantium, between homoousis and homoiousis, the difference of one letter could decide over the life and death of thousands. As the present essay would like to argue, Byzantine thinking was not only attentive to conceptual, but also to iconic differences. The iconoclastic controversy arose from two different interpretations of the nature of images: whereas iconoclastic philosophy is based on the assumption of a fundamental ‘iconic identity’, iconophile philosophy defends the idea of ‘iconic difference’. While the (...)
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  48.  1
    Betroffenheit: Zur Konstitution responsiver Gemeinschaft jenseits von Recht und Gefühl.Emmanuel Alloa & Florian Grosser - 2020 - Philosophisches Jahrbuch 127 (1):2-25.
    The paper aims at showing the potential of a phenomenologically informed approach for contemporary debates on democratic legitimacy and community. While the role of affectivity has recently been reconsidered in social and political theory, phenomenological insights into affective moments of subject- and community-formation can contribute to further methodological refinement. Inversely, it is suggested that phenomenological analyses on subjectivity and intersubjectivity should be broadened so as to include what often remained a blind spot: the political dimension. Drawing on descriptive resources offered (...)
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  49.  36
    Changer de sens. Quelques effets du tournant iconique.Emmanuel Alloa - 2010 - Critique 758 (8):647-658.
  50.  10
    Choses en soi: Métaphysique du réalisme.Emmanuel Alloa & Elie During (eds.) - 2018 - Paris: PUF.
    En philosophie, l'impossible a un nom : c'est, depuis Kant, la "chose en soi". La notion n'a pas bonne presse. A peine introduite, elle a connu un discrédit durable. Curieuse idée en effet que celle d'une réalité reconnue comme inconnaissable sans être pour cela impensable. Et pourtant, la chose en soi résiste et ne cesse de revenir sous diverses dénominations : "matière", "facticité", "résistance", "inconstructible", etc. Aujourd'hui encore, son idée hante les débats, du côté de la philosophie comme des sciences (...)
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