Results for 'English poetry History and criticism'

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  1. Benedetto Croce, Poetry and Literature: An Introduction to its Criticism and History.Giovanni Gullace (ed.) - 1981 - Southern Illinois University Press.
    Benedetto Croce’s influence pervades Anglo-Saxon culture, but, ironically, before Giovanni Gullace heeded the call of his colleagues and provided this urgently needed translation of _La Poesia, _speakers of English had no access to Croce’s major work and final rendering of his esthetic theory.__ __ _Aesthetic, _published in 1902 and translated in 1909, represents most of what the English-speaking world knows about Croce’s theory. It is, asserts Gullace, “no more than a first sketch of a thought that developed, clarified, (...)
     
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  2. English Poetry and German Philosophy in the Age of Wordsworth.A. C. Bradley - 1909 - R. West.
     
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  3. Classical Skepticism and English Poetry in the Twelfth Century.Seth Lerer - 1981
     
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  4. Alienation in Contemporary Indian English Poetry.Shashi Kant Uppal - 2002 - Abs Publications.
     
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  5. Beyond Enchantment: German Idealism and English Romantic Poetry.Mark Kipperman - 1986 - University of Pennsylvania Press.
     
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  6.  19
    "Four Dialectical Theories of Poetry: An Aspect of English Neoclassical Criticism," by Robert Marsh.Leonard A. Waters - 1967 - Modern Schoolman 44 (4):407-408.
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  7.  15
    Poetry and Music in Seventeenth-Century England.Diane Kelsey McColley - 1997 - Cambridge University Press.
    This study explores the relationship between the poetic language of Donne, Herbert, Milton, and other British poets, and the choral music and part-songs of composers including Tallis, Byrd, Gibbons, Weelkes, and Tomkins. The seventeenth century was the time in English literary history when music was most consciously linked to words, and when the mingling of Renaissance and 'new' philosophy opened new discovery routes for the interpretation of art. McColley offers close readings of poems and the musical settings of (...)
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  8. Scheherazade or the Future of the English Novel Thamyris or is There a Future for Poetry? Saxo Grammaticus Deucalion or the Future of Literary Criticism: Today and Tomorrow Volume Twenty-One.Trevelyan Carruthers - 2008 - Routledge.
    Scheherazade Or the Future of the English Novel John Carruthers Originally published in 1928 "A brilliant essay…" Daily Herald A survey of contemporary fiction in England and America lends to the conclusion that the literary and scientific influences of the last fifty years have combined to make the novel of today predominantly analytic. The author argues that it has therefore gained in psychological subtlety, but lost its form and how this may be regained is put forward in the conclusion. (...)
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  9. With Poetry and Philosophy: Four Dialogic Studies: Wordsworth, Browning, Hopkins and Hardy.David Miller - 2007 - Cambridge Scholars Press.
    Wordsworth and Kant and the Prosaic sublime -- Fitting infinities: Browning and Hegel -- Utter limits: Hopkins and Kierkegaard -- The echo of the poetic: Hardy and Adorno.
     
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  10. The English Philosophic Lyric.Louise Henriette Zwager - 1931 - R. West.
    The term "Philosophic lyric".--Introductory chapter.--The "return to nature"; Wordsworth's "philosophy of nature".--The period between Wordsworth and Meredith.--Wordsworth and Meredith as poets of nature.--Browning and Meredith as poets of man.--Conclusion.
     
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  11. English Renaissance Literature and Contemporary Theory: Sublime Objects of Theology.Paul Cefalu - 2007 - Palgrave-Macmillan.
    Cefalu offers the first sustained assessment of the ways in which recent contemporary philosophy and cultural theory -- including the work of Giorgio Agamben, Alain Badiou, Eric Santner, Slavoj Žižek, and Alenka Zupancic -- can illuminate Early Modern literature and culture. The book argues that when selected Early Modern devotional poets set out to represent subject-God relations, they often encounter some sublime aspect of God that, in Slovenian-Lacanian terms, seems "Other" to himself. This divine Other, while sometimes presented directly as (...)
     
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  12. Translation and the Poet's Life: The Ethics of Translating in English Culture, 1646-1726.Paul Davis - 2008 - Oxford University Press.
     
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  13. King Alfred & Boethius: An Analysis of the Old English Version of the Consolation of Philosophy.F. Anne Payne - 1968 - University of Wisconsin Press.
     
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  14.  10
    Ethics and Enjoyment in Late Medieval Poetry: Love After Aristotle.Jessica Rosenfeld - 2010 - Cambridge University Press.
    Machine generated contents note: Introduction: love after Aristotle; 1. Enjoyment: a medieval history; 2. Narcissus after Aristotle: love and ethics in Le Roman de la Rose; 3. Metamorphoses of pleasure in the fourteenth century Dit Amoureux; 4. Love's knowledge: fabliau, allegory, and fourteenth-century anti-intellectualism; 5. On human happiness: Dante, Chaucer, and the felicity of friendship; Coda: Chaucer's philosophical women.
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  15.  3
    Literary Criticism and the Return to "History".David Simpson - 1988 - Critical Inquiry 14 (4):721-747.
    If any emergent historical criticism will tend by its own choice toward inclusiveness and eclecticism, it is also likely to be constrained by more subtle forms of complicity with the theoretical subculture within which it seeks its audience. It is not in principle impossible that we might choose to set going an initiative that is very different indeed from the methods and approaches already in place. But is nonetheless clear that we must be aware, in some propaedeutic way, of (...)
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  16. Essence, History, and Narrative: T. S. Eliot on the Definition of Poetry and Criticism.Richard Shusterman - 1988 - The Monist 71 (2):183-196.
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  17.  25
    Benedetto Croce: Poetry and Literature: An Introduction to Its Criticism and History. Translated with an Introduction and Notes by Giovanni Gullace.Clifford Andenberg - 1983 - Modern Schoolman 61 (1):56-57.
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  18.  21
    Touches of Sweet Harmony: Pythagorean Cosmology and Renaissance Poetics.S. K. Heninger - 1974 - Huntington Library.
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  19.  35
    Language, Music, and the Sign: A Study in Aesthetics, Poetics, and Poetic Practice From Collins to Coleridge.Kevin Barry - 1987 - Cambridge University Press.
    Originally published in 1987, this book forms a conceptual account of the relationship between music and poetry in the late eighteenth and early nineteenth ...
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  20. English Institute Essays 1946. Part I, The Critical Significance of Biographical Evidence: "John Milton"English Institute Essays 1946. Part I, The Critical Significance of Biographical Evidence: "Jonathan Swift"English Institute Essays 1946. Part I, The Critical Significance of Biographical Evidence: "Shelley's Ferrarese Maniac"English Institute Essays 1946. Part I, The Critical Significance of Biographical Evidence: "William Butler Yeats"English Institute Essays 1946. Part II, The Methods of Literary Studies: "Six Types of Literary History"English Institute Essays 1946. Part II, The Methods of Literary Studies: "Literary Criticism"English Institute Essays 1946. Part II, The Methods of Literary Studies: "Mr. Dangle's Defense: Acting and Stage History"English Institute Essays 1946. Part II, The Methods of Literary Studies: "The Textual Approach to Meaning". [REVIEW]W. K. Wimsatt, Douglas Bush, Louis A. Landa, Carlos Baker, Marion Witt, Rene Wellek, Cleanth Brooks, Alan S. Downer & E. L. McAdam - 1949 - Journal of Aesthetics and Art Criticism 7 (3):264.
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  21.  42
    Addison and Akenside: The Impact of Psychological Criticism on Early English Romantic Poetry.John L. Mahoney - 1966 - British Journal of Aesthetics 6 (4):365-374.
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  22.  25
    John A. Ramsaran: English And Hindi Religious Poetry. An Analogical Study. (Studies In The History Of Religions-Supplements to Numen XXIII). E. J. Brill, Leiden 1973, 199 Pp. [REVIEW]Udo Tworuschka - 1974 - Zeitschrift für Religions- Und Geistesgeschichte 26 (3):270-273.
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  23.  7
    Poetry and Literature: An Introduction to Its Criticism and History.Pieranna Garavaso, W. G. Regier, Benedetto Croce & Giovanni Gullace - 1981 - Substance 12 (4):95.
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  24.  7
    Theology and Poetry in the Middle English Lyric: A Study of Sacred History and Aesthetic Form. Sarah Appleton Weber.R. E. Kaske - 1971 - Speculum 46 (1):188-190.
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  25.  6
    Robert Con Davis is Associate Professor of English and Graduate Director at the University of Oklahoma. His Research Interests Include History of 20th Century Criticism, Deconstruction, Jacques Lacan, And.Jean-Paul Dumont - 1985 - American Journal of Semiotics 3 (3):155-156.
  26.  3
    Sarah Appleton Weber. Theology and Poetry in the Middle English Lyric. A Study in Sacred History and Aesthetic Form. Pp. X + 292. $10.00. [REVIEW]Eva Schaper - 1971 - Religious Studies 7 (1):82.
  27. Four Dialectical Theories of Poetry: An Aspect of English Neoclassical Criticism.R. Marsh - 1965
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  28.  5
    The Seventeenth Century Background.Basil Willey - 1953 - Garden City, N.Y., Doubleday.
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  29. The Influence of Aristotle's Politics and Ethics on Spenser.William Fenn DeMoss - 1920 - New York: American Mathematical Society.
     
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  30. Outflying Philosophy.Robert Sencourt - 1925 - New York: Haskell House.
     
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  31.  1
    Browning as a Philosophical and Religious Teacher.Henry Jones - 1896 - [New York, Ams Press.
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  32. Four Dilemmas: Theory, Criticism, History, Faith: Sketches on the Threshold of Literary Anthropology.Dorota Heck - 2010 - Księgarnia Akademicka.
    Dilemma one, Between the theoretical concepts and authorial intention -- Dilemma two, Good manners and eristic -- Dilemma three, Between strangeness and familiarity -- Dilemma four, Between scholarly research and faith.
     
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  33. The Whole Internal Universe Imitation and the New Defense of Poetry in British Criticism, 1660-1830.John Mahoney - 1985
     
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  34. Early Greek Poetry and Philosophy: A History of Greek Epic, Lyric, and Prose to the Middle of the Fifth Century.Hermann Ferdinand Fränkel - 1975 - Blackwell.
     
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  35.  3
    What Isn't History: The Snares of Demystifying Ideological Criticism.Robert Markley - 1989 - Critical Inquiry 15 (3):647-657.
    Oscar Kenshur’s “Demystifying the Demystifiers: Metaphysical Snares of Ideological Criticism” should go a long way toward convincing most readers that the cure for “ideological” criticism is worse than the disease. His attempt to uncouple ideology and epistemology in Thomas Hobbes’ Leviathan and Michael Ryan’s Marxism and Deconstruction belongs to an increasingly popular subgenre of metacriticism, the “more-historical-than-thou” offensive against Marxists and new historicists for their alleged essentialist procedures.1 There is no question that Kenshur raises significant issues about the (...)
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  36.  3
    Criticism, Politics, and Style in Wordsworth's Poetry.David Simpson - 1984 - Critical Inquiry 11 (1):52-81.
    Questions could and should be raised about the political profile of English Romanticism both in particular and in general. Wordsworth’s poetry is especially useful to me here because of the way in which, through formal discontinuities, it dramatizes political conflicts. Reacting against these discontinuities, aesthetically minded critics have simply tended to leave out of the canon those poems which have the greatest capacity to help us become aware of a political poetics. In this respect it may well be (...)
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  37. Meredith MARTIN. The Rise and Fall of Meter : Poetry and English National Culture, 1860 – 1930.Ben Glaser - forthcoming - Rhuthmos.
    This review was first published in Modern Language Quarterly : A Journal of Literary History, in Volume 74, Issue 3 | September 2013. Meredith MARTIN. The Rise and Fall of Meter : Poetry and English National Culture, 1860 – 1930. Princeton, NJ : Princeton University Press, 2012. 274 pp. At the turn of the twentieth century, Robert Bridges made newspaper headlines with Milton's Prosody for attempting to renovate England's increasingly simplified notions of meter by justifying the supposed (...)
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  38.  1
    The Pope Controversy: Romantic Poetics and the English Canon.James Chandler - 1984 - Critical Inquiry 10 (3):481-509.
    To see what might be at stake in the question of Pope’s place in the poetic canon—in the question as such, before anything is said of critical theory—we must understand that late eighteenth-century England was developing a different sort of canon from the one which Pope and the Augustans had in view. As everyone knows, Pope’s classics were, well, classical. His pantheon was populated with poets of another place and time whose stature was globally recognized. One recalls the tribute to (...)
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  39.  5
    Literary Criticism and Its Discontents.Geoffrey Hartman - 1976 - Critical Inquiry 3 (2):203-220.
    Literary criticism is neither more nor less important today than it has been since the becoming an accepted activity in the Renaissance. The humanists of the sixteenth and seventeenth centuries created the institution of criticism as we know it: the recovery and analysis of works of art. They printed, edited, and interpreted texts that dated from antiquity and which had been lost or disheveled. Evangelical in their fervor, avid in their search for lost or buried riches, they also (...)
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  40.  2
    The Lateral Dance: The Deconstructive Criticism of J. Hillis Miller.Vincent B. Leitch - 1980 - Critical Inquiry 6 (4):593-607.
    Miller undermines traditional ideas and beliefs about language, literature, truth, meaning, consciousness, and interpretation. In effect, he assumes the role of unrelenting destroyer—or nihilistic magician—who dances demonically upon the broken and scattered fragments of the Western tradition. Everything touched soon appears torn. Nothing is ever finally darned over, or choreographed for coherence, or foregrounded as magical illusion. Miller, the relentless rift-maker, refuses any apparent repair and rampages onward, dancing, spell-casting, destroying all. As though he were a wizard, he appears in (...)
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  41. Poetry and Philosophy From Homer to Rousseau: Romantic Souls, Realist Lives.Simon Haines - 2005 - Palgrave-Macmillan.
    This book features readings of over twenty key texts and authors in Western poetry and philosophy, including Homer, Plato, Dante, Chaucer, Shakespeare and Rousseau. Simon Haines argues that the history of both can be seen as a struggle between two different conceptions of the self: the "romantic" vs. the "realist".
     
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  42.  27
    Symbolist Aesthetics and Early Abstract Art: Sites of Imaginary Space.Dee Reynolds - 1995 - Cambridge University Press.
    This book presents an innovative analysis of the role of imagination as a central concept in both literary and art criticism. Dee Reynolds brings this approach to bear on works by Rimbaud, Mallarme;, Kandinsky, and Mondrian. It allows her to redefine the relationship between Symbolism and abstract art, and to contribute new methodological perspectives to comparative studies of poetry and painting. The late nineteenth and early twentieth century was a crucial period in the emergence of new modes of (...)
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  43.  14
    Postnationalist Ireland: Politics, Culture, Philosophy.Richard Kearney - 1996 - Routledge.
    The encroachment of globalization and demands for greater regional autonomy have had a profound effect on the way we picture Ireland. This challenging new look at the key of sovereignty asks us how we should think about the identity of a postnationalist' Ireland. Richard Kearney goes to the heart of the conflict over demand for communal identity - traditionally expressed by nationalism, and the demand for a universal model of citizenship - traditionally expressed by republicanism. In so doing, he asks (...)
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  44.  1
    Missing Years on Casualties in English Literary History, Prior to Pope.J. Paul Hunter - 2008 - Common Knowledge 14 (3):434-444.
    The third of a century between the late 1680s and the early 1720s—a time when a vast number of prolific poets flourished—is almost completely overlooked in literary history, perhaps because there was no single poetic leader and no dominant direction in the poetry. But it was a very fertile period in poetry, with many talented poets and many potential directions that did not develop into dominant trends. Because literary history almost inevitably looks at dominant directions, it (...)
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  45.  16
    Literate Experience: The Work of Knowing in Seventeenth-Century English Writing.Andrew Thomas Barnaby - 2002 - Palgrave-Macmillan.
    Literate Experience argues for the existence of certain shared patterns of intellectual association in the English seventeenth century, patterns that follow the outlines of Bacon’s project of epistemological reform. Bacon’s project offered a theory of how knowing as a private act could be transformed into a public one, an act related to the creation and maintenance of public authority. The question thus becomes, how did thinkers in the period reimagine civil society as a polity of knowledge? This study traces (...)
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  46. On the Anarchy of Poetry and Philosophy: A Guide for the Unruly.Gerald L. Bruns - 2006 - Fordham University Press.
    Marcel Duchamp once asked whether it is possible to make something that is not a work of art. This question returns over and over in modernist culture, where there are no longer any authoritative criteria for what can be identified (or excluded) as a work of art. As William Carlos Williams says, “A poem can be made of anything,” even newspaper clippings.At this point, art turns into philosophy, all art is now conceptual art, and the manifesto becomes the distinctive genre (...)
     
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  47. Pearls of Persia: The Philosophical Poetry of Nāṣir-I Khusraw.Alice C. Hunsberger (ed.) - 2012 - In Association with the Institute of Ismaili Studies.
    Nasir-i Khusraw is a major literary figure in medieval Persian culture. He was a Muslim philosopher, poet, travel writer, and Ismaili da'i who lived a thousand years ago in the lands known today as Afghanistan, Iran, and Tajikistan. Although known in the West mainly for his Safarnama, or travelogue, which describes his seven-year journey from Khurasan, in the eastern Islamic lands, to Cairo, the city of the Fatimid imam-caliphs, his poetry and ideas are less familiar. Yet, over the centuries, (...)
     
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  48.  13
    The Concept of Nature in Nineteenth-Century English Poetry.Daniel C. O'Grady - 1938 - New Scholasticism 12 (2):171-172.
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  49. Hans-Georg Gadamer on Education, Poetry, and History: Applied Hermeneutics.Dieter Misgeld, Graeme Nicholson, Lawrence K. Schmidt & MoniKa Reuss (eds.) - 1992 - State University of New York Press.
    In these essays, appearing for the first time in English, Gadamer addresses practical questions about recent politics in Europe, about education and university reform, and about the role of poetry in the modern world. This book also includes a series of interviews that the editors conducted in 1986. Gadamer elaborates on his experiences in education and politics, touching on the collapse of the Weimar Republic, the early Frankfurt School, Heidegger and the Nazis, university life in East Germany, and (...)
     
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  50.  9
    Studies of Type-Images in Poetry, Religion, and Philosophy.Maud Bodkin - 1951 - R. West.
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