55 found
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  1.  14
    Guattari with Duchamp, or Du champ from One Sign to the Other.Eric Alliez - 2022 - Deleuze and Guattari Studies 16 (4):579-599.
    Taking as the focus of enquiry the engagements of Félix Guattari with Marcel Duchamp, namely, those rare passages in Schizoanalytic Cartographies and Chaosmosis, the question of the encounter is posed in the field of the sign, but of a sign ‘destructured’ (as Duchamp du signe), in the sense also that Guattari started by destructuring Lacan (from Psychoanalysis and Transversality to Anti-Oedipus). Introduced by the relationships between Guattari and Foucault to better play in between the early and the late Guattari, Guattari’s (...)
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  2.  37
    Capital Times: Tales From the Conquest of Time.Eric Alliez - 1996 - Univ of Minnesota Press.
    Offers a history of the philosophy of time and a comparison of the ways of conceiving the temporal, concentrating on European philosophy and its impact the connection between time and money in Western civilization.
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  3.  47
    Rhizome (with no return). From structure to rhizome: transdisciplinarity in French thought (2).Eric Alliez - 2011 - Radical Philosophy 167:36-42.
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  4.  8
    De l'impossibilité de la phénoménologie: sur la philosophie française contemporaine.Eric Alliez - 1995 - Paris: J. Vrin.
    Un examen de la division quasi officielle du monde philosophique en deux blocs : phénoménologique et analytique. Bilan de ses prolongements en France ces vingt dernières années.
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  5.  17
    Duchamp Within and Against Lacan.Éric Alliez - 2020 - Theory, Culture and Society 37 (7-8):329-353.
    Critical reception of Marcel Duchamp since the 1970s has tended to elevate him into the very figure of the Artist he sought to attack. One aspect of this domestication has involved neglecting Duchamp’s fin de siècle ‘eroticism’ with its sexual innuendos and double-entendres. Yet this very readymade vulgarity allows us to recover a Duchamp still capable of disrupting the genres of Art and the gendered Artist, by revealing a theory embedded in his work which continually reverses and displaces phallocentrism in (...)
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  6.  25
    Questionnaire on Deleuze.Éric Alliez - 1997 - Theory, Culture and Society 14 (2):81-87.
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  7.  59
    Ontology of the Diagram and Biopolitics of Philosophy. A Research Programme on Transdisciplinarity.Éric Alliez - 2013 - Deleuze and Guatarri Studies 7 (2):217-230.
    In this article, the diagram is used to chart the movement from Deleuze's transcendental empiricism and engagement with structuralism in the 1960s to Deleuze and Guattari's ethico-aesthetic constructivism of the 1970s and 1980s. This is shown to culminate in a biopolitical critique and decoding of philosophy, which is part of the unfolding of a transdisciplinary research programme where art is seen to come ontologically ahead of philosophy.
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  8.  74
    Badiou.Éric Alliez - 2001 - Multitudes 3 (3):26-34.
    Within the continuation of the controversy provoked by Alain Badiou’s Deleuze , the article proposes a reading of Saint Paul. The foundation of universalism which follows engages in exploring the political basement of the conflict between the two paradigms of the multiple developed respectively in the philosophies of Deleuze and Badiou. Saint Paul - or the universalism of grace against the materialism of life.
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  9. Midday, Midnight: The Emergence of Cine-Thinking.Éric Alliez - 2000 - In Gregory Flaxman (ed.), The brain is the screen: Deleuze and the philosophy of cinema. Minneapolis: University of Minnesota Press. pp. 293--302.
     
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  10.  6
    La signature du monde, ou, Qu'est-ce que la philosophie de Deleuze et Guattari?Eric Alliez - 1993 - Paris: Cerf.
  11.  7
    Les temps capitaux: Récits de la conquête du temps.Eric Alliez - 1991 - Paris: Cerf.
    t. 1. Récits de la conquête du temps -- t. 2. La capitale du temps. 1. L'état des choses.
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  12.  57
    Badiou/Deleuze.Éric Alliez - 2000 - Multitudes 1 (1):192-194.
  13.  65
    Différence et répétition de Gabriel Tarde.Éric Alliez - 2001 - Multitudes 4 (4):171-176.
    If we begin to sense that Deleuze will have been the first to recognize Gabriel Tarde as a kind of «precursor » which he explored in his most untimely actuality, the constitutive character of Tarde’s inspiration for Deleuze has not been closely studied. It seems, however, as if Deleuze’s critique and overcoming of structuralist thought depends upon this reactualisation of Tarde’s work. This will allow us to better understand the extended »forgetting » of’ Tarde, buried for so long under the (...)
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  14.  27
    Défaire l'image.Éric Alliez & Jean-Claude Bonne - 2013 - Multitudes 55 (4):165.
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  15.  5
    Le protocole Weibel.Éric Alliez - 2005 - Multitudes 3 (3):145-148.
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  16.  17
    A Constructivist Flight from `A Constructivist Reading of Process and Reality'.Eric Alliez - 2008 - Theory, Culture and Society 25 (4):111-117.
    Isabelle Stengers anchors the major stake in Whiteheadian philosophy in the notion of constructivism. In doing so, the relation of this philosophy of becoming — the first anti-substantialist principle of which is stated as `principle of process' — to the ideas of vitalist intuition as the self-expression of the world is announced as eminently problematic. This problematizing opening to Whitehead obliges us to think about the constructivist nature of his concepts because of their irreducibility to the expression of facts of (...)
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  17.  46
    A very different context.Eric Alliez - 2008 - Radical Philosophy 149:18-21.
  18.  32
    Body without image: Ernesto Neto's anti-Leviathan.Eric Alliez & Andrew Goffey - 2009 - Radical Philosophy 156:23-34.
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  19.  16
    Construction vitale.Éric Alliez, Brian Holmes & Maurizio Lazzarato - 2004 - Multitudes 1 (1):5-17.
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  20.  33
    Deleuze avec Masoch.Éric Alliez - 2006 - Multitudes 2 (2):53-68.
    Masoch emerging from the Text for a Life-Experiment: what Deleuze delivers to us is a political program, because « there is no other danger but the father’s return. ».
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  21.  77
    Diagrammatic Agency Versus Aesthetic Regime of Contemporary Art: Ernesto Neto's Anti-Leviathan.Eric Alliez - 2012 - Deleuze and Guatarri Studies 6 (1):6-26.
    Ernesto Neto's installation at the Panthéon in Paris, Leviathan Toth (2006), brings us into a semiotics of intensities that does not belong to the ‘aesthetic regime’ as described by Jacques Rancière but rather to a Diagrammatic Agency of Contemporary Art. In this case study, the latter is constructed after Deleuze and Guattari – from a politics of the Body without Organs critically and clinically identified to a Body without Image.
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  22.  19
    Der Guattari-Deleuze-Effekt.Eric Alliez - 2011 - Zeitschrift für Medien- Und Kulturforschung 2 (1):55-74.
    Statt von einem Guattari-Effekt auf Deleuze muss man von einem Guattari-Deleuze-Effekt sprechen, um ein wechselseitiges Einwirken in einem gemeinsamen Projekt zu beschreiben, das mit dem Herausgehen aus der klassischen Psychoanalyse beginnt und in den Umbau der Philosophie in der Öffnung auf ihr Außen mündet. Dieser Umbau lässt das Paradigma der Interpretation ebenso hinter sich wie jenes der Struktur. In der Kritik an Lacan vollziehen Deleuze und Guattari die Abkehr vom Postulat des Primats der Sprache als Struktur und eines durch sie (...)
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  23.  6
    Der Guattari-Deleuze-Effekt.Eric Alliez - 2011 - Zeitschrift für Medien- Und Kulturforschung 2 (1):56-74.
    In order to understand the collaborators' mutual impact in a joint project that began with Deleuze and Guattari's transgression of classical psychoanalysis and advanced to their complete remodeling of philosophy, the notion of a »Guattari-Deleuze-effect« is more adequate than the presumption an unilateral »Guattari-effect« upon Deleuze. Furthermore, Deleuze's and Guattari's concerted efforts leave the paradigms of »interpretation« and »structure« behind; in their critique of Lacan, Deleuze and Guattari turn away from the primate of language as structure and the postulate of (...)
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  24.  38
    Défaire l'image.Éric Alliez & Jean-Claude Bonne - 2007 - Multitudes 1 (1):189-194.
    Contemporary art was born out of the radicalization of a crisis begun by modern art , concerning the twofold sensible identity of art, which involves both its image-form and its aesthetic-form. This crisis led Matisse and Duchamp to « undo the image » inasmuch as it is defined by Form, in a kind of phenomenology of the visible and the invisible . Matisse responds to this with a vitalist energeticism which brings about an expansive constructivism of color-forces which replaces aesthetics (...)
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  25. De l'impossibilité de la phénoménologie.Eric Alliez - 1994 - In Yves Mabin (ed.), Philosophie contemporaine en France: sommaire. Ministère des affaires étrangères, Direction générale des relations culturelles, scientifiques et techniques, Sous-direction de la politique du livre et des bibliothèques.
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  26.  8
    Défaire l'image: de l'art contemporain.Éric Alliez - 2013 - [Dijon]: Les Presses du réel. Edited by Jean-Claude Bonne.
    Un livre pour défaire le régime esthétique de l'image, en vue d'une nouvelle pensée diagrammatique, après Deleuze et Guattari, entre art et philosophie : un ouvrage introductif et spéculatif sans équivalent qui, partant de la rupture opérée par Matisse et Duchamp avec la phénoménologie picturale de l'image esthétique, constitue une archéologie de l'art contemporain qui passe par Daniel Buren, Gordon Matta-Clark, Günter Brus et le néoconcrétisme brésilien.
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  27.  10
    De la imposibilidad de la fenomenología.Éric Alliez - 1999 - Estudios de Filosofía (Universidad de Antioquia) 19:37-90.
    El artículo hace una presentación de la filosofía francesa desde el horizonte contemporáneo que de ella se ha constituido. En dicha contemporaneidad es decisivo el desarrollo que de la fenomenología se ha hecho (tradición fenomenológica en la fenomenología francesa) tanto como su problematización. En virtud de esta última, la fenomenología ha sido llevada a sus posibilidades más extremas (o la fenomenología sólo es posible como ontología, o bien, la ontología no es posible más que como fenomenología) a fin de determinar (...)
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  28.  23
    De-definition of media: A telegraphic postscript.Eric Alliez - 2011 - Radical Philosophy 169:17.
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  29.  15
    Erwin Wurm, ou le « ground-zero » de la sculpture.Éric Alliez - 2003 - Multitudes 3 (3):131-134.
    A cross between a Do It Yourself and a primer of political anatomy, ErwinWurm’s « politically incorrect » drawings present, one by one, the sculptures of a present dreamed up by a post-post-minimalist Buster Keaton. Wurm sculpts bodies that are both outlandish and Austrian; there is nothing to prevent us from thinking of both Austria and the outlandish when we look at these drawings produced for Multitudes, together with the photographs that accompany them.
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  30.  34
    Lévia...Tot.Éric Alliez & Jean-Claude Bonne - 2008 - Multitudes 33 (2):155.
    Leviathan-Toth, Ernesto Neto’s anti/counter-installation which could be seen hanging from the vaults of the Panthéon in autumn 2006 does not seek to exploit this national memorial as a space in which to stand as an exhibition. It responds to all of its surrounding factors – physical, aesthetic, political, and metaphysical, to attack the representative art whose constitutive-constitutional role in the republic, according to Hobbes, can be seen in Leviathan’s frontispiece. Setting up a sort of Critique et Clinique of Representation in (...)
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  31.  54
    L'effet-guattari.Éric Alliez & Anne Querrien - 2008 - Multitudes 34 (3):22.
  32.  35
    007? Le Grand Tour.Éric Alliez - 2008 - Multitudes 32 (1):1.
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  33. La condición CsO, o de la política de la sensación.Eric Alliez - 2004 - Laguna 15:91-108.
    El Cuerpo sin Órganos tiene que herir. Lo cual significa, para el filósofo, que el CsO desorgan- izará su identidad filosófica. Como tal, el CsO estalla en medio de la obra de Gilles Deleuze y es la marca de una ruptura entre una Lógica del sentido y una Lógica de la sensación, entre una biofilosofía y una biopolítica, contemporánea de los acontecimientos de mayo del 68 y del comienzo de la colaboración de Deleuze con Félix Guattari. Mientras que antes de (...)
     
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  34.  41
    L'Art contemporain expliqué par les Enfants.Éric Alliez - 2001 - Multitudes 1 (1):8-16.
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  35.  39
    L'esprit d'Oldenburg.Éric Alliez - 2001 - Multitudes 1 (1):42-52.
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  36.  31
    Le pouvoir et la résistance.Éric Alliez, Maurizio Lazzarato, Bruno Karsenty & Anne Ouerrien - 2000 - Multitudes 1 (1):11-15.
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  37.  30
    Le protocole Weibel.Éric Alliez - 2001 - Multitudes 3 (3):145-148.
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  38.  36
    Matisse-en-Amérique.Éric Alliez & Jean-Claude Bonne - 2005 - Multitudes 1 (1):33-45.
    At the Barnes Foundation in 1931, Matisse undertook the painting of a large decorative panel entitled La Danse. Its stakes are considerable: the disqualification of the painting-form and the drawing-genre, in favor of an environmental art infused with a decorative vitalism that redefines the architectural function itself at the deepest level, beyond any question of site-specificity.
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  39. Matisse-thought and the strict quantitative ordering of Fauvism.Éric Alliez & Jean-Claude Bonne - 2008 - Collapse 3.
     
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  40.  35
    Multitudes Icônes versus Documenta Magazine.Éric Alliez & Giovanna Zapperi - 2007 - Multitudes 3 (3):129-132.
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  41. Matisse with Dewey with Deleuze.Eric Alliez & Jean-Claude Bonne - 2009 - In Eugene W. Holland, Daniel W. Smith & Charles J. Stivale (eds.), Gilles Deleuze: Image and Text. Continuum.
  42. Ontology and logography : The pharmacy, Plato, and the simulacrum.Eric Alliez - 2003 - In Paul Patton & John Protevi (eds.), Between Deleuze and Derrida. New York: Continuum.
  43.  36
    Présentation.Éric Alliez - 2006 - Multitudes 2 (2):13-17.
    Résumé Leviathan Toth, la contre-“installation” que Ernesto Neto a suspendue aux voûtes du Panthéon à l’automne 2006 n’exploite pas l’espace de ce lieu de mémoire national pour s’exposer («art environnemental»). Il affronte toutes ses coordonnées physiques, esthétiques, politiques, métaphysiques, pour s’en prendre à l’Art de la représentation dont le frontispice du Léviathan montrait, au dire même de Hobbes, le rôle constitutif-constitutionnel pour la République. Mettant en scène une manière de Critique et Clinique de la Représentation dans toutes les acceptions du (...)
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  44.  61
    Peace and War.Éric Alliez & Antonio Negri - 2003 - Theory, Culture and Society 20 (2):109-118.
    In this article, we begin from the assertion that global war does not affirm itself as an imperial ordering power without `opacifying' every regulative idea of peace, which is thereby reduced to the status of a deceptive illusion. `Postmodern' peace, which is absolutely contemporaneous with war, is deduced from war in the guise of the `post-democratic' institution of a permanent state of exception, of a continuation of war by other means, and of a reduction of sovereignty to the imbalance of (...)
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  45.  14
    Politique des multitudes.Éric Alliez & Yann Moulier-Boutang - 2000 - Multitudes 1 (1):5-9.
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  46.  27
    Paix et guerre.Éric Alliez & Antonio Negri - 2003 - Multitudes 1 (1):25-34.
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  47.  28
    Post-scriptum sur l'esthétique relationnelle : capitalisme, schizophrénie et consensus.Éric Alliez - 2008 - Multitudes 34 (3):121.
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  48.  50
    Performing the ethico-aesthetic paradigm.Eric Alliez & Brian Massumi - unknown
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  49.  44
    Représentation de Birgit Jürgenssen.Éric Alliez & Giovanna Zapperi - 2007 - Multitudes 4 (4):143-146.
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  50.  5
    Représentation de Birgit Jürgenssen.Éric Alliez & Giovanna Zapperi - 2007 - Multitudes 27 (4):143-146.
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