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    Einstein meets Magritte: an interdisciplinary reflection: the white book of "Einstein meets Magritte".Diederik Aerts, Jan Broekaert & Ernest Mathijs (eds.) - 1999 - Boston: Kluwer Academic.
    Einstein Meets Magritte: An Interdisciplinary Reflection presents insights of the renowned key speakers of the interdisciplinary Einstein meets Magritte conference (1995, Brussels Free University). The contributions elaborate on fundamental questions of science, with regard to the contemporary world, and push beyond the borders of traditional approaches. All of the articles in this volume address this fundamental theme, but somewhere along the road the volume expanded to become much more than a mere expression of the conference's dynamics. The articles not only (...)
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  2.  46
    Human culture and science: Equality and inequality as foundations of scientific thought. [REVIEW]Bert Mosselmans & Ernest Mathijs - 2000 - Foundations of Science 5 (3):339-378.
    We argue that the concepts of `human equality' and `inequality' play an important role in the structure of science and philosophy. When the value of `human inequality' predominates, scientific categories are formed in accordance with the principle of `hierarchical differentiation' and concepts remain closely tied to the objects they are referring to. Following Mirowski we define this as the `anthropometric stage' of human thought and development. Contrary, Mirowski's `syndetic stage' refers to societies where the value of `human equality' prevails. Here (...)
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  3.  42
    Mimesis and the representation of reality: A historical world view. [REVIEW]Ernest Mathijs & Bert Mosselmans - 2000 - Foundations of Science 5 (1):61-102.
    The representation of reality is a fundamental concept in the perception of theworld. Its historical consideration leads to an understanding of historical andcontemporary culture. In this paper we specifically investigate theanthropometric stage of cultural development as a historical world view. Wedefine this stage on the basis of René Girard's hypotheses on the origin ofculture, and we isolate its principles. Next, we consider the function of art asthe representation of cultural values. We investigate the three major motivesof artistic representation in the (...)
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