Concepts of "third culture" (Snow, 1963; Brockman, 1991), "science wars" (Andrew Ross, 1995) and their mutual relationship are reviewed and analyzed from diverse scientific, sociological, historical and philosophical perspectives. An interpretation sets out from the philosophy that implies the plura..

El presente artículo se basa en una investigación llevada a cabo por profesores de la Universidad Pablo de Olavide de Sevilla, adscritos al Grupo de Investigación de Trabajo Social y Políticas Sociales (Plan Andaluz de Investigación, Desarrollo e Innovación -Ciencias Sociales, Económicas y Jurídicas (PAIDI, SEJ-452), a lo largo de dos años y dentro del marco de colaboración con la Fundación Mercasevilla. El objeto de dicha investigación ha sido el análisis de la sociabilidad de las personas mayores en el medio (...) urbano desde la sociabilidad a la dependencia. El estudio pone de manifiesto las diferencias existentes en el uso de los espacios según la edad de la población, los déficits que esos espacios muestran, y su relación con la situación de dependencia de las personas mayores. En relación a los datos obtenidos, se plantean conclusiones y orientaciones que pueden resultar de interés a técnicos, investigadores, planificadores del territorio y para aquellos que pueden decidir acerca de políticas que modifiquen el espacio urbano. El equipo de investigación establece una relación directa entre la integración social del colectivo de mayores, con el grado de participación en la sociedad en la que se encuentran, y por tanto, con el uso y acceso a los distintos espacios de sociabilidad, que es en definitiva donde ejercen esta participación social. (shrink)

Ao apresentar este clássico ensaio, em 1949, ressaltando a importância do estudo da sociologia para a boa compreensão dos problemas jurídicos, indagava o autor - E qual a ciência que dará o conhecimento desse meio heterogêneo, violento, tumultuoso, senão a sociologia? Se ela não estiver ainda à altura da tarefa que lhe incumbem, nenhuma outra o estará.

El propósito del presente artículo consiste en indagar las diferencias de fuerza que sostienen el aparato conceptual de la obra de Suely Rolnik, para pensar una poética de la resistencia pasiva. Para ello, se abordará primero un análisis de la tradición biopolítica para distinguir una tendencia inmanentista (Foucault, Agamben) de otra que vincula la vida con la alteridad (Butler, Coccia). A continuación, se leerá esta segunda tendencia desde la teoría de la performatividad después de la deconstrucción, para proponer una genealogía (...) de la fuerza vulnerable que se denominará speech passion theory. En fin, el artículo enmarca en esta genealogía la fuerza afirmativa de Rolnik, y piensa desde ella la tarea de la política y el arte como una práctica estética más allá de la institución del arte. (shrink)

En Creazione e anarchia, Giorgio Agamben distingue dos posiciones divergentes en la filosofía contemporánea heredera del pensamiento de Heidegger. Mientras que califica de “interpretación anárquica” el trabajo de Reiner Schürmann y el suyo propio, designa como “interpretación democrática” el trabajo de Jacques Derrida. El propósito del presente estudio consiste en valorar el alcance de estas designaciones, que se basan en los distintos sentidos de arché como origen y como principio, para comprender en qué medida puede resultar de interés para la (...) historia de la filosofía reciente tildar al pensamiento de Jacques Derrida como una interpretación democrática de Heidegger, y hasta qué punto la lectura agambeniana se muestra sesgada o limitada. Sostendremos que el gesto “democrático” de Derrida descansa en una cierta concepción de la literatura y de la performatividad de la que Agamben no aborda una lectura suficientemente crítica y precisa. La concepción literaria de la democracia por Derrida, aplicada a distintos aspectos como el tiempo, la muerte o la negatividad del lenguaje, opera una deconstrucción de la ontología heideggeriana y constituye el espacio democrático, así como el lenguaje, como momentos de espera para la irrupción de la alteridad. In creazione e anarchia, Giorgio Agamben distinguishes two divergent positions in the contemporary philosophy received from Heidegger’s thinking. While qualifying his own work and that of Reiner Schürmann’s as “anarchical interpretation”, he qualifies Jacques Derrida’s work as “democratic interpretation”. The purpose of this present study aims at valuing the scope of these designations, which are based on the different senses of arché as origin and as principle, in order to understand to which extent it is of any interest for the recent history of philosophy to name Jacques Derrida’s thinking as a democratic interpretation of Heidegger, and also, to which extent the agambenian reading seems biased or limited. We contend that Derrida’s “democratic” gesture lies on a given conception of literature and of performability of which Agamben does not undertake a sufficently critical and accurate reading. The literary conception of Derrida’s democracy applied to different aspects such as time, death o negativity of language, operates a deconstruction of the heideggerian ontology and embodies the democratic space, as well as the language, as moments of wait for the irruption of the otherness. (shrink)

Reflections about religion developed in Wittgenstein’s early personal writings are notably influenced by Kierkegaard’s Fear and Trembling, particularly concerning the construction of an anthropology of the believer. Religious individual bases his existence in his position before God and in his faith. This basis exceeds ethical generality, and shows how religion is developed beyond the limits of reason and knowledge, in an existential dimension where faith is liken to love. This will imply the rejection of any religious doctrine and the inexpressible (...) quality of faith. (shrink)

El propósito del presente estudio consiste en pensar la ambivalencia con que Zambrano aborda el género de la novela. De un lado, las reflexiones en La confesión, género literario posicionan a Zambrano próxima a las críticas de Benjamin y Adorno a propósito de la cosificación de la novela como género burgués de consumo. De otro lado, sus exposiciones en El sueño creador conciben la novela como la actualización del sueño de la libertad mediante el que el hombre pensarse desbordando la (...) medida de lo humano. Esta ambivalencia del género revela el relato como la condición de posibilidad e imposibilidad de una temporalidad incalculable, no cuantitativa, lo que vinculará las reflexiones de Zambrano con el pensamiento de Derrida. The aim of this study is to think the ambivalence with which Zambrano tackles the novel’s gender. On the one side, her thesis in La confesión, género literario bring Zambrano closer to Benjamin, and Adorno’s critique to the novel as a bourgeois and consumable gender. On the other side, Zambrano’s statements in El sueño creador depict the novel as the fulfillment of a dream of freedom, where man can question himself beyond the limits of the human. In this ambivalence, the narrative gender shows both the conditions of possibility and the conditions of impossibility of a non-quantitative temporality. This aporetic character of the novel opens a discussion between Zambrano and Derrida’s thought. (shrink)

El propósito de este estudio consiste en mostrar la crítica de Kierkegaard a la metafísica de la lectura a través de su problematización de la noción de autor y su revisión de la noción de público en su obraDos épocas. Una recensión literaria. Para ello, se rechazará la interpretación habitual de esta obra, basada en la distinción público/privado, y se valorará la propuesta de Kierkegaard mediante las nociones de cuerpo e intimidad. Ello implicará una redefinición del lenguaje desde el secreto (...) y el silencio, y apuntará hacia una relación compleja entre la literatura, el cuerpo, la subjetividad y la religión. (shrink)

The aim of this study was to carry out a psychosocial analysis of child-to-parent violence (CPV) in a sample of school adolescents, considering a set of individual variables (psychological distress, problematic use of social networking sites, and perceived non-conformist social reputation) and family variables (open and problematic communication with parents) according to sex. The sample consisted of 3,731 adolescents (54% boys), aged between 14 and 16 years (M = 14.6 years, SD = 0.567), from the state of Nuevo León, Mexico. (...) The scores of the boys and girls were analyzed to check for differences. Also, correlations between all the study variables were calculated. Finally, a multiple stepwise regression analysis was carried out for the total sample and also for boys and girls separately. Results confirmed the important role of individual variables as predictors of CPV in boys and girls. The main difference between boys and girls was observed in the predictive weight of problematic use of social networking sites, which was higher in girls than in boys. Open communication with the father was a significant factor for predicting the decrease of CPV levels in the case of boys, while open communication with the mother predicted the decrease of CPV in girls. Problematic communication with the mother showed similar values in boys and girls when predicting CPV, however, the predictive weight of problematic communication with the father was higher in girls than in boys. These results are interesting and have important implications for the prevention of CPV. (shrink)

Notre défi consiste à penser avec les lèvres, à faire sentir la portée de certaines philosophies contemporaines qui font jouer l'exigence d'avoir la bouche bien ouverte et des lèvres qui montrent les dents. Comment faire de la philosophie, non pas avec le langage, mais avec la langue, autrement dit avec sa matérialité et sa singularité? Ce livre ne traite pas du langage, de l'identité ou du sujet, ou peut-être que si, mais à partir des lèvres : il questionne la frontière, (...) l'altérité, le pouvoir, la jouissance, la littérature et ses politiques. Bref, il recherche le plaisir de faire de la philosophie en langues. (shrink)

A VEDAÇÃO À CAPACIDADE ELEITORAL PASSIVA DO ANALFABETO E A CONTRADIÇÃO CONSTITUCIONAL DIANTE DOS PRINCÍPIOS FUNDAMENTAIS DO ESTADO DEMOCRÁTICO DE DIREITO.

ABSTRACT In this article I discuss Bernardine Evaristo’s Girl, Woman, Other as a transmodern narrative that gives voice to a marginalised group of black women living in Britain. Written in a hybrid style that combines prose and poetry and eschewing punctuation and long sentences, the novel interweaves sundry stories from the late nineteenth to the twenty-first century set in countries ranging from Africa, the Caribbean, and America to Britain. This networked structure exposes transtemporal and transnational patterns of diversity, connectedness (...) and relationality, as well as the distinctive genealogy of black British women and their maternal empowerment. I argue that the resilience of the characters in the face of social, racial and gender marginalisation springs from their empathic relatedness and solidarity. This emphasis on the importance of care for the other highlights the need for improving not only women’s rights and socioeconomic opportunities but of benefiting humanity on a broader scale. (shrink)

Resumen: En el presente análisis proponemos una lectura del poemario Poemas da recordação e outros movimentos(2008) de Conceição Evaristo desde una perspectiva de la retórica subalterna, entendiendo lo anterior como la emergencia literaria de otras formas subjetivas. En este sentido afirmamos que en el poemario en análisis la subjetividad de la hablante se construye mediante la voz y el cuerpo femenino, afirmando la diferencia como sustento subjetivo. Abstract: In this analysis it is proposed a reading of the poetry collection (...) of Conceição Evaristo, Poemas da recordação e outros movimentos(2008) from subaltern rhetoric perspective. Understanding the aforementioned as the literary emergence of other subjective forms. In this regard, it is stated that in the poetry collection analyzed, the speaker’s subjectivity is constructed through the voice and female body, affirming difference as subjective sustenance. (shrink)

A literatura negra feminina é pouco utilizada no contexto escolar da educação básica. Entretanto, ela pode provocar reflexões acerca das desigualdades sociais e do papel da mulher negra na sociedade brasileira. Assim, este artigo objetiva refletir acerca da relevância da literatura de Conceição Evaristo no panorama social e acadêmico, pois seus contos abordam a representação do feminino a partir de mulheres negras e denunciam as hierarquias quanto aos papéis de gênero em uma sociedade marcada pelo patriarcalismo. Portanto, tomaremos como (...) aportes teóricos a Lei 11.645/08 e as reflexões de estudiosos como: bell hooks (2017) com a educação transgressora; Kabengele Munanga (2008) com a problematização do racismo em sala de aula; Miriam Alves (2011) com o rompimento de estereótipos; Djamila Ribeiro (2021) com o lugar de fala para romper com o silenciamento, entre outros. A metodologia é um relato de experiência com roda de conversa sobre o conto “Isaltina Campo Belo”, de Conceição Evaristo (2016), inserido no livro Insubmissas lágrimas de mulheres, com a 1ª série do ensino médio em uma escola pública. Logo, a atividade de leitura com literatura negra feminina, no contexto educacional, pode levar o estudante à reflexão de inclusão ou exclusão no panorama literário afro-brasileiro e africano. (shrink)

It is not often that reading—let alone the reading of comics—is identified as a "need," a function of basic physical "survival": In Argentina, we were forced, as a question of survival, to use metaphor. … Readers often 'saw' hidden details in panels, which, let's be honest, the authors were not even conscious of—they had such a need for it. … A large number of graphic allusions … were evidently the work of [Alberto] Breccia. This is how scenario-writer Carlos Trillo (...) looks back on artist Alberto Breccia's tactic of opaquing the visual in their collaborative comic Buscavidas. The embedding of "graphic allusions" is figured as an incentive to the inventiveness of... (shrink)

This essay examines three works by three women writers whose strategies for rewriting the past include a revisionary engagement with the cultural legacies of Ancient Greece and Rome: The Emperor’s Babe: A Novel, Looking for Livingstone: An Odyssey of Silence, and Voyage of the Sable Venus. It argues that each embodies a mode of resistance that both protests the historic oppression of women of colour and asserts a black female agency, insisting on an empowered present and future. In achieving this, (...) all three transgress or subvert conventional generic distinctions between verse and prose, and, in Lewis’s case, between the cultural forms and academic disciplines of art, art history and literature. Each work insists on a transnational conception of black identity, implicitly tracing black diasporic experience through Africa, Europe and the Americas, and asserting the continued interconnections between these three. And, in their confrontations with the histories of colonialism, empire and slavery, each invokes not just the history of the seventeenth to twenty-first centuries ce but also the cultures of Ancient Greece and Rome, the legacies of which underpinned these modern European processes of domination. Of the three works discussed here, those by Evaristo and Lewis ultimately constitute works of greater subversive power than does that of Philip. (shrink)

La obra del artista asturiano Evaristo Valle está plagada de referencias antropológicas vinculadas, en muchos casos, a la festividad pagana del carnaval. Esta hunde sus raíces en la mitología clásica, si bien ha ido acom-pañando al hombre a lo largo de los siglos en sus innumerables manifestaciones artísticas. En el siguiente artículo se evidencian los orígenes clásicos de la fiesta del carnaval y se analiza la obra del gijonés a la luz de las principales características de una festividad que (...) despierta los sentidos primigenios del hombre y su naturaleza irracional. (shrink)

Claiming that individuals and communities get their choices, rhythms and practices biopolitically choreographed by temporal mechanisms that dictate which human experiences are included or excluded, Elizabeth Freeman states that those ‘whose activities do not show up on the official time line, whose own time lines do not synchronize with it, are variously and often simultaneously black, female, queer’. The narrative subject of Bernardine Evaristo's Girl, Woman, Other is black, female and queer in her design of a polyphonic text featuring (...) twelve black women moving through the world in different decades and occupying a temporal dimension that deviates from the linear and teleological modes. I draw on Edelman ; Freeman and Ahmed to analyse Evaristo's novel as a text informed by feminist queer temporality and thus explore these characters’ resistance to chrononormative assumptions like ‘the straight time of domesticated gender, capital accumulation, and national coherence’. In this light, I address her cast of ‘time abjects’ –lesbians, transgender women, feminist killjoys and menopausal females—as characterized ‘chronotopically’ as their racialized and gendered subjectivities coalesce temporally and spatially seeing their pasts and futures interact in a typically transpositional, queer and diasporic continuum. By invoking Freeman's notion of ‘erotohistoriography’ as a distinctive mode of queer time that not only recognizes non-linear chronopolitics, but decidedly prioritizes bodies and pleasures in self-representation, I contend that Evaristo depicts bodies as likewise performing this encounter between past and present in hybrid, carnal and trans-temporal terms. I conclude that in her joining temporality and corporeality, memory and desire, she suggests alternative ways of representing contemporary black British womanhood. (shrink)

A partir de uma perspectiva decolonial do ensino, este artigo objetiva fazer uma reflexão sobre a dinâmica homogênea do ensino de ciências, a qual se comporta como veículo de reprodução de uma visão de mundo eurocentrada, visando universalizar o conhecimento ocidental em detrimento das demais culturas. Tal objetivo justifica-se na importância de analisarmos o espaço de prestígio que ainda é reservado para a racionalidade científica, a qual é propagada sem a devida contextualização histórico-filosófica. Tomaremos como base a poesia Eu-mulher de (...) Conceição Evaristo, partindo do pressuposto de que um ensino eurocentrado exclui de seu bojo os grupos minorizados, principalmente a mulher negra. (shrink)

Seguramente lo más interesante de la suspensión de la cuenta de Twitter del ya expresidente Trump después del asalto al Capitolio no sea el debate tan manido sobre los límites de la libertad de expresión, sino el hecho mucho más significativo de que hoy es Twitter quien decide sobre el estado de excepción. Para desentrañar esta particular relación entre técnica y estado de excepción tan característica de nuestro predicamento contemporáneo, hay que leer a Giorgio Agamben. En este sentido, el libro (...) de Juan Evaristo Valls Boix, Política sin obra, ofrece una introducción tan divulgativa como profunda al trabajo del filósofo político italiano. Este ejemplar se enmarca dentro de la colección Pensamiento político posfundacional de la Editorial Gedisa, que lleva desempeñando, en los últimos años, una labor pedagógica admirable a la hora de dar a conocer al público, en lengua castellana y catalana, los principales filósofos y filósofas de lo político que han problematizado cualquier tipo de fundacionalismo –Lyotard, Foucault, Arendt, Derrida, Lefort, Laclau, Mouffe, Badiou, Rancière, Butler, Nancy, Abensour y Anzaldúa, entre otros y otras–. Cuando llega el turno de introducir a Agamben, la directora de la colección, Laura Llevadot, ya avisa que se trata de una auténtica “introducción a la vida no fascista”, haciendo un guiño al prólogo de Foucault sobre el Anti-Edipo de Deleuze y Guattari. (shrink)

Introducción, traducción y notas de Mari Luz Pintos PeñarandaUniversidad de Santiago de Compostela(Traducción realizada en colaboración con Evaristo Quintáns Hermida).

Introducción, traducción y notas de Mari Luz Pintos PeñarandaUniversidad de Santiago de Compostela(Traducción realizada en colaboración con Evaristo Quintáns Hermida).

Este trabalho investiga a presença da figura de Zumbi dos Palmares no conto “A cabeça de Zumbi”, de Alberto Mussa, buscando tanto compreender aspectos históricos e culturais nele presentes como explorar a associação entre a figura mítico-histórica de Zumbi e a do orixá Exu. Inicialmente, para situar e dimensionar a importância do herói de Palmares para a história do negro no Brasil e dimensionar a questão de nossa formação identitária, utilizamos pensamentos de Sérgio Buarque de Holanda, Gilberto Freyre e Stuart (...) Hall, entre outros. Em seguida, enfocamos o conto e a relação entre Zumbi e Exu, feita por Conceição Evaristo na apresentação do livro, aprofundando-a a partir de informações colhidas nas obras de Reginaldo Prandi, Roger Bastide e Vagner Gonçalves da Silva e de observações críticas feitas por Moema Augel. (shrink)

Although there are many, mostly male, contemporary writers in Brazil whose narratives of urban violence and social inequality implicitly reflect the impact and legacy of slavery on contemporary society, it is interesting that this shameful period, and shockingly brutal events which seem to prove wrong the myths of gentle colonization and harmonious racial democracy, should be chosen as subject matter by four women writers. While very different novels, Adriana Lisboa’s Os Fios da Memória [The Threads of Memory], Conceição Evaristo's (...) Ponciá Vicêncio, Ana Maria Gonçalves's Um Defeito de Cor [A Defect in Colour] and Tatiana Salem Levy's Paraíso [Paradise] all deal frankly with the horrors of slavery and its aftermaths from the point of view of the most vulnerable member of colonial society: the enslaved African woman. This article analyses the ways in which these writers claim justice for their characters and remind readers that those excluded from official histories had names, faces and voices. (shrink)