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  1.  52
    Evolution and Aesthetics.Evental Aesthetics - 2015 - Evental Aesthetics 4 (2):1-170.
    Is aesthetics a product of evolution? Are human aesthetic behaviors in fact evolutionary adaptations? The creation of artistic objects and experiences is an important aesthetic behavior. But so is the perception of aesthetic phenomena qua aesthetic. The question of evolutionary aesthetics is whether humans have evolved the capacity not only to make beautiful things but also to appreciate the aesthetic qualities in things. Are our near-universal love of music and cute baby animals essential to our species’ evolutionary development, which took (...)
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  2.  21
    Evental Aesthetics: Retropective 1.Evental Aesthetics - 2015 - Evental Aesthetics 4 (1):1-116.
    EVENTAL AESTHETICS RETROSPECTIVE 1. LOOKING BACK AT 10 ISSUES OF EVENTAL AESTHETICS.
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  3.  38
    Aesthetics After Hegel (Volume 1, Number 1, 2012).Evental Aesthetics - 2012 - Evental Aesthetics 1 (1):1-138.
    This issue is dedicated to thinking about art and current aesthetic perspectives through Hegelianism.
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  4.  34
    Animals and Aesthetics (Volume 2, Number 2, 2013).Evental Aesthetics - 2013 - Evental Aesthetics 2 (2):1-123.
    In this special issue on animals and aesthetics, contributors explore encounters with animals in art and thought.
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  5.  28
    Evental Aesthetics (Vol. 3 No. 1,2014).Evental Aesthetics - 2014 - Evental Aesthetics 3 (1):1-64.
    Our contributors explore a rich variety of aesthetic problems that bring about the self-reflexive re-evaluation of ideas.
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  6.  20
    Vital Materialism.Evental Aesthetics - 2015 - Evental Aesthetics 3 (3):1-110.
    In her book, Vibrant Matter, Jane Bennett thinks through what ontological, political, and ecological questions would look like if humans could admit that matter and nonhuman things are living, creative agents; the contributors to this issue of Evental Aesthetics begin to think through what aesthetic questions would look like.
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  7.  18
    Aesthetic Histories.Evental Aesthetics - 2013 - Evental Aesthetics 2 (3):1-86.
    In "Aesthetic Histories" our contributors’ shared concern is the inspiring and confounding, healthy and uncomfortable and above all inevitable relationship between history and aesthetic praxis.
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  8.  22
    Poverty and Asceticism (Vol. 2 No. 4,2014).Evental Aesthetics - 2014 - Evental Aesthetics 2 (4):1-107.
    This issue profiles various attempts, both successful and fraught, to engage the divide between asceticism and opulence, between materialism and poverty.
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  9.  15
    Art and the City (Volume 1, Number 3, 2012).Evental Aesthetics - 2012 - Evental Aesthetics 1 (3):1-112.
    In this issue, our contributors demonstrate how art in the city, art “about” the city, art compared to the city, can bring to attention the insidious forces underlying every city’s gleaming, wide-awake veneer.
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  10.  12
    Hijacking.Evental Aesthetics - 2014 - Evental Aesthetics 3 (2):1-61.
    A hijacking is a violent takeover, a misappropriation of something for a purpose other than its intended one, by parties other than those for whom the thing was meant. This issue explores the aesthetic practices and consequences of unauthorized repurposing.
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  11.  7
    The Missed(Volume 1, Number 2, 2012).Evental Aesthetics - 2012 - Evental Aesthetics 1 (2):1-87.
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