Results for 'Everyday Aesthetics'

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  1.  74
    Everyday Aesthetics.Yuriko Saito - 2010 - Oxford University Press.
    Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday (...)
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  2.  64
    Everyday Aesthetics and Photography.Thomas Leddy - 2014 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 7 (1):45-62.
    Everyday photographs as well as art photographs may be aesthetically appreciated. Although this may be most obvious in the case of advertising it is also true for amateur photographs. Non-art photographs play an important role in our everyday lives and should not be neglected by aesthetics. That these photographs draw much of their value from being associated with memories and musings does not make them non-aesthetic. I discuss these issues drawing on Clive Bell, Lyotard and Bourdieu with (...)
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  3. Everyday Aesthetics.Yuriko Saito - 2001 - Philosophy and Literature 25 (1):87-95.
    Neglect of everyday aesthetics -- Significance of everyday aesthetics -- Aesthetics of distinctive characteristics and ambience -- Everyday aesthetic qualities and transience -- Moral-aesthetic judgments of artifacts.
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  4.  19
    Everyday Aesthetics.Yuriko Saito - 2007 - Oxford University Press UK.
    Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday (...)
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  5.  10
    Everyday Aesthetics and Everyday Behavior.Ossi Naukkarinen - 2017 - Contemporary Aesthetics 15 (1).
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  6.  26
    Everyday Aesthetic Practices, Ethics and Tact.Ossi Naukkarinen - 2014 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 7 (1):23-44.
    The essay addresses the issue of the relationships between everyday aesthetics and ethics from the point of view of tact. Tact is understood as an attitude towards behavior that guides action and thinking, and combines aesthetics with ethics. Tact and tactlessness may manifest themselves in action and speech but also in objects produced and used. I will argue that although tact is often pursued, tactful behavior will necessarily result in conflicting situations in which one is only in (...)
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  7. Everyday Aesthetics and World-Making.Yuriko Saito - 2012 - Contrastes: Revista Internacional de Filosofía 17:255-274.
    The project of world-making is carried out not only by professional world-makers, such as designers, architects, and manufacturers. We are all participants in this project through various decisions and judgments we make in our everyday life. Aesthetics has a surprisingly significant role to play in this regard, though not sufficiently recognized by ourselves or aestheticians. This paper first illustrates how our seemingly innocuous and trivial everyday aesthetic considerations ha ve serious consequences which determine the quality of life (...)
     
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  8. Everyday Aesthetics,„.Saitō Yuriko - 2001 - Philosophy and Literature 25 (1).
     
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  9.  30
    Defending Everyday Aesthetics and the Concept of'Pretty'.Thomas Leddy - 2012 - Contemporary Aesthetics 10.
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  10.  1
    Everyday Aesthetics.Yuriko Saito - 2007 - Oxford University Press.
    Yuriko Saito discusses aspects of our everyday experience that have been neglected by modern Western aesthetic theories.
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  11.  6
    From Everyday Aesthetics to Rethinking Existence. The Possible Dialogue Between Jean Luc Nancy’s Ontology and the Aesthetics of the Everyday.Natasha Luna Málaga - 2021 - Espes. The Slovak Journal of Aesthetics 10 (2):88-102.
    My aim is to argue that Jean Luc Nancy’s conception of Being can be particularly valuable for underlining Everyday Aesthetics’ specificity and thus for revealing its philosophical worth, one that I believe is overshadowed when treating Everyday Aesthetics solely as an extension of traditional aesthetics. Nancy’s ontology is nevertheless rooted in the Heideggerian perspective of Being, and is thus seemingly opposite to an Anglo-American approach, which is the sort of ground that Everyday Aesthetics (...)
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  12.  47
    Our Everyday Aesthetic Evaluations of Architecture.Abel B. Franco - 2019 - British Journal of Aesthetics 59 (4):393-412.
    I argue that our everyday evaluations of architecture are primarily evaluations of spaces and, in particular, of their inhabitability— that is, whether they serve or can serve to the realization of our individual ideal of life. Inhabitability is not only a functional criterion but an aesthetic one as well. It is aesthetic insofar as the evaluations about inhabitability include evaluations about the quality of the experience of actually doing something in —or simply occupying—a particular space. This aesthetic aspect of (...)
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  13.  5
    Everyday Aesthetics Solving Social Problems.Ossi Naukkarinen - 2021 - Espes. The Slovak Journal of Aesthetics 10 (2):151-164.
    What is the role of aesthetics, everyday aesthetics in particular, in processes of solving social problems? Many if not most social problems arise from and affect our daily lives. As far as these problems contain aesthetic aspects, these typically are also of an everyday kind. In this paper, I address the relations between social problems and everyday aesthetics in five sections. I will start by briefly describing what I mean by social problems. Second, I (...)
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  14.  1
    Everyday Aesthetics Solving Social Problems.Ossi Naukkarinen - 2021 - Espes. The Slovak Journal of Aesthetics 11 (1):151-164.
    What is the role of aesthetics, everyday aesthetics in particular, in processes of solving social problems? Many if not most social problems arise from and affect our daily lives. As far as these problems contain aesthetic aspects, these typically are also of an everyday kind. In this paper, I address the relations between social problems and everyday aesthetics in five sections. I will start by briefly describing what I mean by social problems. Second, I (...)
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  15.  5
    Everyday Aesthetics and Philosophical Hermeneutics.Carsten Friberg - 2021 - Espes. The Slovak Journal of Aesthetics 10 (2):103-117.
    This article discusses Everyday Aesthetics seen from philosophical hermeneutics where aesthetics is understood as a form of knowledge. Two approaches are made, one concerning content, i.e. the knowledge made apparent to us in the aesthetic situation which is usually, but not exclusively, an exception to the everyday; another concerning the appearance of knowledge in form which, likewise, is also in danger of becoming isolated from the everyday. Everyday Aesthetics is reviewed through the same (...)
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  16. From Everyday Aesthetics to Rethinking Existence. The Possible Dialogue Between Jean Luc Nancy’s Ontology and the Aesthetics of the Everyday.Natasha Luna Málaga - 2021 - Espes. The Slovak Journal of Aesthetics 11 (1):88-102.
    My aim is to argue that Jean Luc Nancy’s conception of _Being_ can be particularly valuable for underlining Everyday Aesthetics’ specificity and thus for revealing its philosophical worth, one that I believe is overshadowed when treating Everyday Aesthetics solely as an extension of traditional aesthetics. Nancy’s ontology is nevertheless rooted in the Heideggerian perspective of _Being_, and is thus seemingly opposite to an Anglo-American approach, which is the sort of ground that Everyday Aesthetics (...)
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  17.  58
    Everyday Aesthetics (Review).Nathalie Blanc - 2011 - Journal of Aesthetic Education 45 (2):122-124.
    The work is divided into five chapters. The first, “Neglect of Everyday Aesthetics,” speaks of the fact that although the question of aesthetics has been enriched and enlarged by objects long ignored, with notable design, aesthetics is essentially a discourse on art. This is problematic in the sense that many implications of our aesthetic judgment escape all problematic reflexion if we stay centered on art. The aesthetic activity brings ethic choices (to prefer this or that type (...)
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  18.  1
    Everyday Aesthetics and Philosophical Hermeneutics.Carsten Friberg - 2021 - Espes. The Slovak Journal of Aesthetics 11 (1):103-117.
    This article discusses Everyday Aesthetics seen from philosophical hermeneutics where aesthetics is understood as a form of knowledge. Two approaches are made, one concerning content, i.e. the knowledge made apparent to us in the aesthetic situation which is usually, but not exclusively, an exception to the everyday; another concerning the appearance of knowledge in form which, likewise, is also in danger of becoming isolated from the everyday. Everyday Aesthetics is reviewed through the same (...)
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  19.  30
    Everyday Aesthetics: Prosaics, the Play of Culture and Social Identities: Book Reviews. [REVIEW]Y. Saito - 2008 - British Journal of Aesthetics 48 (4):461-463.
    This ground-breaking book brings to life a neglected topic: our everyday aesthetic interactions with the world around us and the objects in it. Yuriko Saito shows how exploring everyday aesthetics can enrich the content of our aesthetic discourse, and reveals the its influence on the state of the world and our quality of life.
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  20.  11
    Pragmatists on the Everyday Aesthetic Experience.Alexander Kremer - 2020 - Espes. The Slovak Journal of Aesthetics 9 (2):66-74.
    Although the first ‘pragmatist aesthetics’ was devised by John Dewey in his Art as Experience, Richard Shusterman has been the only scholar to use the notion of “pragmatist aesthetics” in his Pragmatist Aesthetics. In this paper, I show that Dewey already refuses the gap between the practices of the ‘artworld’ and that of everyday life. In Art as Experience, he criticizes the ‘museum conception’ of art to argue that some aesthetic experiences in our daily life have (...)
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  21.  8
    Everyday Aesthetics and Design of Information Technology.Anna Croon & Erik Stolterman - forthcoming - Techne: Design Aesthetics: Die Frage Über Technik.
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  22.  11
    An Introduction to Everyday Aesthetics in Education.Guillermo Marini - 2020 - Studies in Philosophy and Education 40 (1):39-50.
    The purpose of this paper is to introduce everyday aesthetics in education. First, it presents everyday aesthetics as a subdiscipline within philosophical aesthetics, that revisits sensory perception as the backdrop of all experience, claims ordinary life is a proper venue for aesthetic inquiry, and problematizes the impact aesthetic preferences have on habitual decisions. Second, the paper argues that among the diverse matters students learn in school, they learn—explicitly or implicitly—what and how to perceive, as well (...)
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  23.  45
    Everyday Aesthetics: Prosaics, the Play of Culture and Social Identities.Theodore Gracyk - 2008 - Journal of Aesthetics and Art Criticism 66 (4):422-424.
  24.  10
    Everyday Aesthetics and World-Making.Yuriko Saito - 2020 - Contrastes: Revista Internacional de Filosofía 25 (3):35-54.
    The project of world-making is carried out not only by professional world-makers, such as designers, architects, and manufacturers. We are all participants in this project through various decisions and judgments we make in our everyday life. Aesthetics has a surprisingly significant role to play in this regard, though not sufficiently recognized by ourselves or aestheticians. This paper first illustrates how our seemingly innocuous and trivial everyday aesthetic considerations have serious consequences which determine the quality of life and (...)
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  25.  6
    Everyday Aesthetics in the Dialogue of Chinese and Western Aesthetic Sensibilities.Loreta Poškaitė - 2020 - Dialogue and Universalism 30 (3):225-244.
    The paper examines the intercultural dimension of everyday aesthetics which was promoted by one of its most important Chinese proponents Liu Yuedi as a search for dialogue between various aesthetic traditions, in particular, those from the East and West. The aim of the paper is to explore some parallels between the traditional Chinese and contemporary Western aesthetic sensibilities, by looking for their common values and concepts which are gaining prominence in the discourse of everyday aesthetics. It (...)
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  26.  99
    Review: Everyday Aesthetics: Prosaics, the Play of Culture and Social Identities. [REVIEW]Tim Corballis - 2008 - Thesis Eleven 95 (1):147-149.
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  27.  40
    Everyday Aesthetics, by Yuriko Saito.A. Carlson - 2009 - Mind 118 (471):874-878.
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  28. The Definition of Everyday Aesthetics.'.Kevin Melchionne - 2013 - Contemporary Aesthetics 11.
     
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  29.  22
    An Everyday Aesthetic Impulse: Dewey Revisited.Joaquin Zuñiga - 1989 - British Journal of Aesthetics 29 (1):41-46.
  30.  18
    Everyday Aesthetics.R. Wilkinson - 2009 - British Journal of Aesthetics 49 (2):191-194.
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  31.  4
    Kant and Everyday Aesthetics.Thomas W. Leddy - 2020 - In Stefano Marino & Pietro Terzi (eds.), Kant’s ›Critique of Aesthetic Judgment‹ in the 20th Century: A Companion to its Main Interpretations. De Gruyter. pp. 339-358.
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  32. Experience and Awe: An Expansive Approach to Everyday Aesthetics.Thomas Leddy - 2015 - Contemporary Aesthetics 13.
    As opposed to Melchionne and Naukkarinen, I defend an expansive definition of everyday aesthetics, one that includes festivals, tourism, and many daily activities of artists and other professionals, along with most ordinary and common experiences. I argue for continuities between aesthetics of everyday life and the aesthetics of art and nature. Looking through a window, for example, may involve aspects of all three. Although I agree with Melchionne that everyday aesthetics is closely related (...)
     
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  33. The Investigations' Everyday Aesthetics of Itself.Stanley Cavell - 2004 - In John Gibson Wolfgang Huemer (ed.), The Literary Wittgenstein. Routledge. pp. 21--33.
     
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  34.  2
    The Dialectic of Presence and Interpretation in Everyday Aesthetics: Applying Heidegger and Gumbrecht to a Walk in One’s Neighborhood.Thomas Leddy - 2021 - Espes. The Slovak Journal of Aesthetics 10 (2):56-71.
    Gumbrecht’s Heidegger-inspired book, Production of Presence, provides valuable tools for resolving issues in everyday aesthetics. Gumbrecht distinguishes between “presence cultures” and “interpretation cultures.” We live in an interpretation culture, and yet even in our culture there are presence effects. Gumbrecht understands aesthetic experience in terms of the idea of presence. His paradigms are great works of art and great athletic events, all of which take us away from the everyday. I argue that his theory can be adapted, (...)
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  35. Paths From the Philosophy of Art to Everyday Aesthetics.Oiva Kuisma, Sanna Lehtinen & Harri Mäcklin (eds.) - 2019 - Helsinki, Finland: Finnish Society for Aesthetics.
    During the past few decades, everyday aesthetics has established itself as a new branch of philosophical aesthetics alongside the more traditional philosophy of art. The Paths from Philosophy of Art to Everyday Aesthetics explores the intimate relations between these two branches of contemporary aesthetics. The essays collected in this volume discuss a wide range of topics from aesthetic intimacy to the nature of modernity and the essence of everydayness, which play important roles both in (...)
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  36. Beyond the Call of Beauty: Everyday Aesthetic Demands Under Patriarchy.Alfred Archer & Lauren Ware - 2018 - The Monist 101 (1):114-127.
    This paper defends two claims. First, we will argue for the existence of aesthetic demands in the realm of everyday aesthetics, and that these demands are not reducible to moral demands. Second, we will argue that we must recognise the limits of these demands in order to combat a widespread form of gendered oppression. The concept of aesthetic supererogation offers a new structural framework to understand both the pernicious nature of this oppression and what may be done to (...)
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  37. The Third Tear in Everyday Aesthetics.'.Katya Mandoki - 2010 - Contemporary Aesthetics 8.
     
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  38.  9
    A Deweyan Approach to the Dilemma of Everyday Aesthetics.Thomas Leddy - 2021 - European Journal of Pragmatism and American Philosophy 13 (1).
    Everyday aesthetics is a new sub-discipline of aesthetic theory that has only been actively discussed since the 1980s. This paper addresses what many consider the central issue of the field, called “the dilemma of everyday aesthetics.” I discuss three authors who address this issue: Yuriko Saito, Allen Carlson, and Paisley Livingston. Drawing on Dewey’s anti-dualist stance, I argued for a continuity between the aesthetics of everyday life and the aesthetics of art. In course (...)
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  39.  49
    The Promise, the Challenge, of Everyday Aesthetics.Jane Forsey - 2014 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 7 (1):5-21.
    This paper provides a critical assessment of two diverse methodological approaches in the contemporary movement of Everyday Aesthetics. The “weak formulation” asserts that ordinary objects are best understood on the model of fine art. I counter this claim with a distinction between aesthetic and artistic value. The “strong formulation” develops an ethical-existential theory of the everyday as one of belonging and familiarity which nevertheless causes us to lose what is uniquely aesthetic about our ordinary lives. I strive (...)
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  40.  2
    Modes of Experience: Everyday Aesthetics Between Erlebnis and Erfahrung.Giovanni Matteucci & Gioia Laura Iannilli - 2021 - Espes. The Slovak Journal of Aesthetics 11 (1):39-55.
    This paper focuses on the notion of experience, whose conceptual analysis seems to be often neglected or at least not sufficiently made explicit in the current discourse on Everyday Aesthetics. In our investigation this notion will be tackled, in particular, through the lens of such concepts as _Erlebnis, Erfahrung_, and _Lebenswel_t, which are drawn from the continental philosophical tradition. Purpose of the paper is to present a provisional framework aimed at clarifying that a more accurate conceptualization of experience (...)
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  41. Yuriko Saito, Everyday Aesthetics.Sheila Lintott - 2009 - Philosophy in Review 29 (5):371.
     
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  42.  48
    Wim Wenders and the Everyday Aesthetics of Technology and Space.Andrew Light - 1997 - Journal of Aesthetics and Art Criticism 55 (2):215-229.
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  43.  1
    Modes of Experience: Everyday Aesthetics Between Erlebnis and Erfahrung.Giovanni Matteucci & Gioia Laura Iannilli - 2021 - Espes. The Slovak Journal of Aesthetics 10 (2):39-55.
    This paper focuses on the notion of experience, whose conceptual analysis seems to be often neglected or at least not sufficiently made explicit in the current discourse on Everyday Aesthetics. In our investigation this notion will be tackled, in particular, through the lens of such concepts as Erlebnis, Erfahrung, and Lebenswel t, which are drawn from the continental philosophical tradition. Purpose of the paper is to present a provisional framework aimed at clarifying that a more accurate conceptualization of (...)
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  44.  15
    Review of Yuriko Saito, Everyday Aesthetics[REVIEW]Tom Leddy - 2009 - Notre Dame Philosophical Reviews 2009 (2).
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  45.  13
    Affirming Difference: Everyday Aesthetic Experience After Phenomenology.Wood Roberdeau - 2011 - Contemporary Aesthetics 9.
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  46. Reflections on Everyday Aesthetics. Considerations on Photography – Insights From Nino Migliori’s Works.Laura Rossi - 2021 - Espes. The Slovak Journal of Aesthetics 11 (1):206-215.
    This interview covers topics related to Everyday Aesthetics and confirms the multi-faceted, rich and inclusive environment surrounding Nino Migliori,1 both as a human being and as a photographer. In particular, the experience from some of his workshops reveal how such concepts as space and time, playing and experiencing, amplify and broaden the classic definition of Everyday Aesthetics provided by field literature.2 More generally, this approach also provides a cue to conduct an aesthetic analysis that is free (...)
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  47.  3
    The Dialectic of Presence and Interpretation in Everyday Aesthetics: Applying Heidegger and Gumbrecht to a Walk in One’s Neighborhood.Thomas Leddy - 2021 - Espes. The Slovak Journal of Aesthetics 11 (1):56-71.
    Gumbrecht’s Heidegger-inspired book, _Production of Presence_, provides valuable tools for resolving issues in everyday aesthetics. Gumbrecht distinguishes between “presence cultures” and “interpretation cultures.” (Gumbrecht 2004) We live in an interpretation culture, and yet even in our culture there are presence effects. Gumbrecht understands aesthetic experience in terms of the idea of presence. His paradigms are great works of art and great athletic events, all of which take us away from the everyday. I argue that his theory can (...)
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  48.  2
    Reflections on Everyday Aesthetics. Considerations on Photography – Insights From Nino Migliori’s Works.Laura Rossi - 2021 - Espes. The Slovak Journal of Aesthetics 10 (2):206-215.
    This interview covers topics related to Everyday Aesthetics and confirms the multi-faceted, rich and inclusive environment surrounding Nino Migliori,1 both as a human being and as a photographer. In particular, the experience from some of his workshops reveal how such concepts as space and time, playing and experiencing, amplify and broaden the classic definition of Everyday Aesthetics provided by field literature.2 More generally, this approach also provides a cue to conduct an aesthetic analysis that is free (...)
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  49.  2
    Decorum. An Ancient Idea for Everyday Aesthetics?Elisabetta Di Stefano - 2021 - Espes. The Slovak Journal of Aesthetics 11 (1):25-38.
    Everyday Aesthetics was born in the 21 st Century as a sub-discipline of Anglo-American Aesthetics and it has spread in the international debate. However, the contribute of historical perspective has not properly explored yet. Is it possible to trace the history of everyday aesthetics before the official birth of this discipline? I will try and give an affirmative answer by focusing on an exemplary category: that of the decorum. Using the history of ideas, I will (...)
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  50.  16
    The Spectator and Everyday Aesthetics.Brian Michael Norton - 2015 - Lumen: Selected Proceedings From the Canadian Society for Eighteenth-Century Studies 34:123.
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