35 found
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  1. Art and the Religious Experience: The Language of the Sacred.F. David Martin - 1975 - Religious Studies 11 (3):381-383.
  2.  19
    Form and Meaning: Essays on the Renaissance and Modern Art.F. David Martin - 1980 - Journal of Aesthetics and Art Criticism 38 (4):479-480.
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  3.  49
    The Autonomy of Sculpture.F. David Martin - 1976 - Journal of Aesthetics and Art Criticism 34 (3):273-286.
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  4.  22
    The Persistent Presence of Abstract Painting.F. David Martin - 1969 - Journal of Aesthetics and Art Criticism 28 (1):23-31.
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  5.  3
    Art and the Religious Experience: The Language of the Sacred.Don Ihde & F. David Martin - 1972 - Journal of Aesthetic Education 7 (2):115.
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  6.  4
    Naming Paintings.F. David Martin - 1964 - Memorias Del XIII Congreso Internacional de Filosofía 8:347-352.
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  7.  5
    Heidegger's Being of Things and Aesthetic Education.F. David Martin - 1974 - Journal of Aesthetic Education 8 (3):87.
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  8. Art and Belief.F. David Martin - 1971 - Journal of Aesthetics and Art Criticism 29 (4):537-538.
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  9.  13
    William Preston Warren 1901-1988.Joseph P. Fell & F. David Martin - 1988 - Proceedings and Addresses of the American Philosophical Association 62 (2):317 -.
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  10. Artistry: The Work of Artists.V. A. Howard & F. David Martin - 1985 - Human Studies 8 (2):183-190.
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  11.  7
    Sculpture and Enlivened Space.George W. Linden & F. David Martin - 1982 - Journal of Aesthetic Education 16 (4):112.
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  12.  4
    Art and Existence: A Phenomenological Aesthetic. [REVIEW]F. David Martin - 1974 - Journal of Aesthetic Education 8 (2):112.
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  13.  70
    Architecture and the Aesthetic Appreciation of the Natural Environment.F. David Martin - 1979 - Journal of Aesthetics and Art Criticism 38 (2):189-190.
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  14.  4
    Art and the Theological Imagination. [REVIEW]F. David Martin - 1980 - Journal of Aesthetic Education 14 (2):116.
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  15.  5
    Art in Action: Toward a Christian Aesthetic. [REVIEW]F. David Martin - 1982 - Journal of Aesthetic Education 16 (1):114.
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  16.  17
    Behind Appearance.F. David Martin - 1974 - Process Studies 4 (1):51-55.
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  17. Kandinsky and Ashmore: A Comment.F. David Martin - 1979 - Ultimate Reality and Meaning 2 (3):257.
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  18.  13
    On Enjoying Decadence.F. David Martin - 1959 - Journal of Aesthetics and Art Criticism 17 (4):441-446.
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  19.  92
    On Portraiture: Some Distinctions.F. David Martin - 1961 - Journal of Aesthetics and Art Criticism 20 (1):61-72.
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  20.  78
    On the Supposed Incompatibility of Expressionism and Formalism.F. David Martin - 1956 - Journal of Aesthetics and Art Criticism 15 (1):94-99.
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  21. Reviews and Evaluations of Articles.F. David Martin - 1979 - Ultimate Reality and Meaning 2:257.
     
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  22. Rudolf Arnheim, The Power of The Center: A Study of Composition in The Visual Arts.F. David Martin - 1983 - Journal of Aesthetics and Art Criticism 41 (4):448-450.
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  23.  8
    Response to Ronald E. Roblin.F. David Martin - 1978 - Journal of Aesthetic Education 12 (3):93.
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  24. Sculpture and Enlivened Space Aesthetics and History /F. David Martin. --. --.F. David Martin - 1980 - University Press of Kentucky, C1981.
     
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  25.  81
    Spiritual Asymmetry in Portraiture.F. David Martin - 1965 - British Journal of Aesthetics 5 (1):6-13.
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  26.  40
    Sculpture and Place.F. David Martin - 1976 - Dialectics and Humanism 3 (2):45-55.
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  27.  7
    Sculpture and "Truth to Things".F. David Martin - 1979 - Journal of Aesthetic Education 13 (2):11.
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  28.  40
    Sculpture, Painting, and Damage.F. David Martin - 1978 - Journal of Aesthetics and Art Criticism 37 (1):47-52.
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  29.  5
    The.F. David Martin - 1975 - Dialectics and Humanism 2 (2):25-43.
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  30.  82
    The Arts and the ‘Between’.F. David Martin - 1977 - British Journal of Aesthetics 17 (1):22-36.
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  31.  20
    The Aesthetic in Religious Experience.F. David Martin - 1968 - Religious Studies 4 (1):1 - 24.
    William James catalogued an amazing diversity of religious experiences. Yet even the pluralistic James was able to find a nucleus, consisting of an uneasiness and its solution, ‘1. The uneasiness, reduced to its simplest terms, is a sense that there is something wrong about us as we naturally stand. 2. The solution is a sense that we are saved from the wrongness by making proper connection with the higher powers.’ But by stressing the moral factor, James seems to exclude those (...)
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  32.  6
    The "Between": Brancusi, Moore, and Giacometti.F. David Martin - 1975 - Dialectics and Humanism 2 (2):25-43.
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  33.  24
    The Power of Music and Whitehead's Theory of Perception.F. David Martin - 1967 - Journal of Aesthetics and Art Criticism 25 (3):313-322.
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  34.  25
    Unrealized Possibility in the Aesthetic Experience.F. David Martin - 1955 - Journal of Philosophy 52 (15):393-400.
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  35.  11
    Symbol and Myth: Humbert de Superville's Essay on Absolute Signs in Art.F. David Martin - 1981 - Journal of Aesthetics and Art Criticism 40 (2):233-234.
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