Results for 'Faciality'

11 found
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  1.  8
    The Blob and the Magic Lantern: On Subjectivity, Faciality and Projection.Johanna Malt - 2013 - Paragraph 36 (3):305-323.
    Through an examination of Proust's ‘magic lantern’ scene from the opening of A la recherche du temps perdu, alongside the work of the contemporary installation artist Tony Oursler, this article takes projection as a means of exploring the relationship between subjectivity and embodiment. Reading them in conjunction with Deleuze and Guattari's concept of ‘faciality’, I argue that Oursler's installations, combining performance, sculpture and video art, explore the fate of the body subjected to signification and can be described as ‘tragedies (...)
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  2. Blinding Visions : Levinas, Ethics, Faciality.Libby Saxton - 2010 - In Lisa Downing (ed.), Film and Ethics: Foreclosed Encounters. Routledge.
  3. Mapping Teacher-Faces.Greg Thompson & Ian Cook - 2013 - Studies in Philosophy and Education 32 (4):379-395.
    This paper uses Deleuze and Guattari’s concept of faciality to analyse the teacher’s face. According to Deleuze and Guattari, the teacher-face is a special type of face because it is an ’overcoded’ face produced in specific landscapes. This paper suggests four limit-faces for teacher faciality that actualise different mixes of signifiance and subjectification in a classroom in which individualisation and massifications are affected. Understanding these limit-faces suggests new ways to conceive the affects actualised in the classroom that are (...)
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  4.  19
    The Face Revisited: Using Deleuze and Guattari to Explore the Politics of Algorithmic Face Recognition.Claudio Celis Bueno - 2020 - Theory, Culture and Society 37 (1):73-91.
    This article explores the political dimension of algorithmic face recognition through the prism of Gilles Deleuze and Félix Guattari’s notion of faciality. It argues that algorithmic face recognition is a technology that expresses a key aspect of contemporary capitalism: the problematic position of the individual in light of new forms of algorithmic and statistical regimes of power. While there is a clear relation between modern disciplinary mechanisms of individualization and the face as a sign of individuality, in control societies (...)
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  5.  40
    Reterritorializing Subjectivity.Brian Schroeder - 2012 - Research in Phenomenology 42 (2):251-266.
    Abstract The philosophies of Deleuze, Guattari and Levinas are taken up in an effort to advance the ethical, political, and technological implications of how we interpret, inhabit, and territorialize the Earth. The difference between their views on the relation between immanence and transcendence and their respective analyses of the face and faciality are brought to bear in addressing the questions of ethics, politics, and values in relation to the constitution and liberation, or resingularization, of subjectivity. The contemporary world has (...)
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  6.  90
    Dismantling the Face: Pluralism and the Politics of Recognition.Simone Bignall - 2012 - Deleuze and Guatarri Studies 6 (3):389-410.
    Plural expressions of ‘belonging’ in postcolonial and multicultural societies give particular emphasis to a politics of cultural recognition. Within nations, diverse communities call for acknowledgement of their aspirations, for fair representation in public life and for protection of the distinctive cultural practices and beliefs that define and help to sustain minoritarian identities. Recognition is also important for group self-concept and cohesion, and so plays a vital role in the creation of stable platforms for political resistance. This essay explores Deleuze and (...)
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  7.  47
    Scoring the Rhizome: Bussotti's Musical Diagram.Ronald Bogue - 2014 - Deleuze and Guatarri Studies 8 (4):470-490.
    The score of Piece Four of Sylvano Bussotti's Five Piano Pieces for David Tudor is the most important image in A Thousand Plateaus. It serves as a prefatory image not only to the Rhizome plateau, but also to the work as a whole. It functions as the book's musical score, guiding readers in their performance of the text. Embracing John Cage's graphism and aleatory practices, Bussotti created his own ‘aserial’ new music, one that celebrated passion and Bussotti's open homosexuality. The (...)
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  8.  20
    Ever Since the World Began: A Reading & Interview with Masha Tupitsyn.Masha Tupitsyn & The Editors - 2013 - Continent 3 (1):7-12.
    "Ever Since This World Began" from Love Dog (Penny-Ante Editions, 2013) by Masha Tupitsyn continent. The audio-essay you've recorded yourself reading for continent. , “Ever Since the World Began,” is a compelling entrance into your new multi-media book, Love Dog (Success and Failure) , because it speaks to the very form of the book itself: vacillating and finding the long way around the question of love by using different genres and media. In your discussion of the face, one of the (...)
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  9.  20
    Aesthetics in the 21st Century: Walter Derungs & Oliver Minder.Peter Burleigh - 2012 - Continent 2 (4):237-243.
    Located in Kleinbasel close to the Rhine, the Kaskadenkondensator is a place of mediation and experimental, research-and process-based art production with a focus on performance and performative expression. The gallery, founded in 1994, and located on the third floor of the former Sudhaus Warteck Brewery (hence cascade condenser), seeks to develop interactions between artists, theorists and audiences. Eight, maybe, nine or ten 40 litre bags of potting compost lie strewn about the floor of a high-ceilinged white washed hall. Dumped, split (...)
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  10.  9
    Heideggerian Epistemology and Personalized Technologies.Theodore Kabouridis - 2015 - Ethics and Information Technology 17 (2):139-151.
    The paper examines the personalization of information technology from the p.c. onwards to the 3-D printing and mobile technologies in order to show that the current process of technological evolution puts the human personality in the centre of its functionality. This new centre opens the discussion about authenticity and in-authenticity of human Dasein, since the common element of these new technologies is that they employ faciality and personalization in a new condition of ready-to-hand and present-at-hand mode. By applying the (...)
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  11.  6
    The Machinic Unconscious: Essays in Schizoanalysis.Taylor Adkins (ed.) - 2010 - Semiotext(E).
    We certainly have the unconscious that we deserve, an unconscious for specialists, ready-made for an institutionalized discourse. I would rather see it as something that wraps itself around us in everyday objects, something that is involved with day-to-day problems, with the world outside. It would be the possible itself, open to the socius, to the cosmos...--from The Machinic Unconscious: Essays in SchizoanalysisIn his seminal solo-authored work The Machinic Unconscious, Félix Guattari lays the groundwork for a general pragmatics capable of resisting (...)
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